Bai Juyi's Song of Eternal Sorrow is divided into four levels. Where does each level come from? Don't copy

The so-called "everlasting, everlasting; One day both will end, and this endless sorrow will continue forever. " The word "long hate" came from this. Song of Eternal Sorrow is a touching seed buried in the poem. But what is "hate" and why do you want to "hate for a long time"? The poet does not describe and express directly, but shows it to readers layer by layer through his poetic stories, realizing that people should ponder, remember and feel by themselves. According to the whole poem, poetry can be divided into four levels: the first level is from "the emperor of China, longing for the beauty that may shake an empire" to "the emperor's eyes can never fix enough on her". This paper describes how Emperor Xuanzong of the Tang Dynasty emphasized color before the Anshi Rebellion, and finally got Yang Guifei, who said, "If she just turned her head and smiled, she would have a hundred charms.". After entering the palace, Guiji was spoiled and charming, not only because of his "new kindness", but also because of his "her sisters and her brothers were given titles". After repeatedly rendering that Emperor Xuanzong of Tang Dynasty got the imperial concubine, he was completely addicted to it. It also evokes and guides the whole poem. The second layer, from "until the war drum, from the boom of Yuyang, the earth shook" to "when he looked back later, the land of blood and tears", described the Anshi rebellion, Xuanzong fled, was forced to give the imperial concubine the death penalty, and wrote the internal cause of the "Song of Eternal Sorrow", which is the basis of the tragic story. The poet deliberately downplayed the Anshi rebellion caused by Xuanzong's dissolute and wrong country, but deliberately described where they would go. Readers are infected with a tragic atmosphere, rather than a rational criticism of history. Chen Hong's theory of "punishing stunners and suppressing chaos" in Song of Eternal Sorrow cannot be used as the writing motivation of this poem. The third layer, from "hiding in the yellow dust blown by a cold wind" to "not dreaming", describes the loneliness and sadness in Shu after Yang Guifei's death, and is still on the way to reminisce about the past, see the moon in the palace and stay overnight. It is a kind of "sad color" and "heartbreaking sound". When Chang 'an returned to Korea after the recovery, it was more important than Mark and that memory, that depression. Where is her white face? . After returning to the palace, Chi Yuan remained the same, much transformed, and his lovesickness was lingering, which was heartbreaking. On the fourth floor, from "there is a Tianke Taoist in Lingqiong" to "this worry is endless", it is written that Xuanzong sent an alchemist to find Yang Guifei. Finally, the imperial concubine reappeared in the fairyland and on the ethereal fairy mountain with the image of "tears falling on her sad white face, like spring rain falling on pear flowers". The expression of "love" transcends the emotional entanglement between emperors and concubines, but contains the subjective ideal elements of the poet, which has long gone beyond the scope of historical facts and shows the contradiction and conflict between subjective desire and objective reality. At the end of the sentence, "the earth lasts forever, and the sky lasts forever; One day both will end, and this endless sadness will last forever "is the sigh and voice of love." It is a lament that love is dominated by fate and destroyed by political ethics. The depth of this hatred has gone beyond time and space and entered an infinite realm. In this way, the poet expressed the persistence of love with the song of everlasting regret, that is, pointed out the theme of the whole poem.