In this work, Shen Yue expresses the melancholy of looking far away from a high platform. He writes it in a light and gentle way, just like "Now that I have experienced all the sorrow, I want to say it but I can't, but I say it's been a cool autumn." It is light yet far-reaching but reaches people's hearts. It expresses a kind of regret that manpower has been exhausted but destiny has not returned. "Lingaotai" is one of the eighteen drum songs of the Han Dynasty. "Yuefu Jietie" says: "An ancient saying goes: 'When you are facing a high platform, you will see yellow swans flying over the clear water below. Close your bow and shoot them, which will make our lord ten thousand years old.' Ruo Qi Xie Tiao, 'Thousands of miles away, I always think of returning home', but Lin Lin It's just a sad feeling. "Linggaotai" written by He Chengtian of the Song Dynasty said: "Linggaotai, looking at Tianxu, floating lightly and reaching Taixu", it means that it transcends the imperial hometown and meets Yaotai. "According to the collection of Yuefu Poems of Wei Dynasty. Emperor Wen Cao Pi's "Lin Gaotai" is the so-called ancient poem in "Yuefu Ancient Titles", and the works of Xie Tiao, Wang Rong, Emperor Wen of Liang Jian, Shen Yue, Chen Houzhu, Zhang Zhengjian, and Xiao Cui may refer to the "Gaotai Wangyuan". Love, or write about the scenery overlooking Chongtai. It can be seen that poets since Qi and Liang Dynasties have regarded "Lingaotai" as the title of a poem. This work by Shen Yue expresses the melancholy of looking far away from a high platform. It is one of the better poems on this topic among the poets of the Six Dynasties. Start from the beginning and write from the opposite side. The "high platform" is supposed to look far away, but instead it says "out of reach". It rises suddenly and gives people suspense. Then, use the thimble pattern to repeat the word "look" at the end of the previous sentence to explain the suspense raised - "Looking far away makes people sad." The two sentences are vertical and closed, opening and closing, with waves of pauses and ups and downs, but at the same time they appear smooth, free and full of momentum. The following is written closely around the idea of ??"Looking far away makes people sad". "There is no break in the mountains, and the river is endless." Three or four sentences describe what you can see from the high platform: the overlapping mountains stretch out into the distance without any break; the long and continuous river also meanders forward. Go, there is no end in sight. The vast and far-reaching scenery of mountains and rivers seen when climbing up should make people feel distant, but because the person they miss is far away from the "mountains" and "rivers", the overlapping mountains instead block the distant view, and the long and distant scenery is blocked. The river water also pulls my long and distant feelings even more. The two sentences are written in large places, describing the scenery comprehensively, and the scenery embodies emotions. It makes people imagine the sense of emptiness and melancholy that the poet felt when he looked at the mountains and rivers beyond his reach. He did not express his sorrow but felt his sorrow. As if to explain the questions in the readers' minds, the next two sentences clearly explain the location of the person they are thinking about in the form of self-questions and answers: "Where are you thinking about? On the south street of Luoyang." He is in the south of the Yangtze River, and the other person is As far as Luoyang, it is not only far away, but also isolated from the north to the south. These two sentences are like a general narrative, but as mentioned above, they just explain the location of the person who is thinking about it. The beauty is that the self-questions and answers reveal a kind of worry and helpless emotion that is difficult to resolve, and the swaying style is strengthened. This sad and helpless emotion. The seven or eight sentences are summarized based on the scene description, lyricism and narrative of the previous six sentences: "If you can't see it, what's the use of relieving people's worries?" Looking into the distance is supposed to relieve worries, but if you can't see it, it will increase the sorrow of separation. It is better to give up hope. This couplet reflects the "unhopeful" and "sad" of the first couplet, and it is connected from beginning to end. The meaning of the poem is very clear and simple, but it expresses the sorrow of being invisible from a high platform, and there are no deliberately crafted aphorisms. It is completely simple and common language, but when reading it, one feels that there is a sincere emotion flowing between the lines, and one can clearly feel it. The rhythm of iambic opening and closing and the ups and downs of emotion. Shen Yue is an advocate of new-style poetry, but his masterpieces such as "Farewell to Fan Ancheng" and this chapter are quite typical examples of the simple and sincere emotions and meaningful emotions of ancient Han and Wei Dynasty poems. This shows that it takes a long time for a new poetry theory and system to mature from advocacy to maturity, while the old system and writing methods are often easier to use. In the era when Shen Yue lived, the confrontation between the North and the South had lasted for more than a century. It may be difficult to determine whether the person mentioned in the poem who is thinking far away in the "South Street of Luoyang" is a real person or a fictitious person, whether it is realistic or metaphorical. Interestingly, the image of "Luoyang Road" also appeared in "Lingao Terrace" written by Emperor Jianwen of Liang Dynasty. The poem goes: "The high platform is half-lined with clouds, and the sky is not very high. The grass and trees are uneven, and the mountains and rivers are of the same color. It is like Luoyang Road. , It’s hard to recognize after a long journey. Old lovers on the jade steps, love comes to remember each other." Comparing it with Shen, it seems that the "lover" he is thinking of has a somewhat virtual symbolism. But what it refers to is difficult to predict.
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