Dongshan direction is less than a year, (Ping, Ping)
It's time to plant spring fields when you come back (average, average)
The grass in the rain is green (flat)
The peach blossoms on the water are burning red. (very flat)
On the Confucian Classics of Youlou Bhikkhu (Flat and Flat, Flat and Flat)
Keep your head down, my husband is a smart person in the village. (Pingping Ping)
Wear clothes backwards, meet each other, (even)
Laugh at the door of the scale. (Pingping)
There are four contradictions in this poem, and the first two can certainly be saved. In the second half of the poem, there is a lot of confusion and rules. The first place is the third sentence, "The grass is green and can be dyed in the rain", and the fifth word is flat. The sound is used here, and the second place is the third word of the sixth sentence, "All are curved, all are flat, all are flat". It's all flat here. Change the third word of this sentence to flat, and save it. The third place is that the fifth word of the seventh sentence, "Dress upside down and meet each other (flat)", uses a flat voice, and here it is a flat voice. The fourth is the eighth sentence, "Laughing flat in front of the door". First of all, this sentence is out of tune with the seventh sentence (this question will be mentioned later); Secondly, the fifth word should be single-hole, and the flat tone is used here. Sanpingwei is almost a wrong sentence pattern in metrical poetry, but in the special circumstances of this poem, it may be understood as an alternative remedy for the seventh sentence.
In addition, this poem also has a phenomenon of "losing power". In the sixth sentence, according to the situation in the fifth sentence, the meter should have been "flat and flat", but the glue is used here, which is wrong. According to the level of the seventh sentence, the meter should be "flat, flat, flat", but the word "sticky" is used here, which is wrong again. In the second half of this poem, the phenomena of continuous dislocation, failure to save and three flat tails are very rare in metrical poems.