1, carved in large font, thick, with wet ink. —— Excerpted from Wen Tong's Weaving Women's Complaints in the Northern Song Dynasty
2, the big characters can't be washed away, and the iron paintings are covered with moss. —— Excerpted from "Kaixian Waterfall" in Qingjiang Shiquan
3, Lu Gong big stone, the pen is about to collapse. —— From the Northern Song Dynasty, Huang Tingjian's "Secondary Rhyme Fa Zhou Caoyou Qingyuan Mountain Temple"
4. After Lingling shaman, the new book is as big as a bucket. —— Excerpted from Don Su Xun's "To Lingling Monk"
5, like the wife of the Southern Dynasties, brokeback is a big word. -From Yuan Yang Weizhen's Broken Wrist Building
6. Toure has no yellow rice wine to go to, and the characters in Long song have set. -from Wen Tianxiang in the Southern Song Dynasty, "Xichang Nishi has a valley book, and Ling Du landscape is an obstacle song"
7. Great people, such as crows, are no longer fat and soft. —— From Huang Tingjian's "The Wind and Wang Shibi Send Mr. Qi Xiong the Same Rhyme" in the Northern Song Dynasty
8, big characters are not bitter, small characters force wisdom. —— From Huang Tingjian's "The Rhyme of Sending Wine and Zhou Facao" in the Northern Song Dynasty
9. The Chinese characters in the poem are sparse, which is quite similar to Fu Weng's old-age pen. —— Excerpted from Song Ai Xingfu's "Four Famous Historians of Spring Lake"
10, the big characters are correct, and the officials and slaves bully Boying. —— From Huang Tingjian's "A Book for the Fourteenth Right Army in Autumn" in the Northern Song Dynasty