An ancient poem describing the beauty of the Yellow Crane Tower 1 Yellow Crane Tower sends a bowl to the majestic Guangling.
Lipper
The old friend stayed in the West Yellow Crane Tower and set off fireworks in March.
Sailing alone in the blue sky, I can see the Yangtze River flowing in the sky.
Listen to Li Bai playing the flute with Shilang Zhongqin on the Yellow Crane Tower.
Once people take a back seat, like Jia Yi in Changsha, they look far and wide, but they can't see Chang 'an or their hometown.
There was a flute sound of "Plum Blossom" from the Yellow Crane Tower, and another drop of plum blossom was seen on the river bank in May.
After being drunk, Ding smashed the Yellow Crane Tower with a poem and a mallet.
Lipper
The Yellow Crane Tower has been smashed, and the Yellow Crane Fairy has nowhere to go.
The Yellow Crane appealed to the Jade Emperor in Heaven, but was released to the south of the Yangtze River.
The satrap of the gods will be re-carved, and new pictures will return to Fang Fei.
A state laughed at me as a fanatic, and teenagers often laughed at me.
Whose house is under the Junping curtain? The cloud is Liaodong Ding.
I was stunned by the poem, and white clouds flew around the pen window.
Wake up from Ming wine and look for spring with you.
Jiangxia sees friends off.
Lipper
The snow is a little green, and I will take you to the Yellow Crane Tower.
Huang Hezhen Yu Yu flew to the Western Empire.
Phoenix has no afterlife, so why bother to travel far?
Wandering about the shadows, tears flow through the Han River.
Wanghuang crane tower
Lipper
Looking at the Yellow River Mountain in the east, the male bird came out in the air.
There are white clouds on all sides, and the middle peak leans against the red sun.
The rocks cross the vault and the peaks are dense.
I have heard of many immortals and learned flying skills here.
Facing the sea, the stone room is empty for thousands of years.
The golden stove produces smoke, and the jade pool is secluded.
Leave the ancient wood, the court is cold and old.
I advocate rock climbing because I want to protect my leisure.
Traveling all over Shan Ye, Zi Ling is unparalleled.
Send your heart to the pine tree and don't forget the guest's feelings.
Yellow Crane Tower
Dao Jia
If the high threshold and dangerous eaves fly, the lonely clouds and wild water are reluctant.
Castle peak is still long, when will the yellow crane leave?
When the shore is half out of Xizhou City, the Nanpu tree will be small.
I knew there was no reason for the hacker to see it, so I was full of affection!
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Brief introduction of Yellow Crane Tower
The Yellow Crane Tower, which stands on the Snake Mountain in Wuchang, Hubei Province, enjoys the reputation of "the best scenery in the world", and is also called "the three famous buildings in the south of the Yangtze River" with Yueyang Tower in Hunan and Wangtengting Pavilion in Jiangxi.
The mighty Yangtze River meets its longest tributary, Hanshui, in the hinterland of Sanchu, creating a magnificent Wuhan with two rivers separated and three towns interacting. It is located at the eastern edge of Jianghan Plain, and the hills in southeastern Hubei fluctuate between lakes and swamps in Ye Ping. Tortoise and snake are sandwiched between two mountains, and ships are woven on the river. The Yellow Crane Tower is located in Sri Lanka. Cui Hao, a poet in the Tang Dynasty, wrote: "In ancient times, yellow cranes carried saints to heaven, but today there is no yellow crane tower. The yellow crane does not return to the world, and the white clouds will never fly without him ... "It became an eternal swan song.
The Yellow Crane Tower is 5 1. 4m, bottom width 30m, top width 18m. Every floor of the whole building is decorated with large murals, couplets and cultural relics. Outside the building, a number of auxiliary buildings such as bronze yellow crane modeling, icon pagoda, archway, porch and pavilion make the main building more magnificent.
The Yellow Crane Tower is a masterpiece of classical and modern casting, poetic and artistic architecture. At the intersection of mountains and rivers, she catered to the folk customs of the Chinese nation, the spatial consciousness of being close to nature and the philosophical concept of advocating the universe. Compared with Yueyang Tower and Wangtengting Pavilion, the plane design of the Yellow Crane Tower is an octagon with four sides, which is called "all directions". The Yellow Crane Tower looks like a yellow crane, spreading its wings to fly. The whole building is magnificent and exquisite, full of changing charm and beauty.
Cui Hao's ancient poem Yellow Crane Tower
Writing background
Cui Hao had a bumpy career and wandered for a long time. One day, he boarded the Yellow Crane Tower and saw the crane in front of him empty. He looked at the long white clouds in the sky and saw the lush grass on the mainland. He feels that the years have passed and the world is boundless. His ancient masterpiece "Yellow Crane Tower" was strictly rated as "Seven-character Rhyme in Tang Dynasty, and the Yellow Crane Tower was the first". According to legend, Li Bai came to the Yellow Crane Tower to write poems. After reading Cui Hao's poems, he looked at them and sighed. He didn't know where to start, and sighed, "There is a scene in front of him, on which Cui Hao wrote a poem." So there was a writing pavilion handed down for Li Bai. The story of "Cui Hao wrote a poem and Li Bai stopped writing" made Cui Hao's poems and Yellow Crane Tower more famous, and the story has been passed down to this day.
Used allusions.
Parrot Island: Mi Fei, a scholar at the end of the Eastern Han Dynasty, wrote "Parrot Fu" in this continent. Mi Heng was killed by Huang Zu, the satrap of Jiangxia, and later generations changed the country name to Nautilus Island as a memorial. Mi Fei is famous for his literary spirit, but he is unlucky, and now he has only grown a piece of grass. When the poet saw the scenery, he couldn't help thinking of his lost life.
Content theme
This poem expresses the mourning for the past and the homesickness of the wanderer through what the poet recorded when he visited the Yellow Crane Tower when his career was frustrated. The first four sentences of this poem mainly describe the poet's feeling of hanging on the Yellow Crane Tower, which is naturally closely related to the beautiful legend about the naming origin of the Yellow Crane Tower. The last four sentences of the poem are about the scenery you saw when you went upstairs and the homesickness born of mourning.
technique of expression
Poetry has a strong flavor of folk songs, beautiful scenery, beautiful words and feelings, natural language, neat antithesis, harmonious melody and flying literary talent. The poet organically combined the narrow homesickness of missing his loved ones with the vast homesickness of the whole world, and expressed his homesickness in a magnificent and heroic way, which made the charm and character of this poem reach the peak of its kind and became the first masterpiece among the seven wonders of the prosperous Tang Dynasty in later generations.
Key words and phrases
1, every tree in Hanyang becomes clear in the water, and Nautilus Island is a nest of herbs.
This is the author's description of the spring scenery after going upstairs: Wan Li is clear and sparkling. Qingchuan pavilion, lush trees, parrot island, green grass. This sentence has a bright color and a broad realm, showing a long scroll of beautiful mountains and rivers, so it has always been known as a famous sentence for writing scenery. However, the purpose of writing landscapes is to express emotions. Thinking of Mi Heng's talent in the past, only grass is growing now. Isn't that what I did today? If you want to repair it, the immortal has gone by yellow crane and missed it; I want to visit my hometown, and I am very confused. I don't know where the township pass is. This sentence not only shows the prosperity of spring grass, but also expresses his sad mood.
2. but I looked home, and the twilight was getting thicker? The river is shrouded in mist, which brings people deep melancholy.
The river described in this sentence is already dusk, as if shrouded in smoke. Cui Hao used a "smoke wave" here, which naturally showed the hazy image of the scenery and contained a mellow charm in the extremely profound visual image. Together with the "sunset", it forms a gloomy background and sets off the poet's homesickness: at dusk, all the busy people go home, but what about themselves? Frustrated in official career, facing the vast river, being alone in the boundless twilight adds a sense of wandering in a different place. The end of a word "worry" points out the main idea of the whole article.
Ancient poems describing the beauty of Yellow Crane Tower 2 Yellow Crane Tower
Cui Hao
A long time ago, a yellow crane carried a saint to heaven.
Now only the Yellow Crane Tower is left.
The yellow crane never returned to the earth,
Baiyun will always fly without him.
Every tree in Hanyang becomes clear in the water.
Parrot Island is a nest of sweet grass.
But I looked home, and the twilight was getting thicker.
The river is shrouded in mist, which brings people deep melancholy.
Cui Hao: (754) was born in Bianzhou (now Kaifeng, Henan). In the tenth year of Kaiyuan, he became a scholar and served as an envoy of Hedong. During the Tianbao period, he served as the official and foreign minister of Taibu Temple. Footprints are spread all over the country, and poetry has a wide range of contents and diverse styles. Or write that the child's feelings are almost frivolous; It is still a military suffering, which is awe-inspiring. Early poetry has far-reaching influence.
To annotate ...
Former figure: Xian Zian. For Gai Lou, I crossed the Yellow Crane Mountain.
Lush: The appearance of lush grass.
Parrot Island: Originally in the middle of the river, it moved to the border with Hanyang, Hubei.
Brief analysis
This poem is a masterpiece of nostalgia. The poet boarded the historical site Yellow Crane Tower and got a panoramic view of the scenery before him. His poems are full of emotion, blurted out and beyond words. It is both natural and magnificent, full of personality. Poetry is not harmonious, but the syllables are clear and not awkward. It's really one step at a time, and it has become a treasure admired by all previous dynasties. Legend has it that Li Bai boarded this building and witnessed this poem, which impressed him deeply. He said: "There is a scene in front of me, with Cui Hao's poems on it." Yan Canglang also said that the seven-character poems of the Tang Dynasty should be the first. It shows that poetry is precious to nature, even if it is metrical.
Three ancient poems describing the beauty of the Yellow Crane Tower are from "Climbing the Yellow Crane Tower" by Cui Hao, a poet in the Tang Dynasty.
The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years.
Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.
Make an appreciative comment
It is entirely natural for this poem to write about scenery first and then express emotions. Even Li Bai, known as a generation of poetic immortals, couldn't help admiring again and again, and thought it would be better to stop writing for a while. To this end, Li Bai also sighed with regret and said, "I can't do anything good in front of me, and Cui Hao is still writing poems on it!" !
The Yellow Crane Tower is named after its Yellow Crane Mountain (also known as Snake Mountain) in Wuchang. Legend has it that in ancient times there was a fairy who crossed here by yellow crane (see Zhi); It is also said that Fei went to the immortal to drive a crane (see "Taiping Universe", quoted from "Tu Jing"). Poetry is to think about the origin of the name of a building, from legend to writing, and then grow out. What is the fairy crossing the crane? What is it now? If it is gone forever, there will be regrets that the years are gone and the ancients are gone. The fairy went to the empty building, leaving only the white clouds in the sky, which lasted for thousands of years and could show the boundless generosity of the world. The poet's strokes describe the feelings that people who boarded the Yellow Crane Tower at that time often felt, with boundless spirit and sincere feelings.
The predecessors have said that qi is the mainstay. The first four sentences of this poem seem to be spoken casually, spinning in one breath and going down the trend without hindrance. The word "Yellow Crane" appears repeatedly, but because of its imposing manner, readers waved five strings, looked at Hong Fei and hurried on reading. This is a taboo in metrical poetry. The poet seems to forget that there is a floating sound before writing, and then it must be deleted. Every word has a fixed tone. Try it: the five or six words in the first couplet are the same as the yellow crane; The third sentence is almost all snoring; In the fourth sentence, the brake tail is adjusted by three steps; No matter any confrontation, it is based on the syntax of ancient poetry. Is this because the seven laws were not finalized at that time? No, there are already seven standardized laws, which were written by Cui Hao himself. Is it the poet who deliberately writes disharmonious laws? Not necessarily. He is different from Du Fu's later metrical poems in that he deliberately created his own tune. It seems that I still ignored it. As Lin Daiyu said when she taught people to write poems in A Dream of Red Mansions, if there are strange sentences, even the truth and falsehood are wrong. Here, Cui Hao follows the principle that poetry should focus on the idea, but not on words that hurt the meaning, which is why he wrote such a rare poem in the Seven Laws. Shen Deqian commented on this poem and thought it was like the first one, and it was written in a vertical pen, so he was good at making great achievements through the ages (Volume XIII of Tang Poetry), which is what it means.
The first half of this poem, put in order, and the second half, is about what I saw and felt in the building, and the homesickness caused by the grass and trees overlooking Hanyang City and Nautilus Island from upstairs. This is put first and then collected. If you just let nature take its course, don't accept it, don't stick to the rules, and don't return to the meter, then it's not seven tones, but seven ancient ones. This poem seems to be divided into two parts, but in fact, the text is always focused from beginning to end, with only one breath in the middle. This seemingly continuous connection is also the most organized from the perspective of the beginning, inheritance, transformation and combination of rhythmic poetry. When discussing that the second couplet of metrical poems should be attached to the first couplet, Yuan Yang, a poet and legalist, said: This couplet should be broken (the first couplet), like a dragon ball, and should be held tightly. This is the case in the first four sentences of this poem, which tells the legend of a fairy riding a crane. Couplets and puzzles embrace each other and are integrated. Yang Zai also said that the turning point of the neck link: avoiding the meaning of the former link, changing it into lightning breaking the mountain, shocking the viewer. The metaphor of thunder is intended to show that there should be a sudden change in the first five or six sentences, which is unexpected. At the turning point of this poem, the style turns from right to right, and the realm is completely different from that of the former couplet, which just meets this requirement of the law. The sudden death of a native Syrian yellow crane gives people a feeling of unknowability. Suddenly it became a grass tree in Qingchuan, and I can vividly see the scene in front of Manchuria. This contrast can not only dye away the sadness of those who climb the building and overlook, but also make the literature change. It is also in line with the law of poetry to let poetry return to the obscure realm at the beginning, which can echo the front, such as the combination of leopard tail and forehead.
It is precisely because of its superb art and great success that this poem is regarded as the swan song of the Yellow Crane Tower, which is understandable.
Later, Li Bai went upstairs, also full of poetry. When he found Cui's poem in the building, he even called it wonderful and wonderful! According to legend, Li Bai wrote four limerick poems to express his feelings: one punch at the Yellow Crane Tower and one kick at Nautilus Island, and Cui Hao wrote a poem on it. I stopped writing. Young Ding sneered at Li Bai: The Yellow Crane Tower is still intact, but you can't beat it. Li Bai also made a poetic defense: I really screwed up. It was only because yellow Crane Immortal cried to the Jade Emperor that the Yellow Crane Tower was rebuilt, and yellow Crane Immortal returned upstairs. It's really serious. That's great. Later generations built a pavilion on the east side of the Yellow Crane Tower, named Li Bai's Writing Pavilion, to show his ambition. On the double eaves, it re-entered the Tao and became a place for Yan You. In fact, Li Bai's love for the Yellow Crane Tower is beyond measure. He is enthusiastic and unrestrained, calling for a blue cloud guest and climbing the Yellow Crane Tower three times. Mountains and rivers depend on humanities, and the name of Yellow Crane Tower is more prominent.