spring
Chu Hsi
Beautiful spring outing in Surabaya, the endless scenery is new.
Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere.
This poem is about a spring outing to enjoy the scenery. The poem depicts the beautiful scenery of beautiful spring scenery, colorful flowers and splendid spring scenery on the shore of Surabaya. This poem is also very interesting. Poetry is written with an open artistic conception and full of vitality. The poet bathed in colorful spring scenery. In his eyes, nature is full of infinite vitality everywhere, showing a thriving scene. The philosophical poem "A Thousand Colors Are Ever Spring" has become a symbol of all beautiful and new things.
summer
Summer in the mountain pavilion
Gaopian
The trees are dark and the summer is long.
The balcony is reflected in the pond.
Crystal curtains move and the breeze rises.
A shelf full of incense filled the yard.
Just as the poet was intoxicated with the beautiful summer scenery, suddenly there came a burst of flowers, which was refreshing and refreshed the poet's spirit. The last sentence of the poem, "the fragrance of roses all over the yard", adds bright colors to the quiet scenery and is full of intoxicating fragrance, which makes the whole poem full of unique vitality in summer. "One Courtyard Fragrance" coincides with the above sentence "The breeze rises". Poetry about summer scenery is purely similar to painting: the trees are dark, the balcony is reflected, and the pond is full of roses, which constitutes a picture with bright colors and harmonious artistic conception. All this was described by the poet standing on the mountain pavilion. Although there are no mountain pavilions and poets in the poem, when we appreciate this poem, we seem to see mountain pavilions and leisurely poets.
autumn
Travel in the mountains
Du Mu
The stone road winds to the cliff in the distance.
There are people in the depths of white clouds.
I stopped the carriage and was fascinated by Fenglin.
The frosty autumn leaves are redder than the flowers in February.
This poem depicts the colors of autumn and shows a touching autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not juxtaposed in the same position, but are organically linked, with the master and the slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences describe the background, which creates an atmosphere for the fourth sentence and plays a role in paving the way and setting off the background.
Unlike ordinary feudal literati, this poet did not sigh sadly when autumn came. He praised the beauty of autumn in nature, embodied the spirit of being bold and uplifting, and showed the poet's talent and insight with a wave of his pen. This is an autumn hymn.
winter
Xue Jiang
liu zongyuan
There are no birds in the mountains,
A thousand roads without footprints.
A boat, a bamboo cloak,
An old man was fishing in the cold river snow.
The deep meaning of "Jiang Xue" endows a proud, independent, pure and noble personality ideal. The poet once participated in the political reform, but after the failure of the political reform, he was demoted to Yongzhou Sima. Political frustration and inner loneliness are reflected by environmental description. At that time, the political environment was just like the poem, which said that thousands of miles were frozen and snowed in Wan Li, and the environment was very bad. However, the poet did not give in to the pressure, and still insisted on his independent personality. Lonely, cold-resistant, proud of snow, Hanjiang fisherman who resolutely fishes. It is a tortuous portrayal of the author's lonely and unyielding mental outlook after the failure of political reform.