"It rained last night and suddenly it blew" means it rained last night and blew badly. Sparse means sparse writing, not the usual sparse meaning. It's spring, and the famous flowers are just right, but the wind and rain are coming, so I'm in a bad mood and can't sleep, so I can only drown my sorrows by drinking. I drank too much and slept like a log. When I woke up, it was already dawn. But last night's expression was already like being separated from my chest, so I asked all the way what was hanging in my heart. Therefore, she eagerly asked Yu Heng, the maid who opened the shutters: What about Haitang? The maid took a look and smiled and replied, "Yes, Haitang hasn't changed at all after a night of wind and rain!" The hostess listened and sighed; "Silly girl, do you know that Haitang is less red and more green? ? "
This dialogue shows what poetry and painting can't, and shows the complex air tone of the ladies who are hurt by spring and easy to spring, which can be described as a vivid pen. Taking "deep sleep" and "residual wine" as a bridge, the author wrote the time change and psychological evolution from white night to dawn. Then a "roller blind" skillfully and appropriately broke the dawn of the day. However, the person who asked the shutter didn't mention anything, only revealed the answer.
It's really wonderful, without trace. Poets are happy for flowers, sad for flowers, drunk for flowers, and angry for flowers. In fact, they are hurting and cherishing spring, using flowers as a metaphor to lament that their youth is fleeting.
This article is one of Li Qingzhao's early ci poems. The ci fully embodies the author's love for nature and spring. This is a simple poem. It is written that nature experienced a storm in the spring night, and the poet foresaw that the flowers and trees in the garden must be lush and green. So, the next morning, she eagerly asked the "confined person" about the outdoor changes, but the careless "confined person" replied "Haitang is still there." In this regard, the poet can't help but use two "know whether" and one "should" to correct his careless observation and wrong answer. The phrase "green and fat and red and thin" vividly reflects the author's regret that spring has gone and spring has come. Editing this passage and appreciating Li Qingzhao's works Although Li Qingzhao is not a prolific writer of ci collections [2], there are only 40 or 50 ci poems that have been circulated so far, but they are all "useless works" and "many poets". For example, this song "Like a Dream" is an immortal masterpiece "called by the world". This poem, with its characters, scenes and dialogues, fully demonstrates the expressive power of the language of Song Ci and the poet's talent. After waking up, Xiaoci asked about the description of flowers, which tactfully expressed the poet's feelings of loving flowers and hurting spring, and even cherished the lost youth. The language is fresh, meaningful and thought-provoking. It rained heavily last night. It's spring, and the famous flowers are just right, but the wind and rain are coming, so I'm in a bad mood and can't sleep, so I can only drown my sorrows by drinking. I drank too much and slept like a log. As a result, I woke up and it was already dawn. But last night's mood was already across my chest, so we have to ask what is hanging in the air together. So, she asked the maid who cleaned the house and opened the blinds: What happened to Begonia? The maid took a look and smiled and replied, "Yes, Haitang hasn't changed at all after a night of wind and rain!" The hostess listened and sighed; "Silly girl, do you know that the green leaves of begonia flowers are lush and the red flowers are withered?" How to understand the first two sentences is controversial. Gaitui is logical: since it is "a deep sleep does not consume residual wine", (how do you know the "wind and rain" outside the house when "a deep sleep"? How do you know that "the rain suddenly dispersed last night"? Isn't this a contradiction? In fact, these two words cannot be understood by simple things in life, because the poet's original intention is not here, but through these two words to express his infinite love for flowers. Poems that cherish flowers talk more about wind and rain. Bai Juyi's poem "Two Precious Peony Poems" reads: "Those who are bright should spend all their flowers, while those who are at night should cherish the red and watch the fire." Feng Yansi's "Sauvignon Blanc" words: "The red branches are full of branches, the green branches are full of branches, and you get up late when you are tired." Zhou Bangyan's "Youth Tour" words: "One night the east wind, begonia blossoms, look at the shutters upstairs." The meaning of flowers scattered in the wind and rain is easy to understand. However, it is not easy to understand that "a deep sleep does not consume residual wine" is also about cherishing flowers. However, as long as you read more poems about flowers written by predecessors, it is not difficult to understand. Du fu's poem "three quatrains": "I would rather be drunk and the wind blows away, but I can endure the rain when I wake up." Wei Zhuang's You recorded Bao's poem Xi Hua Yin: "Flowers on branches, flowers on people, and poor colors are all youth. Yesterday, I saw flowers burning, but today I saw flowers falling. Drinking this flower is better than waiting for the spring breeze to blow. " These verses can be used as footnotes for "A sound sleep does not consume wine". Yi An said in the poem "Jade House Spring" praising Hongmei: "Red Crisp is willing to let Qiongbao break and explore the southern branches all over the place. ..... If you want a drink, you can't rest. " It is also a self-annotation of the sentence "sleeping". Although the wording of this word only means that I drank too much last night and haven't stopped since the next morning, there is another meaning behind this wording, that is, I was drunk last night because I cherish flowers. The poetess couldn't bear to see the flowering of Haitang in the Ming Dynasty. She drank too much wine under Haitang last night and is still drunk. There are many words about drinking in Shuyu Ci, which shows that Yi 'an lay man likes drinking. Drinking well will still lead to deep sleep. After deep sleep, the alcohol power has not completely disappeared, which is not a general overdose. As long as the reader thinks about it, why did the poet write the word "deep sleep without residual wine"? The answer can only be "cherish flowers". As far as the meaning of this word is concerned, it is the same as the poems quoted by Du Fu and Bao Wenji. However, the height of Yi 'an is to find a new way. Once you understand the meaning of "cherish flowers" hidden behind "deep sleep without consuming residual wine", then the understanding of the following sentence is "logical" The next three or four sentences are an inevitable reflection of the psychology of loving flowers. Although he was drunk all night, the first thing Xiao Qing cared about after waking up was the begonia in the garden. Knowing that Haitang couldn't stand the abrasion caused by sudden wind and rain overnight, the window must be a red mess, full of fallen flowers, but I couldn't bear to see it myself, so I tried to ask the maid who was rolling the curtains. The word "try" expresses the poet's ambivalence that he cares about flowers but is afraid to hear the news of flowers falling, and he can't bear to see them with his own eyes but wants to know what is going on. On the other hand, Zhou Bangyan's "Youth Tour": "One night, the east wind, begonia blossoms, look at the shutters upstairs." It's vulgar and tasteless. The result of "asking questions"-"But Haitang is still the same." The maid's answer surprised the poet. Originally, I thought that after a night of wind and rain, the begonia flower must have withered and deformed, but the maid rolled up the curtain and looked out, but casually replied: the begonia flower is still the same. The word "que" not only indicates that the maid is unaware of the hostess's doubts, but also indicates that the poet is puzzled after hearing the answer. She thought, "How can Begonia still exist after the rain clears?"? This naturally leads to the last two sentences. "You know what? Do you know that?/You know what? It should be green, fat and thin. " This is not only a rebuttal to the maid, but also a soliloquy: this careless girl, do you know that the begonia in the garden should be lush with green leaves and few red flowers! This dialogue shows what poetry and painting can't, and shows the complex expression and tone of the boudoir, which can be described as a vivid pen. "Should" indicates that the poet's speculation and judgment on the scenery outside the window is extremely appropriate. Because she has not witnessed it with her own eyes, she should leave room for her speech. At the same time, the word also implies the meaning of "must" and "have to". Although Haitang is heartless, it can't bloom forever. In short, there is endless helpless love for flowers, but the predicate is shallow and profound. And this layer's affection for flowers is naturally invisible to the "roller blinds" and does not need more attention. After all, she can't be as delicate as the hostess and have a deeper understanding of nature and life. This may be the reason why she gave the above answer. The last sentence "green and fat and red and thin" is the perfect pen of the whole word, which has been praised by the world. "Green" instead of leaves and "red" instead of flowers are the contrast of the two colors; "Fat" describes that the leaves after rain are lush and fat because of sufficient water, and "thin" describes that the flowers after rain are withered and scarce because of unbearable rain. This is the contrast between the two States. Four common words are so vivid and vivid through the collocation and combination of poets, which is really a creation in the use of language. Judging from these four words, the word "red and thin" indicates the gradual disappearance of spring, and "green manure" symbolizes the arrival of summer with green leaves. This very common language is really amazing. Hu Zai's "Tiaoxi Fishing Hidden from Conghua" said: "This language is very new." Comment on A Bie Lu of Caotang Poetry: "The end of the sentence is especially delicate." None of them are false names. This little word is only six sentences and thirty-three words, but it is written in a tortuous and euphemistic way, which is very hierarchical. The poet drinks heavily because he loves flowers, but he "questions" because he knows the gratitude of flowers, and asks questions because he doesn't believe the answer of "confinement". So he turned around step by step and expressed his love for flowers in a swaying way. "Selected Poems of Starting a prairie fire" says: "Short poems have numerous twists and turns, and nature is more sacred than words." The evaluation is very appropriate. The writing technique of editing this paragraph is anthropomorphic. "Fat" and "thin", two words originally used to describe people, are borrowed to describe the lush green leaves and the scarcity of safflower, implying the gradual disappearance of spring. Edit this passage and comment on Liaoyuan Huang's Selected Poems of Starting a prairie fire: "When asked affectionately, the answer is' return', and the answer is extremely weak. The sentence' Do you know' has come out.' Green, fat, red and thin' is infinitely sad, but interesting. There are countless twists and turns hidden in a short range, which is naturally more sacred than words. " Selected Poems of Hu and Song Dynasties: Before the subversion of the Northern Song Dynasty, Li Qingzhao wrote many poems about drinking and cherishing flowers, which reflected her extremely leisurely and elegant life atmosphere. Literally, this word expresses the hero's love for flowers in a few words, so vividly. "Green, fat, red and thin" is simple and vivid. Detailed explanation of hundreds of words in Tang and Song Dynasties: This word euphemistically expresses the hostess's feelings of loving flowers and cherishing jade in a few words, euphemistically vivid, simple and refined, and extremely vivid. The editor commented on Hu Zai in Song Dynasty: Recently, women can also write lyrics, such as many beautiful sentences by Li Yian. The small print says, "green, fat, red and thin" is very new. Chen Yu in Song Dynasty: Yi Lee worked hard to create ci, and the phrase "green and fat, red and thin" in Confucian Meng Ling is well known all over the world. I love Zhao Yanruo's poem "Cut the ribbon": "Flowers are red and leaves are green." "Green feeling" and "red meaning" seem to be better than Liu Yun. The first part of Hidden Words is the first part of Qing Dynasty, which can be compared with Dream Order written by Tang Zhuanggong. (Zhang Siyan's Chronicle, Volume 19) Xu Wei in Qing Dynasty: Li also had the Spring Festival Evening Dream, which was very popular. A brief introduction to the author of this paragraph compiled in the third volume of Ci Yuan Cong Tan
Li Qingzhao (1March, 08413 ~1May, 55 12) was a poetess in the Song Dynasty (at the turn of the North-South Song Dynasty). Her name was Yi, and she was from Zhangqiu, Jinan (now Jinan, Shandong). Born on the fifth day of February in Yuanfeng, the seventh year of Shinto religion (1084 March 13), he died on the tenth day of April in Shaoxing, the 25th year of Gaozong (1kloc-0/55 May 12). She was born in a scholarly family. Early life is easy. Her father, Li, has a rich collection of books and has laid a literary foundation in a good family environment since childhood. After their marriage, Zhao Mingcheng and her husband devoted themselves to the collection and arrangement of epigraphy and calligraphy, and engaged in academic research. Like-minded, happy life. Nomads from the Central Plains, living in the south, Zhao Mingcheng died of illness, and Li Qingzhao was alone. Experienced the prosperity and danger in the late Northern Song Dynasty and the turmoil in the early Southern Song Dynasty. Li Qingzhao was a rare talented woman in ancient China. She is good at calligraphy and painting, and is familiar with epigraphy, especially poetry. Her ci works are unique and spread through the ages, and are known as "a unique poet". Her ci can be divided into early stage and late stage. In the early stage, write more about your leisure life, describe your love life and natural scenery, and use beautiful rhymes. Such as "a plum, lotus root fragrance, autumn jade" and so on. Later, I lamented my life experience, recalled my hometown and felt sad. Such as "slow voice, looking for". Her personality is as awe-inspiring as her works. She has both women's Shu Xian and men's fortitude; There are both the cynicism of ordinary people and lofty patriotic feelings. She is not only talented and knowledgeable, but also has lofty ideals and heroic ambitions. She has made many achievements in the field of literature. Among her contemporaries, her poetry, prose and ci theory are outstanding. However, she worked the hardest, achieved the highest success and had the greatest influence on the creation of ci. Her ci has reached the pinnacle in art and is unique in the field of ci, forming her own unique artistic style-"Yi 'an Style". She does not pursue beautiful algae decoration, but extracts expressive "eight tones of common language", expresses her keen feelings about things around her by line drawing, depicts delicate psychological activities, expresses rich and varied emotional experiences, and shapes vivid artistic images. In her poems, sincere feelings and perfect forms are integrated. She developed the graceful school of "endless words and endless feelings" to the peak, thus winning the position of the "elder" of the graceful poet and becoming one of the representatives of the graceful poet. At the same time, the bold style of her poems made her unique in the Song Dynasty, which had a great influence on Xin Qiji, Lu You and later poets. Her outstanding artistic achievements won high praise from later scholars. Later generations thought that her ci "not only looked down on women, but wanted to overwhelm men". She is called "the greatest poetess in the Song Dynasty, the greatest poetess in the history of China literature" and has the reputation of "the first talented woman in history". Li Qingzhao has works such as Collected Works of Yi 'an Jushi and Yi 'an Ci, but their circulation is not long. The existing collections of poems and essays were compiled by later generations, including Shuyu Ci 1 volume and Shuyu Collection (5 volumes). Representative works include Slow Voice, Pruning Plums, Dreaming, etc.