Seven laws: the People's Liberation Army occupied Nanjing
Zhongshan is windy and rainy, and millions of heroes cross the river.
Tiger's dragon card is better than in the past, upside down and generous.
It is advisable to chase after the poor bandits with the remaining courage, not to learn from the overlord.
If the sky is sentimental, it will grow old, and the right way in the world is vicissitudes.
The first couplet is about the liberation of Nanjing by the People's Liberation Army crossing the river. These two sentences are upside down, because "a million heroes crossed the river" contributed to "the storm in Zhongshan fell from the sky." They are the summary of the whole poem, vividly depicting the magnificent scene of the PLA crossing the river to capture Nanjing, not only describing the rapid advancement of the PLA crossing the river, but also writing the brave momentum of crossing the river. Just when the enemy was still dreaming of making a comeback, the People's Liberation Army (PLA) had crossed the Yangtze River in a mighty way and went straight to the enemy's lair with lightning speed. Under the pressure of the People's Liberation Army, the Nanjing reactionary government was like a yellow leaf that scared away birds and animals. At the beginning of the poem, the peaks are different and the charm is extraordinary, just like the top of Mount Tai, thundering. The language is concise, powerful and vivid. The word "pale yellow" vividly shows the violent and abnormal storm of the revolution, and the word "hero" vividly describes the mighty heroic spirit of the powerful People's Liberation Army. The word "crossing the river" vividly describes the heroic spirit and broad and vivid scene of the People's Liberation Army crossing the river.
Kuailian praised the liberation of Nanjing. The word "today is better than the past" here embodies deep love and hate, thinking about the "imperial country" that was riddled with holes in the past and people's extreme hatred of reactionary rule; Nanjing has been in danger militarily since ancient times, and now it is in the hands of the People's Liberation Army, which is even more magnificent. Politically, it used to be a place where reactionary rulers were deeply rooted. Today, it has become the people's hero city, changed the world, presented an unprecedented brand-new look, truly demonstrated its majestic posture, more majestic and heroic than ever before. The liberation of Nanking marked the decisive victory of the China Revolution, which was an event of great historical significance. The soldiers and civilians of the whole country who are eager for victory are impassioned and inspiring by the great changes and unprecedented great historical events in this rotating Gankun. The idiom "turned upside down" not only shows great changes, but also shows the great significance of the event. On the one hand, Generosity praises the ambition and bravery of the People's Liberation Army, on the other hand, it expresses the lofty sentiments generated by the jubilation of the old days. These languages are full of vitality and boldness.
The above four sentences are historical documentaries, which focus on narration, are vivid and magnificent, and are condensed with deep praise and admiration.
The neckline pointed out that the revolution should go through to the end. These two sentences are the concentrated expression of Mao Zedong's strategic thought of "carrying the revolution to the end" and the soul of the whole poem. Mao Zedong refuted the old adage "Do not chase the enemy" mentioned in Sun Tzu, and further blew the horn of "Only those who are brave and resourceful should chase the enemy". The word "righteousness" appears to be insightful and resolute. Replacing "Yu Yong" with "residual courage" not only creates new words, but also shows that the China People's Liberation Army still has enough strength to hunt down "poor bandits". This is the artistic expression of Mao Zedong's military thought. Then, it summarizes the painful lesson of Xiang Yu, a tragic figure in history, and gives readers a clear lesson: "Don't betray your overlord name." A word "no" means that the candle shines deeply, rationally and thoroughly. From history to reality, this connection is full of philosophy, clever use of allusions, vivid images, timely warning and far-reaching teaching.
Couplets reveal that constant revolution, reform and progress are the inevitable laws of human development. The sentence "If the sky is sentient, it will be old" comes from the poem "Song of Golden Copper Immortal" written by Li He, a poet in Tang Dynasty. Mao Zedong borrowed it to write this poem, giving it a new meaning: the four seasons of nature change and run endlessly, which makes the metabolism of everything in the world never stop, which conforms to the development law of objective things. Constant development, constant revolution and reform are the normal laws of human society. It is clearly pointed out here that the historical events described earlier, that is, the collapse of the Kuomintang and the victory of the China Revolution, are the objective and inevitable laws of social development, revealing that "the socialist system will eventually replace the capitalist system, which is an objective law that is independent of human will." It is not only this paradox, but also points out that the argument of "carrying out the revolution to the end" mentioned above is an objective truth that completely conforms to the law of social development. The revolutionary people responded to Mao Zedong's call to carry the revolution through to the end and wipe out the Kuomintang reactionaries completely, which is the "right way" of governing the country and completely conforms to the law of historical development.
The last four sentences are arguments, but they are not conceptual theories, but are expressed through vivid artistic images and language.
The style of this poem is bold and bold, and the brushwork is magnificent. There are two points worthy of praise in art: first, the perfect combination of narration and discussion, poetry and philosophy is the artistic crystallization of the wisdom of politicians, thinkers, militarists and poets; Second, the use of allusions is vivid, appropriate and profound, which is an appropriate combination of historical allusions and realistic struggles. Seven allusions are used in the whole poem, and this poem is also one of the poems with the most dense allusions in Mao Zedong.