After 1933, saxophone lived in seclusion for seven years in the terror of fascism and anti-Semitism, studying fairy tales in Hebrew and German. 1940, she fled Nazi Germany and went into exile in Sweden with the help of the Swedish woman writer Lagrov. After that, she settled in Stockholm, became a Swedish citizen, engaged in German translation of modern Swedish poetry, and continued to write. Sachs' poems mainly describe the sufferings of European Jews under fascist rule. For example, House of the Dead (published in Berlin 1946) and Starry Sky Dim (published in Holland 1949). 195 1 published the poetic drama Avery, which described the ravages of Nazi soldiers on Poland. 1959 The publication of Yi Bian further established her position in the poetry circle. 1966, saxophone and Israeli writer Agnon jointly won the Nobel Prize in Literature.
The cultural tradition, tragic fate and personal misfortune of the Jewish nation have had a far-reaching impact on Sachs' creation. Persecution, concentration camps, escape and homelessness are the themes of her poems, which are full of martyrdom and strong religious mystery. The historical themes in later works gradually decrease, and most of them show the mood of survivors. Her blank poems are harmonious in rhythm, implicit in metaphor and sad in artistic conception. Other important poetry collections include No One Know Again (1957), Turning into a Dust-Free Land (196 1), Death is still praising life (196 1), and Hot Riddle (/).