From the north side of Gushan Temple to the west side of Jiating, the lake is just level with the embankment, with low clouds and waves on the lake. Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.
Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe. I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar.
Bai Juyi, don't buy it.
The Tian family has less leisure in the month, and people are twice as busy in May. In the evening, the south wind rises and the wheat turns yellow.
Mother-in-law and daughter-in-law, accompanied by pot pulp, went with the battlefield, and Ding Zhuang was in Nangang.
Filled with the heat of the country, the back was scorched by the sun. I don't know about the heat, but I regret the long summer.
There is another poor woman with her son in her arms. Grab the ear with your right hand and hang the basket with your left arm.
Listening to his words of concern is very sad. My family's taxes are gone, so I can take this to satisfy my hunger.
Today, I have no merit, and I have never worked in farming and mulberry. There are three hundred stones in the land, and there is surplus food at the age of eight.
I am ashamed to read this in private, and I can't forget it every day.
2. What are the ancient poems from Bai Juyi's primary school to junior high school, "Farewell to Ancient Grass"?
The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter.
Wildfire can't burn it out, but the spring breeze can revive it.
Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey.
I once again sent my bosom friend, and the thick grass represented my deep affection.
Mujiangsong
A sunset gradually sank into the river, half green and half green.
The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow.
Charcoal seller
Sell charcoal Weng,
Chop wood and burn charcoal halfway up the mountain.
Dust and fireworks,
Temples are gray and fingers are black.
What is the money for selling charcoal for?
Buy clothes, buy food in your mouth.
Poor guy's clothes are clean,
Worried about charcoal, I hope it is cold.
A foot of snow will fall outside the city at night.
Drive a charcoal car to roll ice.
Cows are trapped and people are hungry.
Rest in the mud outside the south gate.
Who is that proud man riding on two horses?
It was the eunuchs in the palace and eunuchs who did it.
Hand-picked documents,
Go back to the car and scold the cow and lead it north.
A load of charcoal,
More than 1000 Jin,
It's a pity that officials drove the general away.
Half a horse's red yarn, a foot's silk,
Tie a cow's head with charcoal.
3. What are the poems that Bai Juyi gave Gu Cao to bid farewell to Bai Juyi (Tang) in primary school?
The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter. Wildfire can't burn it out, but the spring breeze can revive it. Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey. I once again sent my bosom friend, and the thick grass represented my deep affection.
Ikekami (Tang) Bai Juyi
Bai Juyi's little baby propped up the boat and stole the white lotus back. He didn't know how to hide the trail. The duckweed on the water left a boat on the trail.
Yi Jiangnan (Tang) Bai Juyi
The scenery in Jiangnan is very beautiful, and the picturesque scenery has long been familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?
Bai Juyi in Taohua Hall of Dalin Temple
In the world of April, the flowers have withered, and the peach blossoms in the ancient temples have just bloomed. I want to find a place where my life is dying, but I don't know that it has been moved here.
Bai Juyi in Mujiang Tang Yin Dynasty
A sunset gradually sank into the river, half green and half green. On the third night of September, the dew is like a pearl and the moon is like a bow.
On March 3rd, an ancient poem by Bai Juyi.
Tang Dynasty: Bai Juyi
On the third day of March, the window screen of the painting hall brushed the eaves.
Lotus seeds taste several cups of cold wine, while philosophers try spring clothes.
Looking in the mirror in front of the pool reflects flowers on every household.
Pointing to Lounan to play with the new moon, Jade Hook has two slender hands.
Appreciation of famous sentences: it is better to look in the mirror before the pool, and every household reflects flowers.
Facing the pond under the steps, the water in the pond is clear, calm and waveless, and the surface of the water shines on the figure, which is better than looking in the mirror; The door is hidden in front of a bunch of blooming flowers, just like hanging a beautiful flower curtain. Chisheng looked at the mirror and the flowers fell under the curtain. The metaphor is wonderful and the scenery is beautiful, just like a colorful picture scroll, with a strong three-dimensional sense.
Extended data:
Another poem by Bai Juyi entitled "March 3rd":
March 3
Tang Dynasty: Bai Juyi
The scenery in late spring is in the third grade, which has been half a century.
I want to idle away without good company, but I am half-hearted and go back to the boat.
Bai Juyi s poetic theory;
Bai Juyi's thought integrates Confucianism, Buddhism and Taoism, mainly Confucianism. Mencius said that "being rich will help the world, and being poor will be immune to it" is the creed he followed all his life. His ambition of "helping the world and the people" is mainly based on Confucian benevolent policies, including the theory of Huang Lao, the technique of treating filial piety and the method of applying Korea; His mind of "being alone" absorbed the concepts of contentment, uniformity and freedom of Laozi and Zhuangzi and the Buddhist thought of "liberation".
The two are roughly bounded by Bai's demotion of Jiangzhou Sima. Bai Juyi not only left nearly 3,000 poems, but also put forward a whole set of poetic theories. He compared poetry to a fruit tree and put forward the viewpoint of "root feeling, Miao character, Watson and true meaning" (nine books are the same). He believes that "emotion" is the fundamental condition for writing poetry, and "those who move people should not care about emotion first" (nine books at the end of Yuan Dynasty). The emergence of emotion is helpful and tied up with current politics.
Therefore, poetry creation cannot be divorced from reality, but must be based on various events in real life and reflect the social and political situation of an era. He inherited the tradition of "beauty and beauty" since the Book of Songs and attached importance to the realistic content and social function of poetry. Emphasize the role of poetry in exposing and criticizing political abuses. He put forward a series of principles in the method of poetry expression. In "Nine Books with the Same Origin", he put forward the famous realistic creation principle that "articles should be written in time, and songs and poems should be written for things".
His poetic theory is of progressive significance for urging poets to face up to reality and care about people's livelihood. It also has an important influence on the poetic style that has gradually emphasized form since Dali (766~779). However, overemphasizing the subordination of poetry creation to the needs of real politics will inevitably constrain the artistic creation of poetry and the diversification of poetry styles.
5. Memories of ancient poems by Bai Juyi from grade one to grade four are Liu Jiang.
-Bai Juyi
I once planted willows in Jiang Nanan and left Jiangnan twice in spring.
I don't know who Pan Zhe is when I recall the green river bank in the distance.
February 2(nd)
-Bai Juyi
On February 2, it was sunny and rainy, and grass sprouted for a while.
The light shirt is thin and the horse is young, and the cross is full of words
Listen to the feelings of Ye Zheng.
-Bai Juyi
Jiangzhou went to listen to Zheng night, but the white-haired freshmen didn't want to listen.
It's the first snow, so you can play until dawn.
Chi He's Eight Poems: Wu
-Bai Juyi
It is obvious that you are white and I am black, even if you don't date.
Say goodbye to you every night, and there is a chorus in the jade emblem.
Peach blossoms in Dalin Temple
In April, the beauty of the world is exhausted, and the peach blossoms in the mountain temple are blooming.
I have long hated that spring is nowhere to be found and I don't know where to go.
Shangxianglufeng
Roche, who was climbing on a stone, was ill, leaning on a green bamboo pole and wearing a white scarf.
When he painted the Lushan barrier, he was the owner of the incense burner peak.
Goose for crane.
-Bai Juyi
You were sent to Qingyun by the wind, and I was driven to the shelves by ducks.
Snow neck cream wool red net palm, please see where it is not as good as Jun?
Don't leave the wicker word.
-Bai Juyi
South stranger leaves sorrow, east wind Man Chun.
Don't bully the willows. It's better to persuade others than to persuade others.
The boy asked.
Teenagers blame me for asking what's wrong. Why are you drunk and singing again?
Cheerfulness should be good, but less sadness and more joy.
6. What are Bai Juyi's famous sentences? It takes three days to burn the jade in the senior high school entrance examination and seven years to identify the materials.
Articles combine the times, and poems combine things.
Luxury is frugal, but fierceness is in sight.
If you are in charge, you are in charge of money.
Approachable and popular.
Clever speech constitutes a crime, and no one will doubt it until death.
If you don't be a woman in life, others will be happy for a hundred years.
I advise you to work less and call it a lock. To persuade you to make less profit is to burn your body.
Don't drink turbid spring water, never stop bending trees. If you are unfair, you will lose millions of dollars.
A thousand miles begins with a single step, dust begins with a mountain, and my way is more expensive and new.
A tree with thousands of branches in the spring breeze is softer than gold and softer than silk.
Into the vastness, the heart of Zhitai is detached.
He stared at the desolate moon from his temporary palace, and he heard the bells in the late rain cutting his chest.
However, it hurts people's illness, and I don't know when it can be avoided.
Set up an official who collects poems, open a satirical way, examine their gains and losses, and understand their feelings.
In short, do it for the monarch, minister, people, things and things, not for the text.
7. I am a junior high school student in two poems by Bai Juyi. Tomorrow the teacher will talk to me about Bai Juyi's drizzle. If I am not mistaken, these two poems should be Li Shangyin's. Li Shangyin moved with the forest fog at the beginning of the rain, and the night was cool.
The window is cold, and the court is empty near the water. Drizzle, Li Shangyin curtain, floating in Bai Yutang, gums rolled up.
Chu women were interested at that time, and it was cool. Li Shangyin wrote many poems about objects, which not only described them in detail, but also conveyed their inner charm through various descriptions.
The previous song was a light rain. Slight rain is not easy to detect, how can it really show up? The poem describes the imaginary place in an all-round way, and with the help of related things around and people's subjective feelings, it sets off and renders in many ways, capturing the image of drizzle.
The first two sentences write about the scene that it began to rain shortly before and after evening. Haze, fog.
Slightly, gradually. At the beginning of the rain in Mao Mao, I just thought it was floating with the fog in the forest, and I couldn't tell whether it was fog or rain. Gradually, with the arrival of the night, it got the coolness of the evening.
The last two sentences describe the scene of a long drizzle after midnight. Long and far.
Empty, empty. It rained lightly for a long time, and the temperature dropped. People sat indoors, even though they were far away from the window, they still felt the cold penetrating into the room and invading the flashing lights. At the same time, after a long time of falling, the air tide is obvious, and raindrops will inevitably gain weight. In the empty yard, you can hear the subtle patter from the nearby water.
Four poems describe the process of rain in Mao Mao from the beginning to the end of the night, which was completely imperceptible at first, and gradually imperceptible later. They are very delicate and firm, but none of them directly describe the drizzle itself, but only reflect the feelings brought by the drizzle from the images of forest fog, cold night, light and underwater sound, which shows the author's ability to write landscapes skillfully. Words are also measured, such as "at first", "slightly * * *", "invasion", "cold", "virtual" and "near", and the characteristics of light rain are interpreted everywhere, and they are meticulous.
If the beauty of "Slight Rain" is to avoid writing the shape of rain from the front, but only to use people's feelings as a side contrast, then although the brushwork of "drizzle" is written from the front, it plays a role of metaphor and imagination, and is also flexible and fresh. The first psalm puts forward two metaphors.
Bai Yutang refers to the Heavenly Palace. It is said that when Li He, a poet in the middle Tang Dynasty, died, he saw an angel calling him to heaven to write his last words for the newly-built Baiyulou. Blue gum refers to the sky, and the clear blue sky seems to be a bed carved with blue ivory.
Here, the drizzle falls from the sky, imagining it as a curtain fluttering in front of the Bai Yutang in the Heavenly Palace and a mat rolling down from the Bluetooth bed in the sky. Curtains and reed mats are delicate, light and soft objects. Comparing them, it not only embodies the dense form of drizzle, but also depicts the light posture of drizzle floating in the wind.
Next, I will make a further description with the materials of myths and legends. Chu female refers to the goddess described in Chu ci, with nine songs and few lives. In the poem, she wrote about her expression of exposing and combing her hair after bathing in Tianchi.
Rustling, cool feeling. It says here: imagine the state of mind of the goddess at that time. Thick long hair brushed from the shoulder, shining with dazzling light, rustling to convey coolness. Isn't it like a drizzle falling in front of her eyes? This metaphor not only vividly describes the characteristics of rain in Mao Mao, but also is particularly charming and fascinating.
The whole poem is full of associations.