The poet freely created the space beauty of the moon and frontier fortress by using this complex. The representative of this aspect is Shen Ruyun's "I will always have you in my heart": books are hard to send, and MUBI can't worry. May the lonely moon shine on Fu Bo camp.
Second, the time image of the moon. The moon rises and sets, and the moon is full and short. Moonlight is passing away, and the passing of moonlight unfolds in the time of life, so moonlight is still life and time.
The ancients often used the image of the moon to lament the passage of life and years. Li Yu said, "When are the spring flowers and the autumn moon? How much do you know about the past? The small building was easterly again last night, so the old country could not bear to look back at the moonlight "("Yu Meiren "). In Li Yu's eyes, the past is like a dream, and he can only make sad memories in the moonlight. " The tragedy of his tortuous fate is fully displayed in the time flow of Spring Flowers and Autumn Moon. Not only Li Yu and Du Mu's Two Runzhou Poems (I) also said: Generally, the Southern Dynasties were broad-minded and the Eastern Jin Dynasty was the most romantic. Yue Ming wants to wash clothes here, and when he hears it, he blows out his worries.
Third, the melancholy image of the moon. In Tang poetry, the moon is still emotional. In nature, the moon's surplus and cloud's deficit, the moon's surplus and deficiency are isomorphic with the perfection and deficiency.
When talking about the artistic conception of poetry, Liang Qichao said, "On the moonlit night, there is a banquet, a song and dance, a half-open embroidered curtain and hand in hand, which is even more enjoyable." Thinking of women is even sadder, sitting alone at the scene, promoting weaving and singing, and maple leaves circling the boat. Therefore, the moon described by poets is often associated with emotions of emotions. Although Ren Wei's Cao Pi wrote a poem "The bright moon shines on my bed, and the stars and rivers flow westward until the night is still young" in the Northern and Southern Dynasties, and Xie Lingyun also wrote a sad poem "The bright moon shines on the snow, and the north wind is strong and sad", there is still great anti-war in the Tang Dynasty.
Fourth, the love image of the moon. The moon is emotional, with the entanglement of willow branches on the moon, the sadness in the moonlight and the loneliness of tall buildings under the moon. When love reaches the depths, the moon is naturally associated with love. Although "nothing in life is more than affection" and "nothing is more than affection", the moon is still the best place to express affection and love: Xie Zhuang's Moon is a Thousand Miles away (Yuefu); Meng Jiao's "Thinking Only after Parting, and heaven remains our neighbourhood" ("The past is not resentful"), Zhang Jiuling's "The moon is now full of the sea, and the end of the world is * * *" ("Looking at the moon and thinking about a distance").