The immortal in the Yellow Crane Tower is still waiting for the Yellow Crane to leave, but I have no heart to swim with Bai Ou on foot this time. Qu Ping's Ci hangs the sun and the moon, and Chu Wang's pavilion is empty.
As soon as I was happy, I put pen to paper and shook the five mountains. After the poem was written, the sound of Xiao Ao, Xiao Ao, went straight into the sea. If fame and wealth can be used in the Han River, I am afraid that the northwest will be fought back by the northwest.
Appreciate that this is an impromptu work. This poem shows the author's contempt for fame and fortune, his admiration for Qu Yuan's Ci and Fu, his conceit of his poetic talent, and his lofty mind and extraordinary interest.
The first four sentences describe the scene of prostitutes listening to songs and having fun by the river with wine in their hands. The boats and paddles used by poets are all made of precious exotic wood. At both ends of the boat, geisha are playing the flute. The poet, satiated with food and wine, listened to songs and laughed with joy, and let Lanzhou wander freely in the river. With gorgeous rhetoric and grandiose description, the poet created a rare atmosphere in the world, highlighted his wild and uninhibited mode, and expressed his strong desire to transcend the turbid reality and enter a free and beautiful world.
Combining local myths and historical allusions, the poet is floating for longevity and getting rid of fame and fortune, which is an affirmation and praise for boating on the river. The poet is boating on the river, free and happy, as if the fairy is just waiting to ride a yellow crane; Tao Ran forgot his plane, just like people on the seashore are playing Bai Ou. The images of "Yellow Crane" and "Bai Ou" are the externalization of the poet's carefree mood at this moment. These two sentences "Qu Ping's Ci and Fu" express the pursuit of the ideal realm of life. Qu Yuan's magnificent poems are like the sun and the moon hanging high, shining through the ages, while the luxurious pavilions and pavilions of the King of Chu have long since disappeared, leaving only a barren hill. Looking at the universe, the poet compares the two typical lifestyles of Qu Yuan and Wang Chu, revealing the historical law that fame and fortune cannot last long, but the great cause of articles can be immortal.
The last four sentences further deepen and develop the couplets of Qu Ping's Ci and Fu from both positive and negative aspects. The two sentences of "Xing Han" are based on Qu Ping's Ci and Fu, echoing the boating on the river, and expressing the strong desire to make Ci immortal. Poets have a strong interest in poetry, and when they put pen to paper, they are magnificent and invincible, which can shake mountains; After the completion of this poem, Li Zhuo proudly said that his broad mind could overwhelm the rivers and seas. The two heroic sentences show the author's high confidence in his literary talent, vividly depict the poet's manner of quenching thirst by drinking medicine and composing poems with distinct personality characteristics. In the last two sentences, the poet's enthusiasm and open-mindedness of "laughing but arrogant" is further concretized and visualized. The poet writes from the opposite side, using the impossible thing that the Han River flows westward to compare fame and fortune can not last long, strengthening the intensity of negation, including sharp ridicule and resolute contempt for the real society, and showing the poet's arrogant spirit of contempt for rulers and their dignitaries.
The whole poem is full of emotion, vivid and heroic. In particular, the combination of Qu Ping's Ci and Fu, which is free from vulgarity, alert and inspiring, is a famous sentence that has been passed down through the ages. Structurally, the first four sentences of this poem are memorable, the middle four sentences are allusions, the last four sentences are expressive, and the composition is scattered and unique. Wang Qi, a scholar of the Qing Dynasty, said, "Although this kind of composition is based on Yi Cai, it may not add a lot of dismal management, and it may not be beyond the reach of a hundred pieces of wine" (seven notes of The Complete Works of Li Taibai). Ideologically, on the one hand, the poet despises fame and fortune and wants to live forever like Qu Yuan, but the life of Yu Di Jinguan, who carries prostitutes and wine, described in the first four sentences is exactly what fame and fortune people are obsessed with. It reflects the contradiction with individual characteristics in Li Bai's thought.