Is there a difference between the metrical style of new poetry and free verse? Due on Monday, please hurry!

I want to know the difference between metrical verse and free verse. Generally speaking, the vernacular poems in the early May 4th Movement are qualitatively different from the old poems in language, form and ideological content. The early vernacular poems mainly showed the tendency of prosaic culture in form, and basically did not use rhyme, regardless of level and level. With the ups and downs of their feelings, they exchange long and short sentence patterns and use more "line drawing" techniques to truthfully describe specific life scenes or natural scenes. In the content of poetry, the early vernacular poetry is consistent with the spirit of the May 4th Movement, with the basic theme of criticizing and denying feudal autocracy, showing the struggle for individual liberation and democracy. Freedom, resistance to dark reality, yearning for bright ideals. The early vernacular poems may still be naive and have traces of groping for progress, but they have undoubtedly made historic contributions to the formation of the mainstream of realism in modern poetry in China. first

Is there a basic limit to the number of words per line in metrical style? How many lines are there in each paragraph? The scale is regular.

Also emphasize baa? The number of words is basically limited: there are three basic forms of metrical new poetry: 1, that is, neat symmetry, staggered symmetry and compound symmetry. Among them, the neat symmetry type includes three basic forms: reciting neatness (all reciting sentences with two suffixes), reciting neatness (all reciting sentences with three suffixes) and mixed reciting neatness (reciting sentences and reciting sentences mixed); 2 Staggered symmetry includes four basic forms: open staggery (sentence is short before long), contracted staggery (sentence is long before short), convex staggery (sentence is short at the end and long in the middle) and concave staggery (sentence is long at the end and short in the middle); 3. Compound symmetry includes three basic forms: step-changing compound, homogeneous compound (all homogeneous, only changing the number of steps), variant compound and staggered compound (four poems in staggered compound), homogeneous compound and staggered compound (homogeneous compound and staggered compound). According to the above three basic forms, I can create infinite concrete forms, that is, the whole of a poem. Is there a basic limit to the number of words per line in a free body? What's the difference between the length of a poem? Free body: informal, not flat, not long.

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