Although folk songs are short, they can mobilize various genres of expression techniques, such as movies, TV (in which montage techniques can make works more subtle and jump), news (lively and refined, which can promptly and sensitively reflect social life, etc.), fable (referring to talking nonsense, making sense), sketch (its spicy and interfering with life). Specifically, there are mainly the following types: 1. Implicit folk songs deliberately leave some wonderful things for readers to think and imagine, and use readers' rethinking to supplement and develop the original works, thus obtaining unexpected artistic effects, which is the beauty of implication. It can be said that without "implication" and "implication", it is difficult to become a real folk song. Because simple and straightforward, it is impossible to have poetic folk songs. Of course, implication does not mean obscurity, and we should not pursue implication unilaterally, otherwise people will not understand it. The commonly used implicit methods are: hint: don't say the meaning directly, or just describe it, which makes people think about the essence of the problem; Or just describe the relevant conditions, make people think about the facts, hide the theme in the instant shots and typical details, and let people understand the profound philosophy with the written images. Specifically, it is to write a small matter and hint at some major events, write a fragment and hint at the whole, and write an instant and hint at the past and the future. Where is the village in the distance? Smell the cock crow over the cliff. ) In the secluded mountain forest, look around, where are people living? There was a cock crow from the far cliff. (Which tree is tall and which tree is straight, which tree is old and which tree is thin. ) straight, frugal, thin and tall, pointing out the characteristics of bamboo and wood, which is both accurate and precious. Use bamboo to imply one's own character: born straight, old is more resolute. Don't ask others for praise, just ask to be able to let go. ) I don't ask for praise from others, but I only ask myself to do my duty. This is to borrow the words of flowers to imply my lofty moral integrity. Symbol: to express similar or similar ideas, thoughts and feelings through certain specific images. Because of its uncertainty, it is sometimes as difficult to guess as a riddle, and readers can understand and know it according to their own life experience, which produces implicit power. Folk songs are conceived by image method, which is more at arm's length and has endless aftertaste. It is easy to praise flowers, but it is difficult to say hello to my brother. ) This is the most common symbolic technique. Touching the scene is easy to hurt, but it is difficult to talk about it. The former sentence sets off the latter sentence, which can express people's appearance, but it is difficult to describe the feelings of bitterness. I came to the world to be a mother, and I planted seeds to smell the flowers. When you come to the world as a mother, you naturally get married to raise your children. Here, it symbolizes "marriage", "pillow" and "pregnancy and childbirth". Pun: layout ideas by using the double meanings of the related conditions of sound, form and meaning of things. It expresses meaning by borrowing things, and refers to talking about mulberry. The superficial meaning is not the main thing, but the internal meaning is the main thing. Readers have to think from the outside to the inside in order to realize "words outside the words" and "taste in the taste", which has an implicit meaning. You fight with me, and the frog in the pond grabs the frog mother. ) Literally, the frogs in the pond are crowing for the sake of fighting, while "outside words" refer to the two sides fighting for each other, shameless. (I beat poison bee shirtless, but I'm different from others. ) In order to live a life, even if you are shirtless, you have to risk being stung to death by a black bee. The "bitterness" of life is all implied in it.
Humor: Folk songs are created with humorous and harmonious brushwork, which can also achieve implicit and effective means. Hiding one's own opinions and feelings, seemingly writing humorous, witty and even ridiculous language, actually shows a serious and deep theme. Harmony is the main feature of this method. For example,
(The monkey hat is red and appears in the downtown area; The real dragon is in rags, and it is poor under the eaves. ) the monkey has no skill, but he stands in the market with a red hat to "show off"; But the dragon wore rags and slept under the eaves, pretending to be poor. Use funny language to satirize those who don't care about their identity to shame. (I put my urine in a sieve, trying to filter the residue; Mosquito killer wants intestines. This man is really cheap. ) urinating also wants to filter the dregs, and killing mosquitoes wants to eat intestines. Bitter language description makes that kind of selfish person "incisive". Such funny statements make people feel endless aftertaste. 2. Simple folk songs are short and precise, but if the folk songs you write are too simplistic, it will give people a thin and empty feeling; If you write long and loosely, it will be like a rainy night, which will make people tired; If you write short and empty, it is like a pool of clear water without fish, which is disappointing and disappointing. Therefore, just writing short is not necessarily simple. It should be short and contain as much content as possible. Just like the soldiers on the expedition, the necessary "munitions" are indispensable, but we should try our best to go into battle lightly. For example: (People reap what they sow, but we reap what we sow; People fall in love and get married, but we fall in love and become enemies. ) This folk song uses a variety of expressions, such as metaphor, repetition, contrast, etc., which are concise, lively and short, and express the feelings of lovelorn to the fullest. (the chicken is not full, and it is forced to be born; The girl is still young, so it's hard to be a mother. ) the harm of early marriage and childbearing can be written into a big article. The simple artistic expression of folk songs can infect people vividly and vividly in just four sentences, and receive the same effect as scientific reasoning. Swallows are birds, too, and love the old eaves as their home; Old he is him, too, why are you upset! ) Swallows are attached to the old house, so as to persuade the multi-hearted woman not to empathize with others. Don't talk about the truth, just say specific examples that are common to everyone, and clearly ask the parties: Why are you upset, aren't you even worse than a swallow? The effect of education can be imagined, which is the power of folk songs. 3. Clever thinking
Besides the skills mentioned above, folk songs should also pay attention to the effect of "ending". The successful ending is often the result of clever thinking. Therefore, the creation of folk songs should make great efforts at the end, in order to show the trend of leopard tail, make it strong and powerful, and leave a strong lasting impression on people. That is, there was an unexpected change at the ending. You thought you should go east, but the result was just the opposite. Suddenly, you came west. Although it was unexpected, it was reasonable, which aroused people's infinite reverie and meditation. Of course, the ending has no fixed form, so it can come to an abrupt end in the climax, deepen the theme at the end with the finishing touch, have a happy reunion and shine brightly, or stop halfway, leaving suspense. No matter which method, we should try our best to be full of meaning, give people a aftertaste and leave some thoughts. For example, the wind is tight under the bed, and the river is near in the dream; Get up and open the window to see that the flood is in your eyes. ) I slept indoors and watched and listened, as if the wind and the sound of water were on the bed. When I got up and opened the window, the flood suddenly rushed into my eyes. Of course, the flood can't get into your eyes. This is to describe the sight of the river. It can be seen how rich the exaggerated imagination is. There is a 2-paragraph love folk song, in which both men and women are "bickering". The man always doesn't believe the woman's reasoning. Finally, the woman unexpectedly expresses her position and sings: (Speaking one is one, all serious and honest; If the truth is false, I am not afraid of thunder! The man then had nothing to say, and finally ended the "bickering". Without this ingenious ending, the two sides don't know how long they will "fight". (such as the turtledove bird, flapping its wings and calling frequently; Please invite me to sing folk songs when I see my sister coming. ) This folk song uses hints, symbols, puns and other expressions at the same time. roegfek bek fwed is undoubtedly looking for a partner, laying the groundwork for the latter sentence and suggesting courtship. Daezdaez is both an onomatopoeic word and an old borrowed sound of "crow", and the daez in the latter sentence is both a "mention" and a "crow", which a careful girl will understand as soon as she listens. This structure can be described as ingenious. (Butterflies fly to the sky, and when they meet, they become pairs; Brother and sister together, sweeter than honey with sugar. ) The expression of this folk song is similar to that of the previous one. Duzmbaj gap doiq is of course a symbol of love. Without this foreshadowing, guhdoih (together) in the last sentence is difficult to define: Is guhdoih quarreling? Or does guhdoih work? With this foreshadowing, it is self-evident, so there is a sigh of "honey with sugar". Isn't such a clever idea? 4. See the big from the small
In this respect, the author is required to use the least amount of information to generate the largest amount of imagination for readers. What is not specifically described or discussed in the works will be supplemented by readers' own imagination, leaving enough room for readers' imagination, so that readers can get the effect of "knowing the whole leopard by borrowing a little bit and spreading the spirit with one eye". For example, (tell all children not to do sawing; By the summer of June, carpenters were working too hard. ) This folk song advises people to be cautious in choosing a job by presenting themselves. In a few sentences, it "makes it clear" the importance of choosing a job, which is not without reference for today's going out to find a job. This is to see the big picture from the small. Throw a crutch when crossing the bridge, and don't forget to shovel when crossing the ditch; Now happy, young and old praise the party! ) crutches and shovels are small farm tools, but they can bring benefits to farmers, so farmers will never forget them. With the previous comparison, the readers will have a deep understanding of the following sentence without elaborating on the reasons. The reason why folk songs are loved by people is that the effect of seeing the big from the small is one of the charms. Second, the language expression of folk songs 1. Numerals and quantifiers literally indicate the number, but in folk songs they are often used to express richness, variety, abundance (or its antonym) and so on. Five steps and one olive, ten steps and one maple. ) Dense with numbers and quantifiers, showing that there are many trees and trees are shaded everywhere. There are three roads and nine roads, and the doors of every household are open. ) use three or nine to describe the number of passages, and use "the door is open" to express the host's "hospitality"; It shows the scene of developed traffic, dense population and hospitality. The flowers are unhappy, and the flowers are confused. ) a flower flies, the beginning of spring; The wind is floating ten thousand points, and the spring is exhausted. With the reduction of flowers, it shows that spring can't stay, and the reduction is more and more fierce and irreversible. Can you not worry about people? (It rains at home on Qingming Festival, and frogs at pond on vernal equinox. ) Use the reduplication of words (nouns) to summarize the characteristics of things, with few words but rich meanings. Folk songs describe the rural scenery of rainy and frogs everywhere in Qingming Festival.
2. The overlapping words of onomatopoeia and Zhuang language
describe the sound, color, shape and emotion of things realistically, making people feel concrete and real, as if things are in front of them. No one can be seen in the thick fog, and the water is rippling. ) the sound of water; The water is rippling. It is rare to use onomatopoeia in poetry, but it is also very colorful and interesting when used properly. The rising sun is shining, the smoke is shrouded, the mountains and rivers are lonely, the water waves are emerging, and the mountains are clear and green. How poetic the meaning is! The water roared and the mountains roared, and the clouds burned all over the sky. ) The waves roared past, and the clouds were burning like fire, which described the momentum of "waves" and the situation of "clouds", which was very vivid; Write flowing water and floating clouds vividly, and be generous and unusual. Overlapping words in Zhuang language are the most distinctive three-character structure. It is completely different from the reduplicated words in Chinese, and it is also very different from the compound words combined with a reduplicated affix in Chinese. The three-character structure of Zhuang language not only has the functions of pictophony, emphasis and tone enhancement, but more importantly, it changes the meaning, because it can derive wonderful meanings, and its use in many places is not only not annoying, but also refreshing. Comparison: The same description of "flying flags", fouzfangfang, mbinvagvag and mbinfef are used in Zhuang language respectively.