There are millions of the most beautiful paintings in history every day, but only a few will touch our souls, but some are shocking the world. For example, everyone should have heard of Pamela Lisa's smile. The following is the most beautiful painting in history.
The most beautiful painting in history 1 10, Whistler's mother.
It was originally called the arrangement of gray and black: the artist's mother. This is an oil painting by American-born painter James McNeil Whistler at 187 1. It is considered as one of the most famous paintings painted by Americans outside the United States in the world.
9. The girl with pearl earrings
Many people call it "the Mona Lisa in the Netherlands" and "the Mona Lisa in the North". It was painted by the Dutch artist Johannes Vermeer in 1665. This is an oil painting of a girl wearing a headscarf and pearl earrings. The girl in this painting is regarded as Vermeer's eldest daughter Maria. She was about twelve or thirteen when she was founded.
8. Three musicians
At first glance, three musicians look like collages, but in fact, I am an oil painting. It was painted by Spanish artist Pablo Picasso in 192 1. Pablo Picasso actually painted two similar paintings, and they both called each other three musicians.
7. Persistence of memory
This was painted by the Spanish artist salvador dali in 193 1. It is considered as one of the best works of art, or you can say it is one of the most famous paintings in the world. The basic idea of this painting is to make people think about their lifestyle and the way they spend their time.
Step 6 make a hullabaloo about
This was painted by edvard munch in 1893. He was one of the most famous painters at that time. He drew his most famous works on cardboard with only oil and crayons. It basically depicts the screams of nature. This painting shows the scenery and painful expression. You can see the orange sky in the background.
5, Adam's creation
Adam's creation is Michelangelo's painting from 1508 to 15 12. It was placed on the ceiling of the Sistine Chapel in Vatican City. This painting basically depicts the narrative of the creation of the Bible in Genesis. It shows how God gave life to Adam, the ancestor of mankind.
4. guernica
This painting was inspired by the bombing in guernica. During the Spanish Civil War, Pablo Picasso completed guernica, one of the most famous paintings in the world, on 1937. The Spanish government commissioned this painting as a suffering of war, but later it became a symbol of peace.
3. The Last Supper
It is one of the most famous paintings in15th century, painted by Leonardo da Vinci. It was not placed in any museum, but covered the back wall of Milan's Santa Maria del Gracy. This painting mainly depicts Jesus' last supper and his disciples.
2. Starry sky
Starry Night is also one of the most famous paintings in the world. This was painted by Vincent Van Gogh. Although he painted many pictures, this picture is considered a masterpiece. This painting has been placed in new york Museum of Modern Art since 194 1, and was acquired by Lillie P and Bliss Legacy Company.
1, Mona Lisa's smile
Mona Lisa is one of the most famous paintings in the world. This is a portrait of a woman painted by Italian artist Leonardo da Vinci. It is one of the most famous works of art. Mona Lisa is the most famous painting written, visited and popular in the world.
The most beautiful painting in history 2 the most beautiful portrait oil painting in the world
1, Pamela Lisa by Leonardo da Vinci.
The classic oil painting "Lisa Pamela" is world-famous and is now collected by the talented artist Leonardo da Vinci in the Louvre. The woman in the portrait is the wife of a fur dealer, only 24 years old. The author successfully created a lady image. In the painting, Lisa in Pamela has a seemingly absent smile on her lips, revealing joy between her eyebrows. However, this kind of smile is very subtle and may be inadvertently ignored, so later generations also call it the most mysterious smile.
2. Johannes Vermeer, author of The Girl with Pearl Earrings
The Girl with Pearl Earrings is the work of the Dutch painter Johannes Vermeer. The girl in the picture is his eldest daughter Maria. This painting is a classic handed down from generation to generation. The girl in the picture is wearing a yellow and blue headscarf and a brown skirt. Her refined temperament gives people a quiet and peaceful feeling, but it also makes people feel a little sad. The painter vividly described the delicate feelings, which is admirable.
3. giorgione, the author of Sleeping Venus.
Sleeping Venus is the most successful oil painting by Italian painter Giornal. It may not be accurate to say that it is a portrait, but Venus in the painting is asleep in the natural landscape, and people who watch it are afraid to speak loudly for fear of disturbing the sleeping people. Venus's body lines are elegant and soft, blending with nature. When people see this painting, there is no physical impact, only a kind of tranquility and beauty.
4. Rubens, the author of Helena Fei Erman.
Helena Fei Erman was created by Rubens and is now in the National Gallery of London. The colors in the oil painting are gorgeous and beautiful, which sets off the beauty of the people in the painting. The lines of this portrait are very smooth, and the image of a lady is close at hand. The plump figure and white face show the image of a lady incisively and vividly. If Rubens painted the sexiest woman in the world, it would be beautiful.
The most beautiful painting in history 3. Appreciation of the most classic painting in the world.
Mona Lisa-da Vinci
This portrait took Leonardo da Vinci four years. When he finished the portrait, he didn't want to give it to Giocondo (a wealthy businessman and husband of Mona Lisa) or anyone else. When he was invited by the king of France, he left Italy for France with this portrait. Leonardo da vinci died in France, which is why the Mona Lisa is in France. People have been talking about her mysterious smile for centuries. Her smile is really mysterious: it seems to be changing. Different audiences or at different times look and feel different. I think she sometimes smiles comfortably and gently, sometimes looks serious, sometimes looks slightly sad, and sometimes even reveals ridicule and ridicule. In a painting, the change of light can't be as different as in sculpture. But on Mona Lisa's face, sometimes dim shadows appear, and veils are used to cover her eyes and lips.
However, people's smiles are mainly manifested in the corners of the eyes and corners of the mouth. But Leonardo da Vinci painted these parts very lightly, and there was no clear boundary, so there was this elusive "mysterious smile". This painting has a story. When Leonardo da Vinci painted the Mona Lisa, he invited a musician to play beside her so that she could sit patiently and calmly like a model. Her eyes told us that she was listening. Now, if we look at her beautiful hands and consider them together with her face, we will feel that kind of eyes are more sincere. Her right hand is gently placed on her left hand, and her middle finger is completely unsupported. We feel it beating gently with the rhythm of the music. When we look at the scenery behind such a lifelike portrait, we will be surprised by the unreal background. Peaks, roads, bridges and flowing water all appear in a dreamy atmosphere, as if to prove that Mona Lisa is immersed in a dreamy world.
The Last Supper-Da Vinci
On the eve of celebrating Passover, Jesus and his twelve disciples sat at the table and had dinner to celebrate Passover. There are thirteen people at the table. This is the last time they have dinner together. At the dinner table, Jesus suddenly felt very annoyed. He told his disciples that one of them would betray him. But Jesus didn't say he was Judas, and the disciples didn't know who would betray Jesus. The Last Supper by the great Italian artist leonardo da vinci is the most famous of all works on this subject. He painted this painting directly on the dining wall of a monastery in Milan? Twelve disciples sat at the table and divided into four groups. Jesus sat in the middle of the table.
He spread out his hands and made a sad gesture, indicating that some of his disciples had betrayed him. Most disciples jumped up with excitement, but the image of Jesus was so calm. We can see his clear outline against the window of the background wall. Through the window, we can see the quiet scenery. The blue sky is like a light wheel over Jesus. In the group to the right of Jesus, we saw a dark face, leaning back, as if avoiding Jesus. He rested his elbow on the dining table and held a wallet in his hand. We know that he is a traitor Judas and Iscariot. The purse in Judas' hand is his symbol, reminding us that he is the one who keeps money for Jesus and other disciples. The wallet contains the reward of selling Jesus' thirty silver coins. Even if he doesn't have a wallet, we can identify the evil enemy Judas through Leonardo da Vinci's paintings. Next to Judas' shadow is St. Peter, and we can also see his silvery white head and white hands. He leans towards young St. John. Peter held a knife hanging from his hip in his right hand, as if by accident, and the tip of the knife pointed at Judas' back. St John's head hangs down to Peter.
Of all the disciples, he is Jesus' favorite. John is as calm as Jesus. He understood his master's words. On his left is little James. He tried to understand the terrible words he heard. He opened his hands and said loudly. Looking over Jacob's shoulder, we saw St. Thomas, the puzzled Thomas, whose suspicious eyes were expressed through his upright fingers. On the other side of Jacob, St. Philip leaned over Jesus and put his hands on his chest as if to say, "You know my heart, and you know that I would never betray you." "His face was pained by love and loyalty. The six disciples around Jesus are the center of the story. Bartholomew and old Jacob leaned over to them. Old Andrew next to them didn't stand up, but he wanted to listen, so he raised his hand and seemed to ask for silence. There are three disciples left on the right. They are discussing what Jesus said, and their fingers are pointing to the center of the table. Everything they saw happened in this masterpiece, but every time we appreciate it, we will get new meaning from the feelings and character of our disciples.
Sunflower-Van Gogh
Van Gogh's art was great, but it was not recognized by the society before his death. His works contain profound tragic consciousness, and his strong personality and unique pursuit in form are far ahead of his generation, which is really difficult to be accepted by people at that time. He used the environment to grasp the object, and he changed the reality again to achieve the real truth, which contributed to the birth of expressionism. When people misunderstand him the most, it is when he has the most confidence in his own creation. That's why he left a permanent work of art. He directly influenced animalism in France, expressionism in Germany, and even lyrical abstract portraits that appeared in the early 20th century. Sunflowers are produced in sunny southern France. The painter is like a burning flame, full of fiery passion, which makes the brushwork with full sense of movement and seemingly continuous rotation seem so thick and powerful, and the color contrast is simple and strong. However, in this thick and simple, it is full of wisdom and aura. When watching this painting, the viewers all felt the exciting picture effect, their hearts trembled, and they were all eager to try generate, and * * * was integrated into Van Gogh's rich subjective feelings. In a word, the sunflower in Van Gogh's works is not just a plant, but a life with primitive impulse and enthusiasm.
The first step-Van Gogh
This work was copied by Van Gogh from Miller's work of the same name. The picture shows a piece of rural cultivated land with farmers' houses on the back. On the right side of the picture, a peasant woman is holding her little daughter to help her learn to walk. The farmer's father of the baby girl on the left squatted on the ground and opened his hands to encourage her to move forward. Although this is Van Gogh's copy of Miller's works, the whole painting reveals Van Gogh's personal style. This painting has bright colors, mostly blue, yellow and green. These gorgeous colors and colors belonging to nature make people feel active and energetic. He let the people and things in the painting be framed in thick black, which is obviously influenced by Japanese art and adds a real feeling to the picture. In addition, he painted trees, shrubs and crops with curved and rotating strokes. This is a common technique in his mature paintings, and it also adds a lively atmosphere to the painting. The whole rural scene makes people feel the real life of farmers, ordinary but full of affection.
Create Adam Michelangelo
An important part of Michelangelo's representative murals. Because of his fame in Florence, Pope Julius II invited him to participate in the production of the Pope's mausoleum, which was later interrupted. 1508, he was forced to accept the task of mural painting on the roof of the Sistine Chapel. He was sad at that time, but this mural later became the greatest masterpiece of his life. Covering an area of about 500 square meters, the Sistine Chapel is one of the largest murals in the history of art. Michelangelo drew nine religious paintings of different sizes in the center of the hall according to the architectural framework, all of which were based on the story from the beginning of the world to the flood ark in the Bible, and were named "God splits the light", "Creation of Day, Month and Vegetation", "Land of God's Water", "Creation of Adam" and "Creation of Eve" respectively. His neck was stiff because of long-term hard painting on his back, and his letters had to be lifted. Among them, creating Adam is the best. The image of Adam in the painting is robust and magnificent, with strong will and strength, which shows the artist's unusual ideal treatment on the basis of realism and gives profound enlightenment to his contemporaries.
Dream-Picasso
1927, 47-year-old Picasso first met a 17-year-old blonde with a plump figure. Since then, this girl has been a model of Picasso's painting and sculpture. After 17, 64-year-old Picasso sent her a birthday congratulatory letter, which said, "For me, today is your 17 birthday, although it took you twice as long. Meeting you is the beginning of my life in this world. " & gt This painting was painted on 1932, which can be said to be the most perfect embodiment of Picasso's love for spirit and body.
Angel of the palace maid
While waiting to study in Rome, Angel received an order from Liege (now Belgium) to paint the first ruler there, Bonaparte. At this time, it was an important period of 1803, that is, after Louis XVI was executed, Napoleon launched a coup aimed at overthrowing the governor's government on the 18th of foggy month. The first consul wants to practice military dictatorship throughout the country, and the people hate it. Angel promised to finish such a portrait. 1806, he painted Napoleon I on the throne as a eulogy to celebrate this military dictatorship. Angel did not ask about politics, but declared his position in these two paintings. When the works were exhibited in Paris Salon in the same year, they were ridiculed by the media. When Angel learned of the reaction of this painting in Rome, he felt very heavy and said indignantly, "People always think that the salon is a place to encourage painting, but in fact, it provides a sad road for painting."
18 13 years, he married Miss Madeleine Chapelle, which finally gave him some comfort. He said: "Chapelle is a model of self-sacrifice, and she has become a comfort in my life." At this time, in addition to painting myths, he also painted several big paintings with nude themes, ready to be sent to Paris for re-appearance. This painting "The Big Maid" (at this time, the upper class of French aristocrats was very interested in the life in Turkey's inner palace, with a strong oriental sentiment. Some painters deliberately described the wretched life in Turkey's boudoir to meet the visual needs of the aristocrats. Angel painted several portraits of Turkish ladies-in-waiting. The title of Maid-in-waiting is to distinguish his other oil painting Maid-in-waiting, which is one of his representative works depicting nude themes in this period. When this painting was exhibited in Paris, it attracted more criticism from the audience. People say that as a student of Dewitt, Angel went too far. They sarcastically said, "Mr. Angle draws a living person, just like a geometer draws a solid. He made every effort to give the sketch a three-dimensional sense with his budget line! He enlarges and shrinks all parts of the human body, just like a prisoner in Procrustes' bed. The legendary ancient Greek robbers tied their prisoners to iron beds. If they are too long, they will break their feet. If it is too short, they will expand and contract at will.
Sometimes he feels depressed, so he no longer strengthens this cursed three-dimensional sense and begins to improve the outline. This is called fighting for the end, using scabbard instead of sword. The critic de Clattree said it more pertinently. He once said to Angel's students, "His maid-in-waiting has at least three more vertebrae on her back." However, Amauri Duval, one of Angel's students and biographer of his teacher, put it more pertinently: "He may be right, but so what?" Perhaps it is because of this slender waist that she is so soft that she can subdue the audience at once. If her body proportion is absolutely accurate, it will probably be less attractive. " This "maid-in-waiting" demands strict classical style, and there are indeed many "deviant" places. First, the "range" of color has been seriously damaged, the strong blue on the background and the yellow on bare skin, and the light and shade of the human body and the pink tone are extremely uncoordinated. Secondly, the exaggerated figure mentioned above, this female nude has almost become an experiment of deformed beauty, completely betraying the teacher's court instructions. Angel's student Duval tried to defend him. He said, "I don't want to say that Mr. Angel is a romantic. But I also want to make sure that he was never a' classicist' in the sense he understood at that time. "
In this painting, Angel seems to show his independence from nature, but because of the firmness of Angel's aesthetic belief, the performance here makes people ambiguous about his views, and attacks and criticisms are inevitable. From a historical point of view, we think Angel has the courage to explore, although the character he painted is fictional. This painting was completed in about 18 14, which is 9 1× 162 cm. Now in the Louvre in Paris.
Son Raphael
In the painting, we see the virgin sitting on a stool with tenderness and scenery behind her. On this sunny day, we can see the distant mountains merging into the light blue sky. The bushes on the right attracted our attention to the small church on the mountain. This reminds us that the young mother and her baby belong to the religious world. The two auras around the heads of mothers and children are their sacred symbols. Raphael doesn't need this sign to express what he wants to express. He painted his young mother so sweetly and his dreamy face so tenderly that when we look at her, we can only think of the Virgin Mary. Her big eyes didn't see anything at all because they followed her thoughts. She was so lost in thought that she didn't seem to notice the baby Jesus putting his little feet on her knees. Her other hand is holding the baby. When we put her hands and face together to understand, we feel that she seems to have forgotten the existence of the baby, and she is thinking about Jesus and his future. Compared with his mother, it is natural that little Jesus is older than boys of his age. The way Raphael created portraits of children established the important position of Jesus in the painting. Looking at the face of the Virgin Mary, we can find the soft outline, big eyes, straight nose and small mouth, which are strikingly similar to the head of Venus created by the outstanding Greek sculptor Plasi Torres. This is because Raphael is a Renaissance artist who has been studying ancient art. But there are also differences. Raphael painted the face of the Virgin more gently. He painted the expression of the ancient goddess more delicate and soft, and gave an ancient pagan art work a new meaning of Christ. Raphael gave new life to ancient beauties. In his paintings, ancient art has been reborn and developed into a new and different perfect form. Raphael's achievements represent the highest level of painting in the Renaissance.
Piper boy-MANET
Manet received six years of academic education in his early years, and then studied the works of many masters in past dynasties. His paintings not only have the three-dimensional modeling of traditional paintings, but also have the bright, lively and sensitive colors of Impressionism. It can be said that he is an important painter, and his works (especially portraits) naturally reflect the character and psychology of the characters. The piper boy shows the truth of the characters almost without shadow, from which MANET's talent and conceit can be seen. This painting is obviously influenced by Japanese ukiyo-e prints. Note: the name MANET is inscribed with the Latin inscription "MANET MANET BIT", which means: "He is alive and will live."
A woman with a parasol-Monet
This painting is Monet's early impressionist painting. In the middle of the photo, on the right stands a woman with a parasol, and on the far left is her son. It was a sunny morning, and two mothers and children were walking on the grass. The whole painting only uses simple natural colors such as blue, green and brown, giving people a quiet and comfortable feeling. The female officials in the painting occupy most of the space in the picture and become the interesting center of the painting. And the younger son on the left also forms a triangle with the parasol and the young lady, which achieves a balanced effect. Although this painting is Monet's early work, it can also be seen that he captures the light and shadow and instant impression in the painting well. The woman's face and upper body in the painting are dark, indicating that she is in the shadow of a parasol. The shadow area of the whole parasol, face, dress and grass is in contrast with the light color of the lady's dress (as is the younger son), just as it is seen in reality. In addition, the swaying headscarf and the folds on the long skirt also enhance the movement of the picture.
Cezanne, the Home of Clothes Hangers
At the end of 1872, Cezanne left the hotel through Pontoise and went to Orville village. Through the personnel creation with pissarro and Kiyoman of Pontoise, Cezanne made full use of the impressionist techniques he learned in his paintings. His colors are brighter than before, his pictures are full of vitality and his brushwork is more delicate. However, it still retains the original characteristics of firmness and roughness. In this painting, there is a steep slope between the high roof on the right and the house on the left. Mid shot, you can only see the roof of the village house. This scene is the bright dry land and sky in Orville village. The roofs, buildings and roads in the foreground are solid, giving people a heavy feeling. Here you can't see the flat meta-leaves that are common in impressionist works. Huge objects in the foreground hinder the prospect, which is like hitting a big wedge in a peaceful and stable landscape. With such a composition, choosing the theme of "home of clothes hangers" can't help but remind people of Cezanne's inner activities and his mental state.
Fountain angel
Young naked people hold pots and pans to let the water pour out, and their muscles are more charming because of the beautiful and gentle curves of angels. The use of color is very soft and varied. Show sublime, unique and solemn beauty. This "Spring" was brewed as early as Angel's stay in Florence, and it was finally completed after more than 30 years.
Sunrise Impression-Monet
Impression of Sunrise depicts a foggy morning in le havre Harbor. The sea water covered by the morning light is orange or lavender, and the sky is rendered by various color blocks, which reproduces the surface color formed by strong atmospheric reflection. This exploration of painting language itself was accepted by many painters in later generations, thus forming a general trend with impressionism as the origin, and art embarked on a journey towards modernity.
Volga River Tracker-Lie Bin
Lie Bin (1844- 1930) is one of the main representatives of Russian critical realism painting in the late 9th century. The Tracker on the Volga River is his masterpiece. When I was a student, the heavy work on the Neva River in Petersburg aroused Lie Bin's sympathy. From then on, he wanted to draw a picture of a tracker's work, so as to remind the lower working people of their miserable life and social injustice. /kloc-in the summer of 0/870, Lie Bin and his classmate Vasiliev went to the Volga River to sketch (he later painted a picture about the tracker). Typical Russian scenery and the life of a tracker left an unforgettable impression on him. In this painting, Lie Bin painted 1 1 a weather-beaten laborer, struggling to pull a rope on the hot beach by the river. Trackers have different experiences and personalities. They live at the bottom of society, but this is a team that has been trained to be tenacious and interdependent through suffering. The color of the background is dim and hazy, and the space is empty and strange, giving people a feeling of melancholy, loneliness and helplessness, which goes deep into the tracker's heart. It is also a true portrayal of the painter's mood, which plays a great role in reflecting the purpose of painting and setting off emotions. So the composition, lines, strokes and other painting techniques of this painting are quite successful.
The girl in avignon-Picasso
In the past, painters always looked at people or things from one angle and only painted a three-dimensional side. Cubism is a new way to express things. They observe from several angles, from several angles that cannot be seen from the front, and show several sides that cannot be seen from the front in a parallel or overlapping way. In Girl in avignon, five nude colors are set in blue, the background is arbitrarily divided, and there is no sense of distance, and the characters are composed of geometric figures.