Then read history books, political books and write things. It is clear at a glance whether literary writers can turn allusions into intangible ones. Nature, nature is the highest state. Taken out of context, it's half a bottle of water, and it's in vernacular Chinese. It's nothing and superficial. Therefore, understanding historical and political common sense allusions is the foundation.
Next, we should look at the poems written by Wen Fu, such as "The View of Ancient Chinese Prose" and "Four Books and Chapters", as well as the poems of "Li San" in the Tang Dynasty, the poems of eight masters in the Tang and Song Dynasties, and the poems of Li Yu, Jiang Kui, Wu Wenying and Nalan Xingde. If you have the ability, you can look at the great poems of the Han dynasty, which is comparable to the exquisiteness of etymology. During the Ming and Qing Dynasties, let's take a look at the four wonderful books of the Ming Dynasty, A Dream of Red Mansions and The Scholars in the Qing Dynasty. Four Great Classical Novels in the late Qing Dynasty was also very good, which Lu Xun called: a messy little light. It is very helpful to the depth of thought and the structure of writing. Fancy, chapter by chapter, very interesting to use.
Overseas, you should read heroic epics, knight novels, tramp novels and Greek myths (the source of literature). Poetry is unnecessary, and we don't need to write it in English. The black humor, stream of consciousness and magic of the idle generation are still successful. One Hundred Years of Solitude, the novels of Hemingway and Heller, and the novel articles of China's Qian Zhongshu are of great help to people in words and rhetoric, which can be read.