There are seven chapters in Memory of Jiangnan.
The first part, the introduction, describes the bleak scene of the postwar suburbs that Su Kun saw when he returned to Nanking, and sets a gloomy and sad tone for the full text.
The second tune to the sixth tune is about Su Kunsheng's mourning for all parts of the old capital, focusing on the decline of the Ming tombs and palaces and the neglect of Qinhuai area (including Changbanqiao and Laoyuan). Through comparison, it highlights the historical changes of the rise and fall of Nanming, and reflects the grief for the infinite nostalgia of the old country.
The seventh chapter is the conclusion. Su Kunsheng always hangs over Nanjing, lamenting the changes of Nanjing's past and present scenes, mourning the demise of Nanming and singing a strong lament of national subjugation. Finally, "the remnants of Meng Shan are the most real, but it is difficult to lose the old territory. Don't trust this map. A set of "Mourning Jiangnan, Singing to the Old" points out the main idea of the whole article.
This set of music first lays out the scenery and contains feelings in the scenery; After the direct expression of the chest, generous elegy. Starting from the first two sentences, the first six pieces of music take the trace of Fu, a composer of music education, as a clue, from far and near, from suburb to Xiaoling, from Forbidden City to Qinhuai, from Banqiao to Laoyuan, describing the bleak scene of Nanjing after the demise of Nanming, showing the unrecognizable changes in Nanjing. In the description of the scenery, there is infinite grief for missing the old country, and I feel comfortable in the scenery without expressing my feelings. These six songs are all concentrated on writing scenery with pen and ink, running through in one breath and creating momentum at different levels, which makes the lyric of the seventh song come naturally, burst out suddenly and touch people's hearts.
This musical language is accurate, vivid and vivid. For example, the word "Dancing on the Danhuan", a word "dancing", describes the scene of birds jumping around the Danhuan, and a word "Chao", which links this scene with the solemn etiquette of courtiers to visit the son of heaven, giving people a contrast between the past and the present, showing the extreme decline of the holy court in the past today; The word "one willow bent over" is meaningful, indicating that there is not only a willow tree here, but also a willow tree and the only willow tree left among many willows in the past, which makes people want to see the beautiful scenery of the green willow, full of infinite desolation.
At the end of the song, the antithesis is used, and three loose sentences are used at the same time. The sentence patterns are neat, parallel, patchwork and clear. Read it in one breath, fast, powerful and generous.
Problem-solving guidance
I (omitted)
Second, be familiar with the words, experience the thoughts and feelings contained in the description of the scenery, and understand the whole theme.
The first six songs describe the bleak scene inside and outside Nanjing after the national subjugation of Nanming. These descriptions contain feelings in the scenery and express the singer's grief for the motherland.
Finally, "the remnants of Meng Shan are the most real, but it is difficult to lose the old territory. Don't trust this map. A set of "Mourning Jiangnan, Singing to the Old" points out the main idea of the whole article.
Third, taste the accurate, vivid and vivid language of the text, and finally understand the rhetorical features and expression effects of duality and parallelism.
1. Picking Flowers from Mountain Pines and Weeds describes the image of Su Kunsheng walking with firewood on his shoulders, and points out his identity as a woodcutter who lived in seclusion in the mountains after the demise of Nanming. The word "suddenly looking up" can not only make people see Su Kunsheng bow his head in thought with the pain of national subjugation, but also show the dramatic change of his feelings with a sudden turning point, which makes people seem to see that he suddenly discovered the modality of "returning to Liling". The word "heavy" shows the time boundary between before and after the demise of Nanming, the past and today, leads to the bleak scene of Nanjing after the demise of Nanming witnessed by Su Kunsheng, and sets the lyrical tone of the whole story, which is not what it used to be, and nostalgia hurts today.
2. "The remnant army leaves the abandoned base, and the thin horse lies empty", which is the first sight Su Kunsheng saw after "returning to Nanjing". Here, the words "residual", "waste", "thin" and "empty" are used as modifiers. Modifying "the army" with "the remnant" makes people want to see the situation of the defeated army fleeing, which is a virtual writing and an association caused by the real scene of "abandoning the base"; The "disabled army" and "thin horse" are also relative in reality, the former is invisible in front of us, and the latter is visible in front of us; The "bases" and "trenches" used for war in the past are now "deserted" and "empty", and rows of thin horses lie in the empty moat, which is even more desolate. These descriptions are vivid and concrete, and with few figures, they truly present the bleak scene of Nanjing suburbs after the war.
The song "Selling Wine" describes the scene beside a long slab bridge, and these are the last two sentences. Changbanqiao used to be the place where geisha lived, and the scenery was beautiful. Now the scenery is completely gone. Not only is it a half-mile long bridge that used to cross Qingxi, but now there is no red Banqiao, and there are few pedestrians in Qiushui. In the lonely sunset, I only see a weeping willow. The afterglow of the setting sun has been deserted. There are more than one willow in the afterglow of the setting sun. It is a lonely willow and a remnant willow. It is the only willow among many willows in the past. "Cold Twilight" and "A weeping willow" set each other off and became more and more deserted; The word "leftover" is especially meaningful, which makes people want to see the beautiful scenery of the past, full of infinite desolation. Today is not what it used to be, and times have changed, which makes people feel sad from time to time. Just a little dyeing here will outline a sad picture and bring people into a very sad mood. The pen is extremely simple and the environment is extremely fine.
It is not good to change "leftover" to "stay" or "look". The meaning of "leftover" and "stay" is similar, but "leftover" is generally passive and has the meaning of "residual" and "leftover"; "Stay" can be passive or active. "Seeing" is only temporary, and it can't give people a sense of change in the comparison between the past and the present. It is more appropriate to use the word "leftover" to express the singer's feelings for the motherland than to use "stay" or "see".
4.① Duality sentences
The jade steps in Jinling crow and the waterside pavilion in Qinhuai opens early.
The remnants of Meng Shan are the most real, but it is difficult to lose the old territory.
A set of mourning for Jiangnan, playing sad songs to the old.
② Parallelism sentence
Look at him starting from Zhulou, watching him entertain guests and watching his building collapse.
That Wuyi Lane is not surnamed Wang, Mochou Lake Nightingale, Phoenix Bird.
These antithetical sentences and parallelism sentences can all be regarded as antithetical sentences (some are not strict). This lyric uses a large number of antithetical sentences, with neat sentence patterns, distinct rhythm and good language cohesion, which makes the lyric have a strong voice and emotional expression effect.
Fourth, understand the different characteristics of the artistic techniques of borrowing scenery to express emotion in drama and poetry.
original text
(Su Yun) ... I haven't been to Nanjing for three years, and suddenly I am very happy to go to town to sell firewood; When I passed the Xiaoling Mausoleum, I saw the Treasure City Appreciation Hall, which was later A Mu Governance Field.
(Liu Yun) Ah, what about the Imperial City?
(Su Yun) The walls of the empire collapsed and wormwood was everywhere.
(Zangai tears, cloud) Unexpectedly, this is the end of the story.
Su Yun: I walked all the way to Qinhuai again and stood there for a long time, but there was no one there.
The old courtyard of Changqiao (Liu Yun) is a familiar place for us to visit. You should see it, too.
(Su Yun) Why don't you look-there are no slates on the long bridge, only a pile of rubble is left in the old yard.
(Liu beats his chest, cloud) Alas, I am so afraid of death!
(Su Yun) Looking back in a hurry, I was sad all the way and compiled a set of northern songs called "Sorrow for Jiangnan". Wait for me to sing (Knocking on the board and singing Yiyang tune) What a woodcutter! (singing)
Mourning the fresh water in the south of the Yangtze River, the mountain pine weeds brought flowers to pick them up, and suddenly they looked up and returned to Fuling. The remnant army leaves the abandoned base, and the thin horse lies empty; Guowa Village, a city facing the sunset.
Listening to the frequent wildfires burning in the horse, most grave keepers are anxious. The goat has escaped. When will the guardian escape? Pigeon hair bat dung is thrown all over the house, and litter is used as a step cover; Who sacrifices to sweep, the shepherd breaks the dragon hat.
Shen Zui Dongfeng has eight pillars and white jade, and the red mud is half as high as the wall. There are more broken glazed tiles and fewer rotten jade windows. Dancing with Dan, the birds always go straight to the palace gate in the morning and live in Artemisia, where some beggars are hungry.
The laurel-folding order asked about the old window of Qinhuai. The broken paper was in the wind and the rotten sill was in the tide, which broke my eyes. Where did Dai Dai play the flute in those days? It's boring to turn off the lights and boats and stop the noise. Bai Niao is fluttering, green water is surging, some yellow flowers are flying, and no one can see the new red leaves.
Selling wine, you remember the Qingxi Banli Bridge, without the old red board. There are too few people in autumn water, and there is a lonely sunset, leaving a weeping willow bent over.
Taiping Ling walked to the old courtyard gate, without knocking, not afraid of dogs. It's nothing more than a dry well and a broken nest. It's just bricks and moss to make grass. Plant flowers and willows by hand, and do your best to pick firewood; Whose kitchen stove is this black ash?
I left the pavilion banquet after a short break, which means that I have seen the Jade Palace singing in Jinling and the waterside pavilion in Qinhuai open early, but it is easy to melt! Watch him rise from Zhu Lou, watch him entertain guests, and watch his building collapse! This mossy pipa pile, I used to sleep happily and watch the rise and fall of 50 years. That Wuyi Lane is not surnamed Wang, Mochou Lake is a night crying ghost, and Phoenix Terrace is an owl. The remnants of Meng Shan are the most authentic, and it is difficult to lose the old land. Don't trust this map! A set of "Sorrow for Jiangnan", playing sad songs to the old.
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"Peach Blossom Fan Mourning for the South of the Yangtze River" divertimento, * * * has seven songs. The first six songs have been sung all over Nanjing. Typically, the author also skillfully introduces "close-ups" from time to time-"the shepherd broke the dragon hat", "Artemisia went all the way to the palace gate, and several beggars were hungry" and so on. How vivid the focus is! The chorus of the seventh song is a matter of course.
1, the new water in the north makes the mountain pine grow wild and heavy. The remnant army leaves the abandoned base, and the thin horse lies empty; Guowa Village, a city facing the sunset.
The song [Beixin Shuiling] "Mountain Pine Weeds with Peach Blossoms" describes the image of Su Kunsheng walking with firewood on his shoulders, pointing out that he was a woodcutter who lived in seclusion in the mountains after the demise of Nanming. The words "suddenly look up into the ground" and "suddenly look up" can not only make people see Su Kunsheng bow his head in thought with the pain of national subjugation, but also show the sharp change of his feelings with a sudden turning point, which makes people seem to see his sudden discovery of the modality of "socks are heavy". The word "heavy" shows the time boundary between before and after the demise of Nanming, the past and today, leads to the bleak scene of Nanjing after the demise of Nanming witnessed by Su Kunsheng, and sets the lyrical tone of the whole story, which is not what it used to be, and nostalgia hurts today. "The remnants of the army leave the abandoned base, and the thin horse lies empty." This is the first sight Su Kunsheng saw after "returning to Nanjing". Here, the words "residual", "waste", "rare" and "empty" are used continuously as modifiers. Modifying "the army" with "the remnant" makes people want to see the situation of the defeated army fleeing, which is a virtual writing and an association caused by the real scene of "abandoning the base"; The "disabled army" and "thin horse" are also relative in reality, the former is invisible in front of us, and the latter is visible in front of us; The "bases" and "trenches" used for war in the past are now "deserted" and "empty", and rows of thin horses lie in the empty moat, which is even more desolate. "The village is depressed and the city faces the sunset road", which should have been an ancient city full of tourists and laughter. Now there is only "depression", and even no one can be seen on the ancient sunset road. These descriptions are vivid and concrete, and with few figures, they truly present the bleak scene of Nanjing suburbs after the war.
2, listening to wild fire horses frequently, protecting more than half of the tomb. The goat has escaped. When will the guardian escape? Pigeon hair bat dung is thrown all over the house, and litter is used as a step cover; Who sacrifices to sweep, the shepherd breaks the dragon hat.
After listening to a song in Malaysia, I wrote Xiaoling Mausoleum, that is, the Ming Mausoleum, the tomb of Zhu Yuanzhang, the founding emperor of the Ming Dynasty. As adherents of Nanming and emperors of Ming Dynasty, everyone should miss it, not to mention that Xiaoling is the tomb of the founding emperor Zhu Yuanzhang!
3, Shen Zui Dongfeng horizontal white jade eight pillars fall, falling red mud half wall high. There are more broken glazed tiles and fewer rotten jade windows. Dancing with Dan, the birds always go straight to the palace gate in the morning and live in Artemisia, where some beggars are hungry.
Shen Zui Dongfeng mainly talks about palaces. This is the place where the supreme emperor handles political affairs and life, is the symbol of the state and imperial power, and is the main support for the adherents of Nanming who harbor the hatred of national subjugation.
4. The laurel-folding order asked the old window of Qinhuai. The broken paper was in the wind, the rotten sill was in the tide and the eyes were broken. Where did Dai Dai play the flute in those days? It's boring to turn off the lights and boats and stop the noise. Bai Niao is fluttering, green water is surging, some yellow flowers are flying, and no one can see the new red leaves.
The tune of Guiling focuses on Qinhuai River. Qinhuai River is a tributary of the lower reaches of the Yangtze River, which flows westward through Nanjing. Nanjing Confucius Temple was very prosperous during the Six Dynasties. In this "prosperity", brothels account for a lot, and many brothels have caused lean prosperity. What's more, there used to be a famous prostitute Li in the brothel, and Li's teacher Su Kunsheng came to meditate on the past at this time!
5, you remember the Qingxi Banli Bridge, without the old red board. There are too few people in autumn water, and there is a lonely sunset, leaving a weeping willow bent over.
The song "Selling Wine" describes the scene beside a long slab bridge. Changbanqiao used to be the place where geisha lived, and the scenery was beautiful. Now the scenery is completely gone. Not only is it a half-mile long bridge that used to cross Qingxi, but now there is no red Banqiao, and there are few pedestrians in Qiushui. In the lonely sunset, I only see a weeping willow. The afterglow of the setting sun has been deserted. There are more than one willow in the afterglow of the setting sun. It is a lonely willow and a remnant willow. It is the only willow among many willows in the past. "Cold Twilight" and "A weeping willow" set each other off and became more and more deserted; The word "leftover" is especially meaningful, which makes people want to see the beautiful scenery of the past, full of infinite desolation. Today is not what it used to be, and times have changed, which makes people feel sad from time to time. Just a little dyeing here will outline a sad picture and bring people into a very sad mood. The pen is extremely simple and the environment is extremely fine.
6. Taiping ordered to go to the old courtyard gate. Why be gentle? You are not afraid of the dog. It's nothing more than a dry well and a broken nest. It's just bricks and moss to make grass. Plant flowers and willows by hand, and do your best to pick firewood; Whose kitchen stove is this black ash?
The Taiping Order wrote about the old courtyard, not the former residence. The words "hand-planted willow" and "hand-planted willow" show the deep affection for the "old home"! From this point of view, how representative the "scenic spots" chosen by the author are!
7, rest and stay in the pavilion banquet, once saw Jinling Yutang crying till dawn, Qinhuai waterfront flowers bloom early, but it is easy to disappear! Watch him rise from Zhu Lou, watch him entertain guests, and watch his building collapse! This mossy pipa pile, I used to sleep happily and watch the rise and fall of 50 years. That Wuyi Lane is not surnamed Wang, Mochou Lake is a night crying ghost, and Phoenix Terrace is an owl. The remnants of Meng Shan are the most authentic, and it is difficult to lose the old land. Don't trust this map! A set of "Sorrow for Jiangnan", playing sad songs to the old.
Take a break at the farewell banquet and shoot a song with three overlapping "Seeing Him"; Make the phonology neat, the tone smooth, increase the meaning of words, and give people a vivid pleasure of great changes in ancient and modern times. The use of antithetical sentences and compound sentence, such as "Jinling jade steps crow early, Qinhuai water blooms early", "Nawuyi Lane is not surnamed Wang, Mochou Lake ghosts crow at night, and Phoenix Terrace perches fruit", makes the sentence pattern neat, the rhythm clear, and the language situation well connected, which has produced a strong love expression effect.
Recalling Jiangnan is selected from Peach Blossom Fan, followed by Aftertaste Forty.