The picture described in this poem: a beautiful stringed instrument with patterns, with fifty strings, and the poet is also feeling that he is almost fifty years old. Every string and every column reminds him of the good memories of the past years, which means that he is outstanding in talent and the years have passed.
The poem Jinse uses the first two words of the first sentence. In the old saying, it was originally thought to be a poem about objects, but the annotator seems to think that this poem has nothing to do with the theme of utensils, and it is really "untitled" to use utensils to hide the theme.
The first couplet of this poem begins with a sad brocade. With the help of the association of images, it shows the poet's deep feelings and unspeakable experiences of living at sea, and points out the theme of "thinking of China", which is a creative development of the traditional method of comparison.
I. Appreciation
In his poems, the writer recalls his boyhood, feels sad about his misfortune, entrusts with a feeling of grief and indignation, and borrows a lot of allusions such as Zhuang Sheng's dream butterfly, cuckoo's tears, tears in the sea, and jade like smoke.
Through metaphor, association, imagination and other means, the auditory experience is transformed into visual images, and a hazy realm is created through the combination of fragment images, thus conveying its sincere, strong and profound thoughts with the help of visually perceptible poetic images.
Two. Brief introduction of the author
Li Shangyin (about 8 13-858), born in western Henan (xi) and Fan Nan, born in Xingyang, Zhengzhou (now Xingyang, Zhengzhou, Henan), was a famous poet in the late Tang Dynasty, and was called "Little Du Li" with Du Mu.
Li Shangyin, Li He and Li Bai are collectively called "Li San" and Wen Tingyun is collectively called "Wen Li". Because his poems and essays are similar to those of the same period, and all three of them rank sixteenth in the family, they are also called "Thirty-six Style".
Li Shangyin was one of the few poets who deliberately pursued the beauty of poetry in the late Tang Dynasty and even the whole Tang Dynasty. He is good at poetry writing, and parallel prose also has high literary value. His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching and beautiful.