This thought involves, my stomach should be worried tonight, the rain is cold, like an ancient poet comforting a hanging soul.
In the autumn night, in the cemetery, Bao's poems were recited, and their blood feud turned into jasper on the earth, which is hard to disappear for thousands of years.
In the autumn night, the south lake is clear of water and smoke. How can you ride the sky?
Let Dongting Lake enjoy some moonlight on credit and enjoy the moon and drink happily.
This is the difference between Shi Gui and Shi Xian.
To put it simply, "something congenial" is intuitively manifested as the inhumanity of the image from the outside, with Li Bai as the celestial world and Li He as the underworld. From the internal aesthetic point of view, it is a kind of sadness from depression to death. He often stands on the edge of death to see the world, as if seeing the world with ghost eyes. With the western aesthetic theory, it can be said that he refers to the lost reality with the lost ideal and looks at the world coldly on the level of sadness and joy. This experience shocked readers and touched the depths of the soul.
About ten years ago, I borrowed a copy of Long Valley Collection from my friend and liked it very much. It took me more than half a month to write a copy by hand. Now, it may be lying in a corner of my book pile. Li Changgu's ghost is so heavy that I was blinded by it unconsciously. I still won't go, although I can't remember several of his poems. "The situation is that youth is dying and peach blossoms are raining red." I often recall the sad dream of losing my childhood because of such a poem, and I am moved to be sad.
When Wang Zengqi was in The National SouthWest Associated University, he was admired by teachers and friends for his keen artistic sense. Once I grabbed a knife-I was a gunman and wrote something to my friend (he didn't have enough credits like me). The class teacher Wen Yiduo didn't know what to do. After reading the article, he said to Wang's buddy, "Shit, it's worse than Wang Zengqi." I wonder if that article can still be found? It seems to be about Li He. The main idea is that Li's poems are different from others', but the difference is different. Poets back and forth are used to meticulous brushwork/freehand brushwork on white paper, while Li's poems splash ink on black paper. Does it matter? Does it matter?
Sometimes when I read Li He's poems, I suddenly feel a little sci-fi, like "The jade wheel is rolling and wet, and Luan Pei meets a stranger in Gui Xiang". The poet's view of the world is quite quintessential, and he wrote a beautiful sentence of "nine cigarettes look at Jizhou and a glass of water pours down". Just kidding, if the poet is a science fiction writer, I'd rather turn my head away.
"At the age of 20, I am frustrated and worried like a withered orchid" and "There are men in Chang 'an, and at the age of 20, my heart is rotten", which is simply a declaration of Li He's weak crown, but it is also extremely desperate. This mentality created the morbid beauty of his poems.
Dewdrops on orchids in the cemetery are like her sad tears. There is no knot in the knot, and the flowers in the cemetery are even worse. The grass is like a mat, and the pine tree is like her car cover. The breeze is her clothes, and Jasper is her Yu Pei. The oil-wall car used before death should be waiting around at night. Cold bamboo is glorious. She walked, under the Xiling, only the wind and rain, whistling.
The reason why Li He is called a "ghost" is probably related to his appearance, in addition to the reasons why he often talks about ghosts and gods in his poems.
In the "Complete Tang Poetry" Volume 392 Li's No.007 "Batong Answer", he wrote: "The big nose should be brown, and the fat eyebrows should be bitter. If you don't sing Yuefu, who knows how to complain about autumn? " From his poems, we can see his ugly face with "big nose" and "big eyebrows". In addition, in the Book of the New Tang Dynasty, there is also such a description that "people are thin, with long eyebrows and long fingers and claws, and they read quickly." Mr. Liu Xian's so-called "Long Claw Langyin became a fetish" is also called. With the mysterious poems of Chang Ji and the appearance of this ancient tomb, the title of "Shi Gui" is well deserved!