● Ji Yun
Ji Yun (1724- 1805), whose real name is Xiaolan, whose real name is Chunfan, whose real name is Shi Yun, a Taoist in Guan Yi. Because there is a huge Taihu stone in Hufangqiao apartment in Beijing, it is also called the old man with solitary stone. Xian county (now Cui Erzhuang, Cang County, Cangzhou City, Hebei Province) was the Hejian House in Zhili in Qing Dynasty. His great-grandfather, Ji Kun, was born in the late Ming Dynasty. Wen Neng is the author of "The Legacy of Examination Hall". His father Ji, whose word is late, was a Cisco scholar in the fifty-second year of Emperor Kangxi of the Qing Dynasty. He once worked in the Ministry of Punishment and the Ministry of Housing, and was the magistrate of Yao 'an in Yunnan, so he was called Yao 'an Gong. Zhong has Tang Yunkao, Du Lvshu, Yutai Xinyong Kao and so on. Rong was married for three times. She was originally married to Mrs. Antai Shengzhuo (the word is sunny lake), followed by Mrs. Zhang Taifu's death, and followed by Mrs. Zhang Taifu's sister who had never seen the ancients before her death. She died on February 14, the tenth year of Renzong Jiaqing in the Qing Dynasty, at the age of 82. After his death, he was buried in South Village and North Village of Cuierzhuang. His wife, Mrs Ma, has four sons and three daughters: your eldest son. Gan Long, a friend of mine, died young, leaving a "half-boat poem banknote" in the world; The second son, Ruchuan, was a judge of Jiujiang Prefecture, and jiangning house was a tongzhi; The third son, like you, was once a county magistrate in Guangdong; Four sons, you billion. The eldest daughter married Lu (Juren), the grandson of Lu Jianzeng (), the ambassador of salt transportation in Huaibei; The second daughter married into the cabinet book and promised with the military aircraft; Three daughters, Ge Yuan's son, died unmarried at the age of ten. There is also a grandson of eleven people. His grandson is Shu Xin, Yin Sheng, the official department of Yunnan Silangzhong, and the magistrate of Yichang.
At the age of twenty-four, Ji Yun won the first place in Shuntian after having obtained the provincial examination, and was a scholar at the age of thirty-one. He is brilliant, quick-thinking and studious. Today, as he claimed, Bogutong "painted a yellow dialogue, kept thinking all night, and galloped with the article." He is broad-minded, witty and humorous, and he is often amazing and interesting, making him famous all over the world. Emperor gaozong of Qianlong appreciated it very much. His lifelong career is full of difficulties and twists and turns. He has been an official for more than 50 years, and has successively served as the examiner of Shanxi rural examination, the examiner of public examination, and presided over the college entrance examination in Fujian Province. He moved to be a bachelor, assistant minister of the Ministry of War, Zuodu suggestion, Ministry of War history, and Ministry of War history, until he co-sponsored the university students, became a prince, and was in charge of imperial academy affairs.
In the thirty-seventh year of Qianlong, Siku Quanshu Museum was opened, with Ji Yun as the editor. This work lasted 19 years, and finally compiled the masterpiece Sikuquanshu. The book is divided into four parts: classics, history, books and collections, with a total of 79,937 volumes. Seven manuscripts were kept in Wen Yuan, Wensu, Wen Yuan, Jinwen, Wen Hui, Wenzong and Wen Lan. This book is called the treasure of the Chinese nation. In the process of compiling the book, he also spent eight years carefully writing a 200-volume Summary of Sikuquanshu for more than 10,000 books included in the book, which was praised by Sun Li, a famous literary critic in China, as "a very great academic work."
In addition, he also wrote Notes on U-flavored Caotang [/], Concise Catalogue of Four Encyclopedias, 32 volumes of Ji Wenda's Collection of Public Legacies (the first 16 volumes of articles and 16 volumes of poems and essays), Comments on Wen Xin Diao Long 10, 63 volumes of Official List of Past Dynasties, 4 volumes of Shi Tong Cai Fan, etc. He is also involved in editing? (2) Lai Yan? What? What's the matter with you?
In a word, Ji Yun's talents and academic achievements in his life are outstanding and colorful. He once wrote a sentence to himself, two of which: "The sea is like a gull, and the book of life and death is like a mullet", which is a true portrayal of his life. Ji Yun is not only a recognized literary master, academic leader and literary master in Qing Dynasty, but also a rare cultural giant in the cultural history of China and even the world.
● Ji Yun
Ji Yun (1724 ~ 1805) was a scholar and writer in Qing dynasty. The word Xiaolan means spring sail. Zhili? a target = _ blank href =/view/ 18876 . htm & gt。 Url] Hebei) people. Qianlong Jinshi, official to the history of the Ministry of rites, co-organizer of the university. After he died, he died.
Ji Yun is knowledgeable and good at textual research and exegesis. Gan compiled Sikuquanshu, with him as the editor-in-chief, and presided over the compilation of 200 volumes of Sikuquanshu General Catalogue, which discussed the theme of each book and the origin of the works, examined the gains and losses, and discriminated the characters. It was a masterpiece representing the achievements of bibliography in Qing Dynasty.
In Ji Yun's poems, most of them should be works that value harmony and praise virtue, which belong to the typical "Langmiao literature". Several poems expressing feelings and traveling are still fresh in my memory. Urumqi Miscellaneous Poems 160 was composed by Ji Yun when he was recalled to Urumqi two years later. They describe the local people, widely reflect the social situation in Xinjiang, have beautiful tones and rich ballads, and have certain characteristics in content and art.
Ji Yun's literary criticism is mainly found in the General Catalogue of Sikuquanshu and several book prefaces (such as the Preface of Ai Dingtang's Legacy Collection, the Preface of Xiangting Manuscript, the Preface of Yunlin Poetry, the Preface of Tianhou Yan Song Poetry, the Preface of YiLuXuan Poetry and the Preface of 432 Peak Poetry). ), and Wen Xin Diao Long. Although his literary criticism standard is still not divorced from the traditional view of Confucianism, it is not rigid and easier to approach.
He admits that "the rules and regulations of articles change with the times" and "poetry changes with the times", and thinks that the evolution of literature depends on "fate" and "fashion", emphasizing that future generations of literature should not only "propose" but also "change" the previous generation of literature. In terms of artistic style, they should affirm "genre", oppose "portal" and oppose the habit of "not distinguishing right from wrong, but only fighting for victory or defeat". When Ji Yun presided over the imperial examination in his later years, it was indeed a breakthrough to use the contents of literary history and literary criticism as topic counselors.
Ji Yun's main creative achievements are embodied in his collection of notes and novels, Notes of Yuewei Caotang. This book includes six volumes of Summer in Luanyang, four volumes of So I Smell, four volumes of Huaixi Magazine, four volumes of Listening to Gu Juming, and six volumes of Continued Records of Luanyang, with a total of ***24 volumes (65,438+0,000 notes), which is the fifty-fourth year of his old age (65.
Yuewei Caotang Notes evolved from the notes novels of the Six Dynasties: the content is complex, involving heaven and earth, not limited to strangeness, and the narrative story is simple, simple and interesting. As far as ideological content is concerned, although there are many advantages in admonishing and punishing, talking about karma and propagating feudal ethics, there are also some merits. The author opposes Song Confucianism's empty talk about sex, harsh comments on feelings, and many cynicism about Taoism, such as Volume 2, Volume 3, Volume 4, Wuyi Yishang, Volume 21, and About Erzeng Bozu. Deception and deception of the world and human feelings are also exposed from time to time. There are many fables about ghost foxes, such as the first volume of Cao Sinong's Bamboo Talk in vain, the sixth volume of Xu Nanjin's Story, and the twenty-third volume of Dai Dong's Words, which are quite authentic. The author is against being rich and cruel, against abusing slaves, and shows some tolerance and sympathy for the resistance and revenge of the lower classes, such as the escape of the child bride, the elder words of Zhou Jingyuan, and the prostitute playing the rich room and valley. Stories such as Old River Soldiers in Cangzhou (Volume 16) and Hunting in Tang Dynasty in Huizhou (Volume 11) reflect the integrity, simplicity and wisdom of the working people, which are particularly good.
In art, the style of writing is concise, not redundant or stagnant, with clear narrative twists and turns, and some stories can be called meaningful sketches; The disadvantage is that there are many discussions and sometimes it is not appropriate. In addition, there are many insights and materials for reference when commenting on poems, discussing textual research, narrating anecdotes and narrating customs.
Yuewei Caotang Notes is a unique work in China's ancient note novels. Lu Xun commented: "Ji Yun is a long writer and a common secretary, but he is also broad-minded. Therefore, people who measure the situation of ghosts and gods, send people to express their opinions, and if they want to be witty, it is enough to solve the problem; There are textual researches and sentiments. " The narrative is elegant and full of natural interest, so no one can take its place behind it, and it is not just a matter of borrowing and expecting. "("A Brief History of China's Novels ")
Ji Yun's poems were collected by later generations into Ji Wenda's Public Legacy Collection, each volume 16.