1. Landscape pastoral poetry: Landscape pastoral poetry also belongs to landscape poetry, focusing on praising the landscape pastoral in natural scenery. The main feature of this kind of poetry is that all scenery words are sentimental words, that is, the natural scenery written by the author is integrated with the author's subjective feelings, or the scenery is used to express the author's thoughts and feelings. The main representatives of landscape pastoral poetry are Tao Yuanming, Xie Lingyun, Xie Shu, Meng Haoran, Wang Wei and Yang Wanli. Li Bai, Du Fu and Su Shi also have a large number of excellent works describing landscapes.
(2) Poems about things: Poems about things are characterized by expressing ambition by supporting things. When appreciating poems about objects, we must pay attention to the feelings the author places when describing things. The emotional expression of some object-chanting poems is more subtle and needs more attention. Such as Yu Qian's Ode to Lime.
(3) Frontier poems: Frontier poems in the prosperous Tang Dynasty were bold and unconstrained, and the representative figures were Gao Shi, Cen Can, Wang Wei and Wang Changling. The characteristic of frontier fortress poems is to express the characteristics of the times from different angles. To appreciate frontier fortress poems, we must first grasp the characteristics of the times. For example, frontier poems in the prosperous, middle and late Tang Dynasty express different thoughts and feelings.
4, chanting poems: because of the feelings of life experience, the expression is more depressed. For example, Du Fu and Li Shangyin.
⑤ Poem-chanting: Poetry-chanting mostly combines feelings about nature, society and history with concise words and carefully selected images, or laments the rise and fall of dynasties, or laments the rapid changes of years, or satirizes the dissoluteness and shamelessness of politicians, thus expressing the author's meditation after reading all the vicissitudes of life, which contains a deep anxiety that nostalgia hurts the present. The representatives of the epic are Liu Yuxi and Du Mu.
Second, the poet's style
Meng Haoran's poetic style is light and heavy, quiet and healthy; Wang Wei's poetic style is dull and vivid;
Wang Changling's poetic style is vigorous and powerful; Li Bai's poetic style is elegant and free;
The depression and frustration of Du Fu's poetic style: Gao Shi and Cen Can's poetic style is magnificent and extraordinary;
The freshness and elegance of Wei's poetic style: the desolation and desolation of Jia Dao's poetic style;
The melancholy and indignation of Li He's poetic style: Yuan Zhen's poetic style is gorgeous and shallow;
Bai Juyi's poetic style is plain and fresh; Liu Yuxi's poetic style is clear and clear;
Li Shangyin's poetic style is beautiful and elegant; The subtle and graceful style of Du Mu's poems;
Li Yu's poetic style is sentimental and delicate; Ouyang xiu's ci style is beautiful and beautiful;
The desolate and tragic style of Fan Zhongyan's ci: Yan Shu's ci style is clear and sparse;
Su Shi's broad-minded and heroic; The charm of Liu Yong's ci style;
Qin Guan's ci style is sincere and sincere; The graceful style of Li Qingzhao s ci;
Yang Wanli's poetic style is fresh and lively: Lu You's poetic style is bold, beautiful and smooth;
Xin Qiji's poetic style is magnificent; Jiang Kui's ci style is exquisite, beautiful and far-reaching.
Note: The poet's "abnormal style" is beyond his overall creative style.
Characteristics of three languages
1 fresh. Plain, also known as plain. 3 gorgeous. 4 bright. It is characterized by firmness and decisiveness. ⑤ Implicit. ⑥ Concise.
Four expressive skills
① There are five main ways of expression in poetry: narration, description, discussion, lyricism and explanation, among which description and lyricism are the focus of examination. Description: (a) There are differences between dynamic and static combination, (b) combination of reality and reality, (c) combination of point and surface, (d) front and side description, (e) description from different angles, (f) tonal forms such as light and shade, warmth and coldness, (g) various senses: seeing, hearing, touching and smelling, (h) details, (i) scenery, etc. Lyric ways include: expressing one's feelings directly, borrowing scenery to express one's feelings, embedding feelings in the scenery, blending and interacting with each other, so that feelings originate from the scenery and set off feelings with the scenery. (2) The structural form of poetry: common care from beginning to end, in-depth layer by layer, first general and then dichotomy, first scene and then emotion, turning point, bedding and foreshadowing. ③ The main rhetorical devices are duality, metaphor, personification, metonymy, exaggeration, parallelism, repetition and symbol.
(4) Other writing skills include: (a) Fu Bixing, (b) Setting off, (c) Contrast, (d) Rendering, (e) Expressing ambition, (f) Restraining first, (g) Associating imagination and (h) Reversing word order.
Five Noun Terms Commonly Used in Appreciation of Ancient Poetry
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I. Category of evaluation subject
Deepening the artistic conception and theme is profound, beautiful, meaningful and intriguing.
Short and far-reaching: the language is easy to understand and the theme is far-reaching.
Concise and meaningful: the language is concise and rich in content.
Moral: the moral is here, but the moral is unexpected, and the taste is endless;
Implicit is euphemistic and romantic: the meaning is implicit but not explicit, or the expression is not obvious but intriguing.
B, analysis technology
Zhang Xianzhi: Point out the main points at the end of the article.
Make the finishing point: point out the main idea with one or two wonderful sentences.
Express your feelings directly.
A symbol of holding something to express one's will: express one's feelings and thoughts by describing and discussing something or an object. Seeing the big from the small: reflecting major themes from ordinary and subtle things.
Cut to the chase: get to the point at the beginning of the article, don't beat around the bush.
Entrust: express feelings and themes on one thing.
Set off: Set off one thing against another to make the latter stand out.
Rendering: Tracking colors to enhance the effect.
C, introduction
Contrast: the purpose is to highlight one side.
Nostalgia hurts the present, borrowing the past to satirize the present: remembering the past and feeling sad about the reality.
Enlightenment: Say something else first, so as to arouse what is being sung.
Scenes blend, emotions arise from scenes, emotions arise from scenes, and emotions arise from scenes.
D, language feature class
Outline: a concise language description that introduces the general idea of things.
Thick ink and heavy color: meticulous and delicate description.
Vivid: To describe realistically, especially a person or an animal.
Everything has a state (phase): the description is meticulous and vivid.
Poetic:
Discussion class
Philosophical and incisive
F, language style class
Flowing clouds and flowing water: the structure and language are naturally smooth.
Both form and spirit: language, structure and other forms and contents are impeccable.
Concise washing (practice): the language is concise and neat.
Simple and clear: no sculpture, no decoration.
Plain, simple and fresh, elegant and flowery.
Bright: Clear and unobstructed.
Depression and desolation: low, vigorous, soothing, sad, etc.