The pillow creek hall is cold and autumn, and the clouds break through the water and harvest late. Red-violet snuggled up to each other like a drunk, and Bai Niao was speechless and worried. This book is aggressive. Let's have a rest. A hill and a valley are also romantic. I don't know how weak my muscles are, but Chueh-hsin is too lazy to go upstairs.
This word was written in the early autumn of the thirteenth year of Xichun (1 186). Xin Qiji dismissed from office and lived in a private house with a lake in Shangrao.
Goose Lake is a mountain name, in the northeast of Lead Mountain County, Jiangxi Province. The water at the top of the mountain turned into a lake, named after Gong, a native of the Eastern Jin Dynasty, who raised geese here. There is Goose Lake Temple at the foot of the mountain, and the scenery is very beautiful. Xin often comes here to play when he is free. Xin Qiji came to the south from 1 162. He has been working hard and wants to make a difference. However, because he dared to speak out and fight against the Japanese, he was eventually squeezed out by the main faction and ran away from home. He was slandered for his loyalty, but he was suspicious when he believed it. After leaving my job, I became friends with Gull Heron, although I sometimes feel sentimental about mountains and rivers. But because I am obsessed with state affairs and the Central Plains, I am always worried and angry. This word is to express his depression in seclusion and his ambivalence about the source.
The first film is a description of the scenery around the house. The first sentence is written indoors, and the last three sentences are read outdoors. "Pillow" refers to bamboo mat. One early autumn evening, the poet was lying on the bamboo mat in front of the hall, and the stream was blowing, which made him feel as cool as late autumn. On the one hand, this is a reflection of the poet's weakness after his illness, and more importantly, his sad mood. Look outside again: the white clouds in the distant sky are gradually disappearing because they are going to be late, and the red-violet on the nearby water is swaying and squeezing in the evening breeze, all like being drunk. Only the egret on the shore stood quietly, as if worried, even though its feathers were all white. These words are written on the surface of the landscape, in fact, they express their feelings in the twists and turns with the landscape.
After the film, "the book is aggressive and rests, and a mountain and a valley are also romantic." The three codes are used together, the tone is sonorous and the language is fast. "Shi Shuo Xin Yu Huan" contains: After the gold and silver ship was scrapped, he didn't complain, but he painted the word "strange" in the air with his hands all day. The Biography of Si Kongtu in the New Tang Dynasty records that Si Kongtu lived in seclusion in Zhongtiao Mountain and built a pavilion named "Xiu Xiu". Self-proclaimed: "It is appropriate to take a break, two breaks, and three breaks." One Mountain and One Valley is the dictionary of Shi Shuo Xin Yu Joey: Gu Changkang painted Xie Youyu on a rock, and people asked him why. Gu Yue said, "Xie Yun calls itself crossing a mountain and a gully, so it is appropriate to set a gully." Ming Di asked again: "How can Qing claim to be as bright as jade?" "A:' When the temple is fixed, it is better to be bright than red, and one mountain and one valley is called' crossing'. "The poet connected three allusions here, saying why Yin Haogan was so indignant and painted" strange things "all day? I think it should be as incompetent as Si Kongtu and let nature take its course. Learning from Xie Kun, in the corner of a small hill, isn't that very comfortable and happy? The author pretends to be happy with allusions, but it is not difficult to see his inner unfairness.
The last two sentences, "I don't know how much physical decline, Chueh-hsin is lazy to go upstairs", ostensibly bemoaning the physical decline after illness and being lazy to go upstairs. In fact, just as Liu Bei lamented that he was reborn because he had lived in Xiangfu for a long time, it was a tortuous expression of his desire to serve the country.
There is no sorrow in the whole word, but all the papers are full of sorrow, no resentment and no resentment. It shows depression in broadmindedness and resentment in leisure, which conforms to the requirements of the ancients for poetry to be refined and implicit, and also fully shows the skill of people in Xin Qiji's ci circle.
The word "red lotus" gives birth to resentment and flowers and birds, but it is natural. In a word, autumn is here, and there is sadness everywhere. (Shen Jifei's Comments on Caotang Poems)
It has the ideas of "bandit style" and "Xia Quan", and it can grieve for its ambition. The trick is to let go of these two sentences, that is, neither leave nor contain. (Su Huang's Selected Poems of Starting a prairie fire)
Jia Xuan's ci works, such as Broken Array (a gift from Chen Tongfu) and Shui Long Yin (crossing Shuangxi Building in Nanjian), are inevitably nervous. The rest of my relatives, such as "Honglian was so drunk that Bai Niao was speechless." "I don't know how weak my muscles are, but Chueh-hsin is too lazy to go upstairs." As well as "peaches and plums in the city are worried about the wind and rain, and the spring is at the head of the stream", the style is vigorous and far-reaching. There is no need to be nervous. More than seven letters, this is a stunt. (Chen Tingzhuo's White Jade Zhai Thorns, Volume 1)
The letter was written straight, like Shaoling's handwriting at the moment. (Comment on Chen Tingzhuo's Yun Shao Ji)
"The Record of Blowing Sword" said: "Poets from ancient times to the present have good sentences. No one cleaned it up, and everything became a pearl. Chen Shi:' I don't know how weak my muscles are, so I'm too lazy to go upstairs.' "According to this sentence, Jia Xuan's poem" Partridge Day "takes a break. Jiaxuan relies on everyone's voice, and his peers are a little ahead of Qiuchi. Why draw materials from Qiuchi's poems? Tang Qiu used to be proud of his talent, but he didn't want to emulate his neighbors. Or did Yu Wenbao mistake Xin Ci for Chen Shi Page? These two sentences are better in words, but slightly different in poetry. Information about the physical differences between words and poems can be quoted here. (Kuang Zhouyi's "Hui Feng Hua Ci", Volume 2)