2. Brave and fearless ranger boy
3. The image of Luo Shen in the Ode to Luo Shen has a unique aesthetic feeling of "man" and "god" in one. The various portrait characteristics and personality characteristics highlighted in her body are the reflection of the ideal personality of Cao Zhi and other ancient literati, and also the excellent modeling of ideal women in ancient literati's works.
4. Cao Cao was an outstanding politician and strategist at the end of Han Dynasty. His thoughts are vigorous, lively and heroic, and he has the mind and courage to show his talents, so his poems present a bold, solemn and simple artistic style. Cao Pi is an emperor, but his political vision and boldness of vision are far less than Cao Cao's, and his thoughts are not enterprising. He spent most of his life in the palace relocation banquet, so his poems showed a beautiful and elegant artistic style, weeping and sadness, just like "literary spirit" and "feminine taste" Cao Zhi was favored by Cao Cao in his early days, and he was optimistic, ambitious and confident. Later, he was attacked and suppressed by Cao Pi and Cao Rui, and he was hard and afraid ideologically. Therefore, his poetry has the artistic style of vigorous and high-spirited in the early stage, sad and generous in the later stage. Zhong Rong's evaluation of his poems is "high-spirited" and "elegant and resentful".
5. No exploitation, no oppression, no unrest; Everyone takes part in labor according to his own ability; Old people and children live happily; A friendly and harmonious society.
6. The whole poem is based on spring, river, flowers, moon and night, with the moon as the main body. "Moon" is a mixture of scenery and scenery in poetry. It beats the pulse of the poet, and it is like a bond of life in the whole poem. It runs through ups and downs, touching the scene, and poetry fluctuates with the birth and death of the moon. The moon went through the process of rising, hanging high, setting in the west and setting in the sun overnight. Under the moonlight, rivers, beaches, the sky, Yuan Ye, maple trees, flower forests, flying frost, white flowers, boats, tall buildings, dressing tables, anvil stones, flying geese, diving ichthyosaurs, sleepless homesickness and wandering wanderers form a complete poetic image, showing a picture full of philosophy and life interest. The color of this picture scroll is light and rich. Although sketched in ink and wash, it is "ink in the colorful", showing colorful artistic effects from the complementary of black and white and the coexistence of reality and reality. It is like an elegant China ink painting, which reflects the beautiful artistic conception of the moonlit night by the river.
The whole poem begins with emotion and ends with emotion. Among them, "spring", "river", "flower", "moon" and "night" appear by occurrence method and disappear by elimination method. Moonlight is a clue that runs through, which combines philosophical thinking, thinking about women and wandering, forming a complete realm of organic unity of emotion, scenery and reason. In this realm, emotion is sublimated emotion, scenery is wonderful scenery, and reason is profound reason. At the beginning of the poem, the poet painted a beautiful picture with the pen of genius. The whole poem weaves a colorful moonlight portrait on the riverside with the moon and water as the latitude and longitude, spring as the texture, flowers as the pattern and night as the background. ) turn to the exploration of the eternal universe and limited life.
7. Vivid details, delicate psychological description, and contrast of environmental atmosphere.
The combination of narration, lyricism and scenery description
8. Go to Fengxian and recite 500 words.
Du Fu
Ling Du has cloth, but the boss has turned his back on himself.
Why are you stupid? Steal Xiaomi and the deed.
It has become autumn, and the white head is generous.
The matter of closing the coffin has already been done, and this ambition is often lost.
If you are poor, you will worry about Li Yuan, sighing for intestinal heat.
It's fierce to make fun of classmates.
Without rivers and seas, you can send the sun and the moon smartly.
When you give birth to Yao Shun, you can't help it any more.
Is there a lack of corridors and temples now?
The sunflower fire is biased towards the sun, and its physical properties are difficult to take away.
Gu Wei is an ant tribe, but he seeks his own opinions.
Hu Weiwei craves whales and wants to suppress the Bohai Sea?
In order to understand physiology, I am ashamed to do things alone.
So far, I have swallowed it.
Eventually ashamed of the nest, it failed to change its festival.
Drink to talk about your heritage, and sing to break your troubles.
At the end of the year, a hundred herbs are exhausted, and the high wind Gorkon cracks.
It's cloudy and eventful, and guests are sent at night.
First frost is in rags, and his fingers can't be tied straight.
In the morning, I passed Mount Li, and the imperial couch was in the mountain.
Chiyou is cold and the cliff is slippery.
Yaochi qi stagnation method, feather forest phase Mojia.
The monarch and the minister are happy with it, and the joy is moving.
Baths are all long tassels, and banquets are not short brown.
All the silks in Tongting belong to cold women.
Whip her husband's family and gather in Miyagi Que.
The sage is full of grace and really wants to live in the country.
If I suddenly understand, how can you abandon this thing?
Toastmasters will fill the court, and benevolent people should tremble.
I heard that the gold plate is in Huo Wei's room.
Nave dancing fairy, misty as jade.
Warm the mink and fur, pity the tube and clear the throat.
Advise customers to camel's hoof soup, and frost orange presses fragrant orange.
The wine and meat in Zhumen stink, and the road has frozen bones.
Prosperity and decline are very different, melancholy and indescribable.
The north is completely different, and Guandu has changed its course.
Water flows from the west to the bottom and is very high.
Doubt is coming; Afraid of touching Tianzhu.
The river beam is unlucky and the branches rustle.
Travel is climbing, Sichuan and Guangzhou can't cross.
An old lady sent her to a different county, ten doors away from the snow.
Who can ignore it for long? Ordinary to * * * hungry.
When I started, I died when I was young and hungry.
I would rather give up a mourning, and the alley also sobbed.
Being ashamed of being a father led to come to a bad end.
I don't know if the autumn harvest is high and the poor basket is in a hurry.
Students are always tax-free; No name.
The traces are still sour and pungent, and people are solid.
Meditate on the unemployed, because they are far away.
Worry stops in the south, and the hole cannot be broken.
There are 500 words in the whole poem, in which the narrative starts from the capital and crosses Mount Li, which is clear and clear, but it is only a few crossings, and the rest are all comments or feelings, because the topic is "Forever" after all. As the representative work of Du Fu's five-character ancient poems, the whole poem has two themes: First, it tells that he has always cherished the ambition of saving the world, but he can't extend it. Although he was in pain, he still didn't change his mind. Secondly, he criticized Xuanzong, a monarch who was profligate in Lishan Palace, and his subjects, and expressed his grave concern about the serious polarization between the rich and the poor and the signs of social unrest. The whole poem takes "worrying about Li Yuan in poor years" as the main line, which indicates that the poet's realistic creative thought of worrying about the country and the people has been formed and has epoch-making significance. It is a summary of Du Fu's life and thoughts in Chang 'an for ten years, and he has also reached the level of perfection in art. ..
The whole article is full of profound words and painful words. At that time, the feelings of worrying about the country and the people were full of words, and a thousand miles of songs were written, but the pen was frustrated and there were countless twists and turns. In the words commonly used today, the greatest feature of this poem is depression and frustration, which is also the main style feature of Du Fu's poems.