Mr. Han, Huang Fuyue waited on Yu Zhuo and ordered.
Visiting friends, writing people, narrative praise translation, annotation translation
The two adults were dressed in green official uniforms, and the golden ring was holding the reins of the horse and swaying exquisitely.
With the rumble of hooves, they dismounted and entered the door with great momentum.
It turns out that one is a great genius in Luoyang City and the other is a world-famous writer.
The talent of twenty-eight nights is in their breasts, and they can master the essence of heaven and earth.
The sound of chanting poems in front of the temple resounds through the sky, and it is of no help to make up for the lack of nature.
I am a coarse eyebrow scholar living in a foreign country. Who knew hay could meet the spring breeze?
I am like a bird with drooping wings, a big swan goose. I'm not ashamed that a small snake turns into a big dragon every day.
Appreciation of creative background Generally speaking, writing social poems is subject to various restrictions, and it is difficult to give full play to the talents of poets. A complete poem of Tang poetry accounts for a large proportion in this kind of works, but few can be called masterpieces. Li He wrote this poem with extraordinary skill and has been praised by people all the time.
The whole poem is divided into three paragraphs. The first six paragraphs are the first paragraph, and two people ride bicycles together. The first sentence refers to the official clothes worn by the two people, which is the system of the Tang Dynasty. Six products, seven products, green official uniforms, eight products and nine products, green official uniforms. The second sentence refers to the luxurious decoration of the mount. Then, it was written that the hooves of wheels rumbled from far to near, and Han Yu and Huangfushi dismounted at the beginning, with a generous expression. Li He was greeted from the room. It turned out to be two celebrities. "Tokyo gifted scholar" and "great writer" refer to Huang Fushi and Han Yu. What the author sees in his eyes, what he hears in his ears, and the facial expressions of the characters can be distinguished, which vividly describes the contents stipulated in the poem title.
The middle four sentences are the second paragraph, focusing on praising their knowledge and literary names. Han Yu and his disciples were a new force in the literary world of the middle Tang Dynasty. They have a remarkable feature in art, that is, they pursue adventure. Li He intends to imitate the Korean style, with vigorous and powerful brushwork, magnificent, summed up the artistic realm of Korean poetry. The four poems tell about their rich knowledge, absurd ideas, great literary reputation and profound skills. Don't talk about classics, just say that the stars are listed in the chest; Don't say flame, say the essence of heaven, full of it; Don't say you are famous, say you are empty; Don't say colored pen flowers, just say the sky is useless. The poet spread the wings of imagination and walked into the earth. "He is an octopole athlete, traveling in Wan Ren." Try to mobilize the magnificent scenery in the mythical world and make up for the poverty and deficiency in the real world. From this point of view, Li He's poems are similar to Han Yu's Tiao Zhang Ji. Qian Zhongshu thinks that the phrase "pen makes nature useless" is "not where Ji's spirit and soul lie, but the essence of Taoism and art is also a word." This involves a profound aesthetic proposition. People who hold this view believe that the beauty of creating environment in art is not found in natural scenery, and the so-called "natural reactive power" needs to be "supplemented" (see "On Art Record" for details), from which we can understand Li He's creative psychology of avoiding mediocrity in poetry creation. These four poems give high praise to Han Yu and Han School's poems.
The last four sentences are the third paragraph. Write about your situation and ambition. These four poems have one thing in common, that is, they write their own worries and frustrations everywhere, such as "feeling the autumn canopy", "withered grass" and "hanging their wings", and also imply that they are unwilling to decline and look forward to the day when Tengda will make a fortune, such as "living in China", "attaching a bright future" and "being a dragon". One of the great wishes is to ask these two celebrities to lend a helping hand to help their own difficulties. Therefore, they consciously express their strong desire to change their destiny with the turning point of natural things, such as "dead grass gives birth to Chinese style", "hanging wings to make light" and "snakes are dragons". The sixth volume of "Tang Yanyan" said: "Han Wengong and Huangfu's family are famous for their far-reaching towns, and they are also a generation of Longmen." It means that Han Yu and Huang Fu's family have a high reputation. As long as they attract people, it's like "once you climb the dragon gate, your reputation is ten times" (Li Bai's Jingzhou follows the Han Dynasty). It turns out that in order to achieve fame and success in the imperial examination, the literati in the Tang Dynasty must be well-known and recommended by them in order to succeed. Han Yu and Huang Fushi are both famous people and enthusiastic. They don't want Li See He Yi to take the initiative to visit them. After Li He was deeply moved, pleading for them became an important part of this poem.
As far as entertainment poetry is concerned, this poem is very appropriate in the arrangement of chapters and phrases. The poem consists of fourteen sentences, the first ten of which are about the visit of Han Yu and Master Huang Fu, showing respect for the guests. In the second paragraph, four poems carry five or six sentences, "Tokyo gifted scholar, great writer", which gives visitors a high and appropriate praise. The last four sentences have a transition with "Pangke", and the eyebrows are very clear. When expressing your wishes to the guests, your words should be sincere without losing your identity. Another feature of poetry is that its syntax, tone and momentum are very similar to Yu Chao's poems, with strange metaphors and rich imagination. In particular, the incisive and never-ending remark "The futility of supplementing nature with a pen" has made future generations applaud (see Wang Zhifang's quotation in Tiaoxi Fishing in Conghua).
Li He (about 79 1 year-about 8 17), a native of Fuchang, Henan Province in the Tang Dynasty (now Yiyang County, Luoyang City, Henan Province), lived in Fuchang Changgu, later called Li Changgu, and was a descendant of Zheng Liang, the imperial clan of the Tang Dynasty. Known as "Shi Gui", he was a famous poet in the Tang Dynasty, as well as Du Fu, Li Bai, Shi Fo and Wang Wei. He is the author of Long Valley Collection. Li He was a romantic poet in the mid-Tang Dynasty, and he was also called "Sanli" in Tang Dynasty with Li Bai and Li Shangyin. There is a saying that "talents are too white and talents are too long." Li He is another famous romantic poet in the history of China literature after Qu Yuan and Li Bai. Li He has been depressed and sentimental for a long time, and his life style is bitter. In the eighth year of Yuanhe (8 13), he resigned as a gift officer and returned to Changgu due to illness. He died young at the age of 27. Li he
I went to Luoyang to meet Yuan, a talented person, but I didn't expect him to become an exile in Jiangling. I heard that plum blossoms bloom early. How can it be better than spring in Luoyang? -Meng Haoran in the Tang Dynasty, "Luo Zhong did not meet Yuan", but did not meet Yuan.
I went to Luoyang to meet Yuan, a talented person, but I didn't expect him to become an exile in Jiangling.
I heard that plum blossoms bloom early. How can it be better than spring in Luoyang? I have been visiting friends and writing about sentimental scenery for two years. On the second day of Mid-Autumn Festival, I came to Hangzhou from Xing Wu, and I will remember it in the East. People with insight in Longjing invited them up the mountain with books. When I left the country and sailed from the lake to Puning, it was getting late. I met some passers-by and asked about the basket sent by Longjing, saying, "Time comes and goes." In the evening, the sky opens, and the forest is bright, but it can be forgotten unscathed. So he abandoned the boat and walked along the lake with his walking stick. Out of Leifeng, through Nanping, into the Yin Hui River, into Lingshiwu, you can take a winding path to the Longjing Pavilion to take shelter from the wind and rest, and drink the spring to shine on the stone. Since Puning, anyone who has been to the Buddhist temple for fifteen days has been silent and unheard of. The Lushe on the roadside is almost uncontroversial, with hidden lights, deep vegetation and flowing water. Two drums, starting from Shousheng Hospital, only in Yin Chao Hall, and returning tomorrow. -Qin Guan's "Longjing Title Record" in the Song Dynasty Longjing Title Record
Song dynasty: Qin Guan
In the second year of Yuanfeng, one day after the Mid-Autumn Festival, I came to Hangzhou from Xing Wu, and I will also check in the East. People with insight in Longjing invited them up the mountain with books. When I left the country and sailed from the lake to Puning, it was getting late. I met some passers-by and asked about the basket sent by Longjing, saying, "Time comes and goes."
In the evening, the sky opens, and the forest is bright, but it can be forgotten unscathed. So he abandoned the boat and walked along the lake with his walking stick. Walk out of Leifeng, cross Nanping, step on Yin Hui River, enter Lingshiwu and take a fork in the road.
In the second year of Yuanfeng, one day after the Mid-Autumn Festival, I came to Hangzhou from Xing Wu, and I will also check in the East. People with insight in Longjing invited them up the mountain with books. When I left the country and sailed from the lake to Puning, it was getting late. I met some passers-by and asked about the basket sent by Longjing, saying, "Time comes and goes."
Visiting friends in the moonlight night, visiting Qiushi in the autumn night, and smelling the water first. Half a day's cool moonlight, a flute of wine makes people feel happy. The sound stops the blue clouds from approaching, and the fragrance spreads deep in the red lotus root. Meet under the clear dew, shed shadows and wet skirts. -Yuan Mei in the Qing Dynasty "borrowed the garden at night and saw his master playing the flute under the moon".
Visit Qiushi in autumn night and smell the water first.
Half a day's cool moonlight, a flute of wine makes people feel happy.
The sound stops the blue clouds from approaching, and the fragrance spreads deep in the red lotus root.
Meet under the clear dew, shed shadows and wet skirts. Three hundred ancient poems, visiting friends to write landscapes.