In the morning, the river is calm. A red sun rose from Ran Ran in the east and dyed the Han River red. There are white clouds in the blue sky, and hardworking fishermen drive fishing boats to salvage fresh fish on the river early.
A boat carrying things, passing by the river, has silver waves. How charming it all looks.
The Hanjiang River is more beautiful at night. The colorful lights on the riverside are lit one by one and reflected on the river, forming a colorful picture, which is very beautiful! It is beautiful when it rains lightly. The drizzle seems to have covered the Han River with a milky veil, just like a fairyland in a fairy tale.
The Hanjiang River is not only beautiful, but also the source of life for hundreds of thousands of people in Xiangfan. We should cherish every drop of water and don't let the Han River dry up or be polluted. Let's create a harmonious home.
I love the beautiful Hanjiang River in my hometown! ! .
2. What kind of scenery is described in Autumn Night on the River? "On the Autumn Night" depicts a scene on the river at dusk in autumn.
Autumn Night on the River is the work of modern poet Liu Dabai 1923, which is included in the collection of poems "Kiss by Mail" by Mingkai Bookstore 1926. From the overall framework, this poem adopts the popular style of small poems at that time, and its small description, concise outline, prose sentence pattern and improvisation all show the style of Tagore and Japanese haiku.
The original poem is as follows:
The homing birds, though tired, bring the sunset back.
Flap your wings and set the sunset on the river;
Reed with white heads has also been made into beautiful moments.
Extended data
Creation background: In the 1920s, the poets who wrote new poems were greatly influenced by the old ones, so the new poems at that time all had a strong style of the old ones. In addition to writing in vernacular, the artistic conception and expression of poetry are often not much different from those of old poems. This is a major feature of poetry at that time.
The same is true of Liu Dabai, the author of this poem. Although he tried to write a pure vernacular poem, the rhyme of this poem still follows the original requirements of classical poetry, so we can still see the traces of its influence by old poems. "Autumn Night on the River" was created in this environment.
"The bird that returned to its nest, though tired, still came back with the sunset." The tired bird wanted to go back to its nest. At that time, it was getting late. The afterglow of the sunset shines on the bird's back and wings, as if bringing the sunset back to its nest. The evening scenery, in the poet's pen, has a sad beauty.
"Tired" and "shouldering" are key words. It is the imagination of the poet and the emotional migration of the poet. Birds are tired, so are people. On the one hand, the word "piggyback" is a further rendering and absurd imagination of the scenery, on the other hand, it also highlights the fatigue degree of birds, because piggyback is a kind of load and piggyback is the sun. In this way, what you see is not only a kind of scenery, but also the poet's experience of life.
"Flap your wings and throw the sunset on the river." The poet originally only paid attention to the birds on the river and the sunset shining on them. When the birds turned their wings, they noticed the reflection of the sunset on the river. The reflection of the sunset seems to fall from the wings of birds. The birds are very tired, but they still carry the sunset on their backs. They don't think it is a heavy burden. In the poet's view, it is birds carrying the sunset to dye the river. The scene is very touching.
The second paragraph is the continuation and development of the first paragraph. It's not that the sunset sank to the bottom of the river, but that the sunset was turned over by the wings of birds in the river, which is very expressive. It is an extremely exaggerated and logical dynamic description. It is not so much a natural extension of the birds carrying the sunset as a deepening of the poet's imagination. It makes the sunset sink into the river, and the scene at this moment is even more superb. At the same time, it is also an emotional development for birds to flap their wings and shake off the sunset. Explain that birds are overwhelmed and want to live a free life.
"The reeds with white heads have also been made into beautiful moments." The poet turned his eyes from the river to the reeds by the river. The afterglow of the sunset dyed the rivers and reeds red. In an instant, the white reed turned into a beauty. From the wings of birds to rivers and reeds, the scenery in front of us is red. In autumn dusk, it forms a beautiful picture on the river.
The whole poem is full of the emotional appeal of the old poem, with only a few strokes, that is, it outlines a beautiful picture with sound and emotion, and at the same time it has the poet's own style, just like the last two sentences, which personifies the reed through "makeup" and "beauty", adding a little interest and vitality to the whole poem.
3. What kind of scenery is described on the river in autumn night? Although the birds return to their nests, they still carry the sunset. This is a new poem about autumn. The returning birds fly low, the setting sun shines obliquely, the shoal reeds swim in the breeze, and the scenery on the river in autumn night. This poem is scattered and meaningful, meaningful and beautiful. This poem adopts the popular poem style at that time from the overall framework. A little description. Both show the style of Tagore and Japanese haiku. Of course, from the creation and expression of artistic conception, it mainly comes from Song Ci, especially Xiao Ling and Yuan Qu. Bing Xin, Zong Baihua and other poems pay attention to the suggestive philosophy of images, while Liu Dabai pays attention to the harmony between emotion and scenery when describing nature. This is the so-called combination of poetry and painting and the blending of scenes in classical poetry. Birds carry the sun. This poem forms a more vivid image than classical poetry. This bird is a living organism. When its wings flapped, the poet imagined the sunset "setting" on the river, rendering the whole river vivid and brilliant. The returning birds and the sunset are far apart in space, but the poet has integrated them into the big plane where birds find their homes in the red sunset. Of course, that's all. It's a delicate little scene at best. however
4. What kind of scenery is described in Autumn Night on the River? "On the Autumn Night" depicts a scene on the river at dusk in autumn.
Autumn Night on the River is the work of modern poet Liu Dabai 1923, which is included in the collection of poems "Kiss by Mail" by Mingkai Bookstore 1926. From the overall framework, this poem adopts the popular style of small poems at that time, and its small description, concise outline, prose sentence pattern and improvisation all show the style of Tagore and Japanese haiku.
The original poem reads as follows: the returning bird is tired and carries the sunset. Flap your wings and set the sunset on the river; Reed with white heads has also been made into beautiful moments.
Expand the background of information creation: In the 1920s, poets who wrote new poems were greatly influenced by old poems, so the new poems at that time all had a strong style of old poems. In addition to writing in vernacular, the artistic conception and expression of poetry are often not much different from those of old poems.
This is a major feature of poetry at that time. The same is true of Liu Dabai, the author of this poem. Although he tried to write a pure vernacular poem, the rhyme of this poem still follows the original requirements of classical poetry, so we can still see the traces of its influence by old poems.
"Autumn Night on the River" was created in this environment. "The homing bird, though tired, still comes back with the sunset."
The tired bird wants to go back to its nest. At that time, it was getting late.
The afterglow of the sunset shines on the bird's back and wings, as if bringing the sunset back to its nest. The evening scenery, in the poet's pen, has a sad beauty.
"Tired" and "shouldering" are key words. It is the imagination of the poet and the emotional migration of the poet.
Birds are tired, so are people. On the one hand, the word "piggyback" is a further rendering and absurd imagination of the scenery, on the other hand, it also highlights the fatigue degree of birds, because piggyback is a kind of load and piggyback is the sun.
In this way, what you see is not only a kind of scenery, but also the poet's experience of life. "Flap your wings and throw the sunset on the river." The poet originally only paid attention to the birds on the river and the sunset shining on them.
When the birds turned their wings, they noticed the reflection of the sunset on the river. The reflection of the sunset seems to fall from the wings of birds.
The birds are very tired, but they still carry the sunset on their backs. They don't think it is a heavy burden. In the poet's view, it is birds carrying the sunset to dye the river.
The scene is very touching. The second paragraph is the continuation and development of the first paragraph.
It's not that the sunset sank to the bottom of the river, but that the sunset was turned over by the wings of birds in the river, which is very expressive. It is an extremely exaggerated and logical dynamic description. It is not so much a natural extension of the birds carrying the sunset as a deepening of the poet's imagination. It makes the sunset sink into the river, and the scene at this moment is even more superb.
At the same time, it is also an emotional development for birds to flap their wings and shake off the sunset. Explain that birds are overwhelmed and want to live a free life. "The reeds with white heads were also made into beautiful moments."
The poet turned his eyes from the river to the reeds by the river. The afterglow of the sunset dyed the rivers and reeds red.
In an instant, the white reed turned into a beauty. From the wings of birds to rivers and reeds, the scenery in front of us is red.
In autumn dusk, it forms a beautiful picture on the river. The whole poem is full of the emotional appeal of the old poem, with only a few strokes, that is, it outlines a beautiful picture with sound and emotion, and at the same time it has the poet's own style, just like the last two sentences, which personifies the reed through "makeup" and "beauty", adding a little interest and vitality to the whole poem.