Lin Huiyin is a poet of the Crescent Poetry School.
Lin Huiyin (June 10, 1904 - April 1, 1955), formerly known as Huiyin, Han nationality, native of Minhou, Fujian (now Fuzhou, Fujian), was born in Hangzhou, Zhejiang. Lin Huiyin is a professor at Tsinghua University, a famous Chinese architect and writer, the first female architect in China, and "an outstanding woman in the history of modern Chinese culture".
You are April in the world. Lin Huiyin’s aesthetic characteristics:
1. The beauty of painting.
In the flow of musical beauty, poetry is displayed before our eyes like a vivid picture. The opening chapter "I say you are April in the world" is a declaration of love. The inspirational, dreamy and warm image of "April" first gives readers rich reverie and visual appeal.
Followed by the natural combination of typical images such as "clouds and smoke", "stars", "drizzle", "hundred flowers", and "full moon", these five poetic pictures are also reflected in our minds. Before the eyes, there are "Spring Light and Wind Dance Picture", "Wind Smoke and Stars Talking Picture", "Moonlight Night Picture of Flowers Blossoming", "New Green After Snow Picture" and "Flowers Blooming and Swallows Talking Picture".
The poet's emotions are further naturally revealed along with the painting, achieving a complete blend of emotion and scenery, forming an aesthetic style with paintings in the poem.
2. Architectural beauty.
The poem is divided into 5 sections, each section has 3 sentences. The number of words and sentence patterns of the whole poem are even and harmonious. The shape of the poem is a typical traditional metrical poem, with the shape of a building. The beauty of poetry is the visual "evenness of sentences" in poetry.
Lin Huiyin is good at drawing on the skills of architectural art, using language symbols to form visually appealing external geometric forms, which in turn triggers readers' imagination and aesthetic psychology. This unique architectural aesthetic is reflected in Lin Huiyin In poetry creation, a large number of architectural images are used to achieve the perfect integration of poetry and architecture.
“Murtering Between the Beams” uses the image of the beams to achieve a harmonious combination of language and architectural imagery, forming the beauty of poetic architecture.
3. Musical beauty.
The neat poetry form is full of changes, and this change is caused by the changes in rhyme patterns and sentence patterns of the poems, which bring about the diversity of the inherent forms of the verses. For example, the first stanza of a poem rhymes, which makes the whole poem well-organized, catchy, and possessing inherent flowing power.
But this kind of rhyme forms naturally with the poet's emotional ups and downs and changes in content. In this way, the rhythm of the language is also coordinated with the content of the poet's thoughts and feelings, and the beauty of music will naturally emanate. When Liang Congjie talked about the rhythm of Lin Huiyin's poems, he said: "Her poems are not satisfied with a single form of expression, but strive for innovation and change."
For example, the third stanza of the poem. The sentence pattern changes, from "You are?" to "? You are", which avoids singleness and rigidity in expression, and is full of jumping and musicality, full of the rhythm of life in April. In this way, the flowing inner emotions of the poem emerge vividly on the paper.
The poet's inner emotions are skillfully integrated into the poem with rich musical texture, making the whole poem full of musical beauty.