Which river does "surging water" refer to?

When Chu Xiang became king, Qu Yuan was exiled to the south of the Yangtze River. He couldn't help laughing when he learned that he had occupied the capital of Ying. He wandered by the river with long hair, and his face was haggard and gaunt. When the fisherman saw it, he was surprised and asked him how he got into this situation. Qu Yuan replied that this is because all the people in the world are as confused and numb as drunk, and only I am awake. The fisherman advised him to walk with the world instead of waking up alone. He didn't think so. He said that he would rather throw himself into the river and be buried in the belly of a fish than endure worldly dust. The fisherman smiled, untied the cable and boarded the boat. As he threw the oars, he sang: "The surging water is crystal clear, so I can hold the tassel;" The water in the rough waves is turbid, so you can lick my feet. " The boat gradually disappeared into the twilight by the river, and the sound of the song finally dissipated like a wisp of smoke. Since then, the connotation of "Canglang" has been continuously enriched, not only referring to the rivers east of Hanshui River. Many people who are frustrated in their official career take clean stream as their spiritual destination to nourish their barren hearts. There is really no difference between the height of temples and the distance between rivers and lakes, and Canglang also contains the theme of seclusion. As Wang Bo's Preface to the Mountain Pavilion said, "The mountains are open, that is, the waters of the surging waves are clear; Wild spirit is depressed, that is, human wisdom "; Liu Changqing's "Tribute to Cui Xiang" said that "the tree is big and the wind is clear." Surging water is the frustrated person's pursuit of calm and clear mind, and the song ends in paper and ink. However, in this gurgling water, those touching stories have been reflected. In the third year of the Northern Song Dynasty, Fan Zhongyan took part in politics, determined to reform together with the Tang envoys Du Yan, Fu Bi and Han Qi. At that time, Su Shunqin, a school manager, became the target of conservative attacks. In the spring of Li Qing's fifth year, Su Shunqin moved south with his family, which was the early summer in Suzhou. Because of his depressed mood and sultry weather, he felt that the rented house was cramped and narrow, and he could not vent his anger. He moved three times in half a year, but he was still not satisfied. One day, he happened to walk past the school in the county seat, and saw the lush vegetation, rich water plants and a deserted land in the east, surrounded by water on three sides, covered with dense ancient trees and quiet. Ask the old man, just know that it is Sun Cheng, our Wu Jun, Wu Yueguo? Although it has been abandoned for a long time, its legacy still exists. Su Shunqin couldn't put it down for this place, and spent 40,000 yuan to buy and repair the pavilion. Thinking of his own experience, he couldn't help but think of fishing songs, so he built a pavilion on the mountain, titled Canglang Pavilion, and wrote an article "Canglang Pavilion". Su Shunqin is very satisfied with his home. In his letter to Han Wei, he said: "Quchi has a garden, precious flowers and gems, a high platform, and fish and birds linger, unaware of the setting sun." Friends are also happy for him. Since the officialdom is frustrated, let's be romantic in Canglang Pavilion. Ouyang Xiu and Mei He are friends and engaged in the poetry innovation movement together. They deeply understand Su Shunqin. Ouyang Xiu chanted in Canglang Pavilion: "The wild waters in the barren bay are ancient, and Cui Lin is prosperous and high. New shoots add summer shadows, and old hairs strive for spring. Waterbirds are busy in their leisure time, while mountain birds are noisy every day. I don't know how prosperous this place is, but the trees look pale. " "In the beginning, I found a blind spot, which opened my eyes. The wind is high and the moon is white, the most suitable night, and a piece of jade-like stone is spread all over the sky. Clear light does not distinguish between water and moon, and the sky is blue. The breeze and bright moon are priceless, but only 40 thousand yuan. I also suspect that the world is begging for peace, and a strong person should pity the gaunt sky. In ancient times, Yan Yi also had its own way, and the rivers and lakes were choppy. I want to get off the rough road, but I want to do my best. It is like a floating ship, with red waves swaying and sleeping. "The poet not only described the scenery of the garden pavilion, but also repeatedly stated the meaning of' Canglang'. Mei wrote "The Story of Canglang Pavilion in Su Zimei" and recited at the beginning: "If you hear that you buy Canglang water, you are a Canglang person. On the rough waves, the days are close to the rough waves. It is appropriate to say that the waves are long. Where the blue waves are, the Dongting is adjacent. "Although the word" Canglang "has been in the mouth for a long time, it seems that only Su Shunqin really understands it, so it is yours. Fishing songs have been sung for thousands of years and have only been implemented in Suzhou so far. " "Canglang" has also become the cultural symbol of this ancient city. When people talk about "Canglang", they will think of Suzhou, a place where the wind and the moon are bright and the water is far away. During the reign of Kangxi in Qing Dynasty, Canglang Pavilion became an official garden, and officials frequently exchanged, so there was a new interpretation of Canglang, that is, seclusion after relegation was changed to incorruptibility when he was in office, and the water of Canglang could also be used as a symbol of officials' "incorruptibility as water". Li Hong, emperor of Qianlong, said in the book Canglang Pavilion: "People who send messages to travel in Sri Lanka are kind and kind." In this way, whether you are in opposition or frustrated, you are under the observation of "Canglang". Since the Canglang Pavilion came into being, the area south of the city seems to be shrouded in smoke and water, dense, like a faint ink scroll. As far as the overall layout of Suzhou City in Ming and Qing Dynasties is concerned, although there were bustling markets and department stores outside Xumen, there were many government offices, schools, mansions, gardens and temples in the city. On the one hand, they were surrounded by long walls, and the streets outside the walls were particularly quiet, but the flowers inside the walls were particularly eye-catching, which brought some dazzling to pedestrians. The water lane is winding, the stone bridge lies still, Brahma bells and drums, and people cook smoke. This is really a good place to live and work. The vast South Garden, golden cauliflower, fragrant lotus flower, frost in the hut and red plum in the bridge are the most beautiful scenery at four o'clock. The running water of the years washed away everything here, disappeared, changed and changed again. Then let's reminisce about the lost scenery and the past events precipitated in the long river of history. As Proust said, "the reappearance of time is far more meaningful than the beginning of everything."