The first film is a speech to persuade people to drink, and it is also to persuade themselves to seek comfort in wine and seek joy in drunkenness. The first sentence is a documentary, pointing out that it was written the day after Chongyang. Because history should have a harmonious word, and it is only these days to write another one. Chrysanthemum appreciation and drinking have long been inseparable. Use "Huang Juhua" to naturally transition to "wine glass", which leads to the next sentence "Don't let the wine glass dry in life". It means that wine has its own joy and world, so there should always be wine in the cup and it should grow into the wine. "In front of the wind, the flute blows rain obliquely, and the drunken flowers hang upside down", deliberately writing romantic behavior and drunkenness, indicating that wine has another realm. Playing the flute through the wind and rain, arranging flowers on the head and inverting the hat are all outdated wild behaviors. Only when you are drunk can you be so presumptuous.
The next film is an insult and challenge to the secular world. "Live, and eat. The dance skirt is full of joy. " It is still a kind of abnormal psychology, which means that the world is troubled, right and wrong are reversed, and the world is declining and irreversible. I just want to be healthy and happy at the moment, and nothing else. This is a negative statement. It is certain that "yellow flowers and white hairs hold hands and people look at them coldly when they give them". Chrysanthemum is in full bloom in Ao Shuang. It is often used as a metaphor for people getting older and stronger, so it is called "Yellow Flower Festival". The white-haired people here are holding yellow flowers, which are clearly aimed at resisting frost, and they will never go along with it and deliberately show it to the secular people. This is naturally an insult to the secular world and cannot be understood and tolerated by people at that time.
This word uses concise pen and ink to outline the image of a madman, expresses the resentment in the valley for a long time, and shows the silent resistance to the dark and dirty social reality. The hero's image portrayed in Ci expresses pent-up resentment and injustice in a self-entertaining, bohemian and profane way, ridicules and resists the political persecution in reality, and embodies the poet's lofty ideal of getting rid of the secular bondage. Behind the hero's broad-minded appearance is endless bitterness and pain.