1, original: Qiantang Lake Spring Tour _ Bai Juyi
From the north side of Gushan Temple to the west side of Jiating, the lake is just level with the embankment, with low clouds and waves on the lake.
Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.
Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe.
I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar.
2, translation: Go to the north of Gushan Temple and the west of Jiagongting, stop for a moment, look up, but see the water level rising, white clouds drooping, beautiful.
A few orioles, scrambling to fly to the sunny tree, whose swallow brought spring mud to build a new nest?
Colorful flowers, almost charming eyes and green weeds just covered the horseshoe.
The scenery in the east of the lake is unforgettable, and the most lovely thing is the white sand embankment hidden by Populus davidiana.
3. Note: (1) Qiantang Lake: West Lake in Hangzhou.
⑵ Gushan Temple: It was built in the early years of Chen Wendi in the Southern and Northern Dynasties (522 ~ 565) and renamed Guanghua in the Song Dynasty. Isolated Mountain: It is between the inner lake and the outer lake of the West Lake, so it is called an isolated mountain because it is not connected with other mountains. There is an isolated mountain pavilion overlooking the West Lake. Jia Ting: Also called Jia Gongting. A scenic spot in the West Lake was built by Jia Quan in the Tang Dynasty. During the Zhenyuan period of Tang Dynasty (Tang Dezong year, 785 ~ 805), Jia Quan was appointed as the secretariat of Hangzhou and built a pavilion on the banks of Qiantang River. This pavilion was called "Jia Pavilion" or "Jia Gong Pavilion" and lasted until the end of the Tang Dynasty.
(3) Initial leveling of the water surface: the lake is flush with the embankment, that is, the spring water rises at the beginning. Chu: used as an adverb in ancient Chinese, it is often used to express time and express fast. Low cloud foot: white clouds overlap and connect with the waves on the lake. It seems that the cloud is very low, so the foot of the cloud is low. Point out the starting point and way of spring outing, and focus on depicting the scenery of the lake. It is more common when it rains or just stops raining. Cloud foot: cloud gas near the ground, which is more common when it begins to rain or stops raining. The original meaning of "foot" refers to the organs that people and animals walk. This refers to the drooping clouds.
(4) Early Warbler: an oriole who comes early in early spring. Warbler: oriole, the song is euphemistic and beautiful. Competing to warm the trees: competing to fly to the sunny branches. Warm tree: a tree facing the sun.
5. Xinyan: A swallow just flew back from the south. Take it. Swallows nest with mud in their mouths. Look up and see what you can see in spring, singing and dancing, full of vitality. Focus on birds.
[6] Miscellaneous flowers: There are many flowers. Gradually: adverb, gradually. Desire: adverb, will, will. Charming eyes: dazzling.
(7) Asakusa: Asakusa. Talent: Just right. No (mà): Yes, yes. Looking down on the spring outing, the flowers are tender and the grass is tender, and the spring is full. Focus on flowers and plants. Asakusa has just arrived at the horseshoe.
⑻ Hudong: Taking Gushan as a reference, Baisha Dike (i.e. Bai Causeway) is in the northeast of Gushan. Insufficient lines: I can't get tired of traveling. That's enough. That's enough.
Yin: The same as "Yin" refers to the shade of trees. Baisha Dike: Today's Bai Causeway, also known as Sand Dike and Broken Bridge Dike, is located on the east bank of West Lake, which existed before the Tang Dynasty. Bai Causeway was built by Bai Juyi when he was the secretariat of Hangzhou, and it is another place outside Qiantang Gate.
4. Appreciate:
When Bai Juyi was in Hangzhou, there were many poems describing lakes and mountains. This poem captures the characteristics of the local environment and seasons, and depicts the West Lake, which has just put on a spring coat, as full of business and just right.
The first poem sticks to the theme and always writes about the lake. The previous sentence points out the location of Qiantang Lake and the surrounding "uneven towers". The use of two place names shows a sense of movement, indicating that the poet is walking and watching. On the front of the latter sentence, the lake is as bright as water: at the beginning of spring, the water surface is flush with the embankment, and the white clouds in the air are connected with the rippling waves on the lake, which is a typical water state of Jiangnan Spring Lake. Zhuan Xu wrote about birds seen from looking up. Yingying is singing and swallows are dancing, showing the vitality of spring. Both the oriole and the swallow are messengers of spring, and the oriole sends the good news of spring back to the earth with its euphemistic and smooth voice. Swallows wear flowers and paste water, build nests with mud, and encourage people to start working in spring. The word "several places" summarizes Ying Ge's call to the other and the poet's modality of seeking sound from left to right. The doubt about the word "whose family" shows the poet's delicate psychological activities and makes readers have rich associations. Writing with a neckband overlooks the flowers and plants you see. Because it's early spring, and it's not the season for flowers to bloom, what we see is not colorful flowers, but a cluster of flowers in the east and a cluster in the west, which is described by the word "chaos". Spring grass does not grow luxuriantly, only it is not as long as horseshoe, so it is described by a word "shallow". The "gradual desire" and "talent" in this association are also the feelings and judgments of the poet's observation and appreciation, which makes the objective natural scenery become the scenery in the eyes with the poet's subjective feelings and infect readers. These two couplets describe the scenery of the West Lake in detail, and express Yingying Yan's new arrival with "early", "new", "struggle" and "pecking". Using "chaos", "shallowness", "gradual desire" and "talent" to describe the thriving trend of flowers and plants accurately and vividly reveals the early spring weather that the poet felt while walking, giving people a fresh feeling. The previous generation poet Xie Lingyun's phrase "Spring grass grows in the pond, and willow in the garden turns into songbirds" ("Pond Upstairs") is wonderful in ancient and modern times, precisely because he wrote the joy of love at first sight when the four seasons change. The above two couplets of Qiantang Spring Tour are quite similar in artistic conception, but the white poems are more widely spread. William wrote about the poet's favorite sandbar in the east of the lake. Qiantang Lake, which runs through Bai Causeway, is located in the east of the lake and can win the whole lake. I saw that under the shade of Populus cathayana, the flat and slender white sand embankment was lying in the blue waves, and the people riding on the embankment were knitting and enjoying the beauty of spring. In the meantime, the poet enjoyed the lakes and mountains and was relaxed and happy. "Lack of action" means that the natural scenery is beautiful and the poet is still alive.
5. About the author: Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, and his great-grandfather moved to Xia 'ao when he was born. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu". Bai Juyi's poems have a wide range of themes, diverse forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on.