Zhang Xian's Poems

Zhang Xian (990─ 1078) was born in Wucheng (now Xing Wu, Huzhou, Zhejiang). My father, Zhang Wei, likes reading and singing poems. Zhang, Tiansheng eight years (1030) Jinshi. The first year of Ming Dow (1032) belonged to Suzhou. In the first year of Kangding (1040), Zhijiang County was the judge of Jiahe (now Jiaxing, Zhejiang Province) the following year. In the second year of Emperor Yangdi (1050), Yan Shu studied Yongxing Army (now Xi 'an, Shaanxi Province) and was appointed as a general judge. In the past four years, Yuan Wailang and I have known Yuzhou. The fourth year of Jiayou (1059) is well known. Anlu is known for its taste, so it is called Zhang Anlu. In the first year of Zhiping (1064), Shangshu was an official and a doctor. From then on, I often traveled between Hangzhou and Xing Wu to amuse myself by fishing and writing poems, and climbed mountains and sang songs with Zhao Bian, Su Shi, Cai Xiang, Zheng Yi and Chang Li. Yuanfeng died in the first year at the age of 89. Zhang Xian's "Poetry and Yuefu will last forever" (Shi Lin Shi Hua). The content of his ci mostly reflects the poetic life of literati and men and women who climb mountains to write poems to amuse themselves. Ci is as famous as Liu Yong. He is good at poetry and also makes slow words. His writing is subtle, skillful and full of emotion. The themes are mostly men's and women's love, lovesickness and parting, or reflect the leisure life of feudal literati. Some fresh and profound fine print, written with emotion. There is a sentence in "One Inflorescence" that "I'd rather hate and think, don't make peaches and apricots, but still marry Dongfeng", which vividly depicts the psychological activities of dissatisfied women in the boudoir. The monk commented that this word is especially "unreasonable and wonderful" in "Wrinkled Shuixuan Flower Thorn". Poetry is also famous in contemporary times. His poems are implicit and positive, rich in images and concise in nature, which has a great influence on the history of graceful words in Song Dynasty, and is a hero who can not be ignored in the transition from poetry to slow words. Chen Tingzhuo, a Ci theorist in the late Qing Dynasty, commented on Zhang Ziye's Ci Yun: "I have little talent, but I am more than enough. Different from Qin, Liu, Yan and Ou, it is unique. It is indispensable in the word world. " Chen Tingzhuo also said: "Zhang Ziye's Ci is a great turning point from ancient times to the present. The former are Yan, Ou, Wen and Wei. Although the festival is there, the melody is not open. After that, Qin and Liu, Su and Xin, Mei Cheng and Baishi made great efforts to make a comeback, but the ancient meaning gradually lost. Foliage purple suits it, it has influence and excess. But the implication is not like Wen and Wei, and the hair is not like the greasy willow in the pen. Although the scale is narrow, the gas lattice is close to ancient times. In the thousand years since Ye Zi, the wind of Wen and Wei has stopped. This also reminds me of Ye Zi. " White Zhai appropriately pointed out Zhang Xian's position in the history of Ci.