Describe the scenery of meeting each other with a paragraph similar to prose.

1, Wang Jiangnan Jiangnan Mingyue, clear night full of West Building. Clouds fall and ice spit, and jade sinks and waves are deep. When does this round end? The stars are shining, and the wind is exposed to the new autumn. Dangui doesn't know how to get rid of her hatred, so Su E should believe that she won't leave her sadness. The sky is very long. Wang Qi's poem "Chanting to the Moon" is lyrical with scenery. Jathyapple's endless absence symbolizes the impermanence of personnel gathering and dispersion. The image of Chang 'e expresses deep and painful parting sadness and depicts the joys and sorrows of the world. The whole poem has vivid scenery, implicit essence, distant artistic conception and implicit meaning. Start with the sentence "the moon in the south of the Yangtze River, and the west building is full of clear nights", and write a clear autumn night, and the bright moonlight fills the west building. "The clouds fall and the ice spits, and the jade sinks and the waves are deep." I don't know how many times the moon rises and sets, and the full moon is short. When the clouds cleared, the full moon hung high in the sky like an ice mirror. The next sentence is about the moon in the river, which opens in the depths of the waves and sinks in the middle of the river like jade. The first sentence "sword" is full moon, and the second sentence "hook" is full moon: "ice spit sword" and "jade sink hook". The sentence pattern is novel and unique. The words should be "Bing Jian" and "Jade Hook", and the author separates the noun phrases "Bing Jian" and "Jade Hook" from the verbs "Tu" and "Shen" to make the moonlight bright. Distinguishing and describing the shape of the bright moon is not only wonderful in sentence structure, but also clever in word meaning. The last sentence "When is the full moon absent?" Not only did I accept the first two sentences, but I also naturally started the next sentence with the feeling that when the full moon will be absent. The first sentence of the next movie, "The stars shine brightly, and the wind reveals the new autumn", is written that the stars move, the galaxy is far away, and it is another golden autumn. "Dangui doesn't know how to regret it. Su E should believe it and shouldn't stay worried." Osmanthus fragrans does not wither at four o'clock in the middle of the month, although it will not wither because of autumn; But in the middle of the month, Chang 'e lived in loneliness and endless loneliness, and of course she also experienced the pain of parting. It's another name of Chang 'e, Dangui. There is a sweet osmanthus tree in myths and legends, which is 500 feet high and charming, and the tree is made with it (paragraph "Youyang Miscellany"). Tianzhi "). The phrase "the sky is * * * long" tells us that the separation of human beings and Chang 'e in the sky are both sad for the people who are not separated on the moon and the full moon. A long and anxious expression. The sentence "* * *" received the artistic effect of "killing two birds with one stone". This poem about the moon left a deep aftertaste for readers. That beautiful, chic, simple and subtle style is really unforgettable. 2. Look at Wu Wenying in the south of the Yangtze River at dusk in March and spend more time. People hang on the moon and swing, while horses stop and shake the wind. Draw a boat on the bank. Drunk, less curtain. The night is outside the silver candle, and the warbler is singing in the shade. Residual red is nowhere to be found. This is an erotic poem that hurts spring and misses the past. Described by famous writers with elegant brushwork and dense composition. It's not routine at all. On the contrary, songs convey lovers' sincere feelings and profound psychology. "At the end of March, flowers are more affectionate." In late spring and March, what we are talking about here is not the season of falling flowers and falling into the water, but all kinds of leisure. "More affectionate", affectionate and secret, should mean joy. Then "people go to the swing to hang the moon, and the horse stops and shakes the wind." When I first read the words "The Riverside of the Painting Boat", I probably felt that I was writing a breakup situation of "Fang Huaigu, Lan Zhou hurried"; In addition, Hanging the Moon and Swing is also easy to remind people of Hanwo's cold food night: "An autumn rope rides obliquely in the middle of the night, and the castle is misty and rainy", or Mengchuang's own "The wind enters the pine": "The wasp flies the autumn rope frequently, and the hand is fragrant at that time." But if you look carefully, you will know that it is wrong. What is painted here is by no means a bleak picture of rainy and windy March dusk. The pen and ink of "people walk" and "horses stop" does hide some specific events. A scene of "meeting and hating each other late" with deep feelings is so vague and muddled, and the technique can be described as brilliant. I don't really write about Liu Yin rocking out a painting boat, nor do I describe in detail the scene of ladies swinging, but I can't see people's activities at all. The author just innuendo, lightly setting off a picture similar to "empty lens": the swing locks the moon, a float is moored at the berth, and a horse is tied to a weeping willow. All these are drawing the reader's thoughts correctly, following the poet's meticulous thinking, and naturally stopping in the past: tired of the Ma Si wind, resting on the willow boat-waiting for someone to return! The night is deep and the moonlight is hazy. The whole environment is completely enveloped in a quiet, sweet and holy atmosphere. This is the first film without words. In fact, this happy description is actually paving the way for the sadness of the next movie. Seasons, from spring to summer; The same is true of emotions, from deep feeling like wine to ecstatic eyes. The world is like a dream of spring, if it is lost, it can't be recovered; People are like Hong Fei, who leave and never come back. The secret agreement is irreversible, and the gorge clouds are seamless to each other. All that remains is endless disappointment and endless memories. She may just stare blankly at the window all day. The phrase "silver candle for the night" refers to the charming literal meaning of the poem "Silver candle has light to hinder silver candle for the night" written by Wen Qixi on the pond, but it refers to people's loneliness at this time. The next sentence, "The warbler is singing in the shade", makes people feel unbearable, which doubles the protagonist's lonely mood. Finally, I stopped filming with "Residual Red is Nowhere to Find". Corresponding to the above "Falling Flowers", I also pointed out the helplessness of rushing to gather and disperse. The author's warmth for the unfortunate protagonist was poured into the elegy. Dream Window Ci is good at expressing homesickness by means of clutch and throughput. Comparatively speaking, the length of long-tune and slow-tune words is easier to spread freely, and it is easier to express sadness and joy directly, while it is quite difficult for a small word like Looking at the South of the Yangtze River to convey the rhyme of true and false sadness and joy. However, the author skillfully compares the events of the upper and lower films belonging to two periods, and the sadness and joy continue to form a seamless whole. In particular, his unique technique of writing erotic stories in seclusion and expressing vividly in the ethereal world has created an ethereal realm with elegant style and mellow affection, which cannot but make people admire. 3. Look at Wen Tingyun in the south of the Yangtze River to wash and dress, and lean on Wangjiang Tower alone. After all, this is not Qian Fan, and the water is leisurely. Broken-hearted Baipingzhou. Appreciation of the poem "Looking at Jiangnan" has only 27 words. "It is difficult for a word to have fun as a poem is difficult to make a quatrain" and "A word cannot be idle" (A Brief Review of White Elephant Words). The sentence of "freshen up" seems dull, and "the words are not surprising and endless", but these three words are rich in connotation, leaving a lot of imagination for readers. This is not an ordinary person getting up in the morning to wash his face and comb his hair, but a reflection of a specific personality (thinking of a woman) on a specific emotion (joy and excitement) under specific conditions (preparing for the return of a long-lost lover). In China's classical poems, it is often said that "the stove is not used, and the dressing case is born of dust." The description of "the abnormal color of the leading edge, golden green and dark without essence" shows Steve's lonely and painful life and state of mind. The usage of this article is different. The pain of parting, the loneliness of lovesickness, the lonely days seem to be over, or the beautiful days she hopes seem to be coming, so she looks at herself in the mirror, looking at herself with self-pity and deliberately embellishing. As a result, the warm fire of hope meets the cold reality, bringing deeper disappointment and greater mental pain, and we have to return to the predicament of "nothing can be saved" and "head flying like a cornice". Don't these three words vividly show the environment in which the woman lives alone, her inner feelings and her yearning for a better life? As a result, a broad and colorful artistic picture appeared: "Relying on Wangjiang Tower alone. "The river is the background, the building is the main body, and the focus is on lonely people. At this time, women's feelings are complicated; As time goes on, emotions will change. The excitement and joy of climbing the stairs for the first time, the anxious impatience, and the deep nostalgia for the past … Here, the word "independence" is very vivid. The word "independence" has neither color nor sound, but it is meaningful. This is not the "interdependence" of intimate love words between lovers, nor is it the "* * * dependence" of a group of people chattering. Through this silent and lonely picture, the spiritual world of the characters is reflected. The sight of a beautiful woman leaning against the fence in the distance is "I want to miss the sky several times and know the way home". When people, scenery and feelings are linked together, colorful colors that blend with the beautiful Lijiang scenery will appear on the screen, and there will be changes in people's emotions and the blending of rivers. "Too many Qian Fan are nothing" is the emotional turning point of the whole poem. This sentence contrasts with the first cheerful mood, bright and strong; It is also connected with the emptiness and anxiety of "leaning alone on the Wangjianglou", connecting the preceding with the following. The boat is empty, how can people be inferior! Hopes were dashed. At this time, what caught her eye was "the water is slanting." Sunset and running water, originally lifeless and heartless things, have become affectionate beings in the eyes of women who think here and now. This is an associative analogy caused by her painful mentality of empathy with natural objects. The sun is about to set, and I am deeply affectionate to the disappointed woman, unable to bear to leave, quietly receiving the afterglow; The endless river seems to understand her mood, and she flows away silently. It's like a set of focal planes: a deliberately decorated woman, staring at the vast river by the building, waiting for her lover who has not returned after a long separation, from sunrise to sunset, from hope to disappointment, how touching this woman's misfortune is. At this point, the description of the scenery, the expression of feelings and the contrast of the atmosphere are all mature, and finally the strongest sound of the whole song pops up: "heartbroken Bai Pingzhou." "The last sentence should be noted, and the meaning is not enough." Compared with the whole word "non-trace", the theme at the end is too straightforward, but in the climax of feelings, where is Bai Pingzhou with "unfinished meaning"? Mr. Yu Pingbo said, "Don't be too practical, it's better on the whole" (Yu Pingbo's Selected Interpretation of Tang and Song Ci), which is a very profound insight. But in the artistic description of this article, it should be that Baizhou really exists in the middle of the river, not figuratively, imaginatively and generally, but actually. You can see this continent at a glance just by looking at the Wangjiang Tower, but you were eager to see the ship at that time and didn't see the mainland. Qian Fan passed away, which is very sad. Jiangzhou remains the same. If you don't think about it, you won't feel heartache! Ci is an artistic form that pays attention to the poet's subjective lyricism. This poem is sincere, vivid and natural, without any pretense or words against one's will. Building head, sail, oblique light, river, and small continent, these unrelated objective beings, and women's pain and disappointment from expecting to return home to "heartbroken Baipingzhou" are complex changes in the emotional expression of these characters. Through ingenious artistic conception, the writer made them into a seamless artistic image. The writer's thoughts and feelings are like a bridge, which connects these scenes with the characters, permeates the scene description and character activities, and becomes an organic artistic whole, making the cold buildings, sails, water and mainland seem to have temperature and flesh-and-blood life and become affectionate; Integrate scattered and isolated scenic spots into an artistic picture with internal logical connection; Make the external performance and internal psychological activities of the characters perfectly and uniformly displayed. This is the resentment and hatred, blood and tears of the homesick woman in real life, which deeply touched the writer; In these seemingly calm words, the writer's sincere and warm heart is beating. This poem, like a beautiful small axis landscape, has no surging waves in the river on the screen, only a helpless sigh. Even the afterglow of the sunset lacks a solemn meaning, and there is a nameless sadness and resentment hovering. There are also buildings on the riverside, small sails, long flowing water and distant continents, all of which are fascinating and intriguing, with a beautiful taste and an artistic conception of blending scenes. This poem, seemingly quiet, is full of affection in understatement, ups and downs, and it is "heavy pen" if it is not hard. Many people write about women's thoughts, which can be said to be a "hot topic", but this poem is unique and distinctive. This is also a feminine theme, but this poem is not feminine and has a positive, healthy and simple artistic conception. In the warm words with gorgeous "flower" breath, this poem can be said to be sincere, beautiful, natural and unique. "Wash and dress" in the morning and "dusk" in the evening, she leans against the building from beginning to end, but the exhausted Qian Fan in front of her is not the boat she hoped for. Hope, disappointment and even despair, how can it not be heartbreaking and sad? The scenes of "pulse" and "leisure" are affectionate and have a special charm. 4, looking at Jiangnan Li Yu how much hate, last night in the dream. Also like the old garden, the car is like flowing water in Ma Rulong; Flowers and the moon are spring breeze! How much hatred there was in last night's dream! The scene in the dream is like when I was the monarch of my old country, I often played in the garden, with cars like running water and horses like long queues. This is the spring in full bloom, and the spring breeze blows. [Comment] The poem "The Picture of Scenery" written by Li Yu in his poems is a work of Li Yu after he was imprisoned in the Song Dynasty. It describes the joy of reliving the old life in the dream and the sadness and hatred after waking up. Express sadness in real life with happy scenes in dreams. "Cars are like running water in Ma Rulong, and flowers and moons are spring breeze." The beautiful environment and scenery during the amusement poured the poet's infinite affection for his past life. This little word of "deep sorrow and shallow appearance, long affection" has reached its peak in art, and the ingenious techniques of "waking people up in dreams", "loving to write about worries" and "getting twice the result with half the effort" have given this little word an intriguing artistic life. 5. Looking at the tears of Li Wei in Jiangnan, my face was broken. When you are worried, don't talk to tears, Shengfeng will cry. Broken heart is more certain. Sentence solution: how many tears, broken face. Broken face, writing tears to communicate face to face, yi, refers to the cheeks. This sentence seems to have the same form as the first sentence, but the structure is quite different. The first hate is a dream, and there are "how many tears, broken face." Described completely from the front, the cheeks are filled with endless tears, and the word "Fu" highlights the constant appearance of tears. The poet was so sad that he had nowhere to go except Lacrimosa. Don't talk to tears when you are worried. When you cry, you blow. Legend and blowing the flute inspired Feng. Later generations used "phoenix" to describe the beauty of metaphor. Who can tell the pain in your heart, regardless of tears? If you complain, you'd better not blow it when you are in tears, which will only aggravate your sadness. The tone of "Mojiang" and "Xiuxiang" seems to be warning others, but in fact the poet himself is warning himself. The heartbreak is even more obvious. If you really want to talk to tears and blow them when you cry, it will definitely hurt! The poet keeps comforting himself, but can he really convince him? Tang Guizhang said in "A Brief Interpretation of Poetry in Tang and Song Dynasties": "The sentence' heartbroken' is an expression of sadness in my heart. It is more obvious that the world is happy and has nothing to do with itself, but it will not last for many days. This is the real sadness." Comment: The poet started with tears directly, and described it to the extreme, and his face was broken. Then he said something encouraging. Needless to say, Shengfeng didn't have to blow it anymore. He wanted to swallow it with tears in his eyes. The phrase "heartbroken" was straightforward, and the poet finally lost his voice in grief. Liu Yongji mentioned in "A Brief Discussion on Ci Poems in Tang, Five Dynasties and Song Dynasties": "In the past, people said that all the ci poems written after the death of my late master were written in blood, and they were true and heartfelt." It fits perfectly. 6. I hope Cao Xueqin from Jiangnan will accompany me and plan the future alone. Unexpectedly, the storm started from the ground and the life of the body stopped immediately. Which is softer? The water in the east dies, but the water in the west does not return. Imagine a dreamless grass, add clothes and see Cui. The pulse is worrying! 7 "Looking at Jiangnan" Li Yu dreams far away, and the south is in the clear autumn. Thousands of miles away, the cool color is in the distance, and a boat is moored in the depths of the reed flower. The flute is in the Moon Building. The word comment is like an elegant ink painting. "National Wan Li" is the vision; The lake is full of reeds, and the boat is moored alone. This is a close-up view. Playing the flute under the moon is the main body of the picture. The boat is anchored in the depths of the reed flowers, reflecting freedom; Playing the flute on a moonlit night is melodious and full of romantic chic. "Autumn is sad and lonely since ancient times", this word praises autumn scenery in the south of the Yangtze River, because it is a memory of the captured ancestors of Song Dynasty, and compensates for the lost joy with the beautiful scenery in the dream. It means "I don't know that I am a guest in my dream, and I am greedy for joy in one day." 8. Looking at the snow in the south of the Yangtze River with tears, the past is empty. In the past, we met with the wind. Today, we meet again and again, and people in the south are more worried. Hate to meet, but don't leave. Yuen Long still stares at you in vain and asks if you remember that you don't love Jiangnan Show. General idea: I feel sorry to meet my old friend again, and lament that it is difficult to make water in the sea. Looking at the meeting place of Fang Zigu (the grandson of Fang Bao in Tongcheng in Qing Dynasty) in the south of the Yangtze River, I remember that in front of the Tiger Mountain, seven miles of rouge washed water, and a city of Luo Qi weaved all day. A small pass sends a fleeting time. At that time, Qing was on Mulan boat. Every other seat spits out people's flowers and scatters rain, bringing songs, wine and willow smoke. Turn to the edge of Nong. This is a very touching word, with the nature of memories. The artistic conception is beautiful, and you can feel it freely in your heart, but it seems a bit cumbersome to write it out of context. 9. Looking at the south of the Yangtze River, Su Shi is not old in spring, and the weather is sunny and sunny. Try to watch it on a separate platform. Half the city is full of spring water, and the flowers are dark. After a cold meal, I woke up but felt uncomfortable. Don't miss the old country for the sake of old friends, try new fire, new tea and poetry wine while you are young. In the autumn of the seventh year of Xining in Song Shenzong (1074), Su Shi moved from Hangzhou to Mizhou (now Zhucheng, Shandong). In August of the following year, he ordered someone to repair the old platform in the north of the city. His brother Su Zhe titled it "Transcendence" and took the meaning of "Although I have a glorious view, I am detached". At the end of spring in the ninth year of Xining, Su Shi boarded Lisaotai, looked at the misty rain in spring, and felt homesick, and wrote this work. This heroic and graceful poem, through the complex changes of spring scenery and the author's feelings and demeanor, expresses the poet's open-minded and detached mind and attitude towards life. The first part of the poem is about the suburban scenery in late spring when I was on stage. The first sentence points out the seasonal characteristics at that time with the attitude of spring breeze and spring willow-"the wind is fine and the willow is oblique": spring dusk is not old. The sentence "Try it" is straightforward to overlook, while the sentence "Half-filled with spring water makes a flower city" is correct. With spring water and spring flowers, the front picture will be spread out. Then take "misty rain darkens thousands of households" as the conclusion, condescending, saying that misty rain hangs over thousands of households. In this way, the city has a panoramic view. The author writes about scenery, paying attention to the strong contrast in color, and vividly conveying the color changes in different time and space in spring through the contrast between light and shade. The next part is about feelings, which is closely related to the scene written in the last part. "After a cold meal, I wake up after drinking, but I feel anxious", which further points out the boarding time. Cold food, two days before Tomb-Sweeping Day, is said to commemorate meson push. From this day on, the fire will be banned for three days; After the cold food, it is called "new fire" to rekindle. It is pointed out here that "after cold food". On the one hand, after the cold food, you can start a "new fire". On the other hand, after the cold food, it is Tomb-Sweeping Day who should go home to sweep the grave. However, at this time, I want to return. The above two sentences are full of emotion, full of twists and turns, which reflects the author's endless yearning for his old country and friends. In order to get rid of homesickness, the writer of "the old country is not an old friend, and the new fire tries new tea" takes tea as his own self-dismissal, which not only implies the poet's hard-to-get-rid of depression, but also expresses his self-psychological adjustment to get rid of this depression. "Poetry and wine take advantage of the time" further points out that we should be detached from things, forget everything in the world, seize the opportunity, and entertain ourselves with poetry and wine. "Time" refers to a good time, which corresponds to the "spring is not old" mentioned in the opening paragraph. The whole word revolves around the word "detachment", and at this point, it has entered the highest realm of "detachment". This realm is the concrete embodiment of Su Shi's mood and ci realm in Mizhou period. The word "love" comes from the scene, and the scene blends. Images of late spring, such as oblique willows, terraced fields, springs, city flowers and misty rain, as well as details of burning new fire and trying new tea, vividly and delicately express the author's subtle and complicated inner activities and the warm homesickness of wanderers. The combination of writing foreign scenery and expressing homesickness is so seamless that the author's profound artistic skill can be seen. 10. Looking at Jiangnan (two songs), Li Yuyuan dreams, and Jiangnan blooms. On the boat, the orchestral river is gurgling, and the flying floc (gǔn) in the city is light dust, busy killing flower watchers! Idle dreams are far away, and the south is clear in autumn. Thousands of miles away, the cool color is far away, the boat is deep in the reeds, and the flute is on the moon floor. Two poems describe two beautiful scenery in different seasons in the south of the Yangtze River. The first emotional tone is cheerful; The second emotional tone is sadness and sadness. The first word, the poem written by the screenwriter, is: busy killing the flower watcher. The second poem describes the scenery from three aspects, some of which are far-sighted: the cool color is far away. 1 1. Looking at the south of the Yangtze River, you can rely on the moon to moisten the south of the Yangtze River in winter. In the middle of the night, the wind blew and the lights on both sides of the strait faded. Don't come back until you're drunk. This word was written by the author in June, 20 10 at the invitation of a net friend who had never met before. The author used this word to recall the scene when he climbed the mountain happily with friends in late autumn, and his feeling of being full of ambition and unfinished business.