Appreciation of Li Qingzhao's Dream.

Question 1: Appreciation of Li Qingzhao's Dream; This poem is the early work of the poet Li Qingzhao, but it looks like a painting. The content is tortuous and implicit, the language is beautiful and natural, and the style is ups and downs.

Scenery: "The rain is sparse and the wind is urgent", and the rain is small and the wind is urgent; Writer: "sound sleep" and "residual wine", sleeping soundly but still drunk; Write flowers: "green fat red thin", green generation refers to leaves, red generation refers to flowers. In late spring, Ye Er is flourishing and flowers are scarce; Therefore, carefully and deliberately choose the image and words of unity of opposites, and render and describe them in a complementary way, giving readers a more vivid and clear impression. Among them, the phrase "green manure, red thinness" is the freshest, colorful and vivid, and has never been used by human beings. Even in rhyme, it can be used according to the law and the past. But even in this respect, the author has made great efforts to use it, such as "suddenly" and "suddenly"

Let's look at the questions and answers in the poem. "Roller blind" refers to a maid who is rolling curtains. Asking about Confinement leads to a dialogue between the heroine and the maid. "Although Haitang remains" is an answer, omitting the question. From the answer, we can know that the question is: "What happened to Haitang on a stormy night?" Question and answer are obviously out of proportion, how sad the question is, and the answer is indifferent. Because of the careless answer, a more affectionate "do you know?" Do you know that?/You know what? The most difficult thing to solve is the two overlapping phrases in the little word "like a dream" However, this compensation is "You know what? "Do you know", natural tone, clever all day. Those who are not saints can't come here. The heroine asked so seriously out of concern for flowers: out of pity for flowers, she refuted so earnestly.

"It should be green, fat, red and thin" is a sight and feeling that comes to her mind. The words "green, fat, red and thin" are infinitely sad, but interesting, accumulating her infinite regret for the moment of spring and flowers. It embodies the pure heart and elegant taste of the poetess.

Question 2: Like a Dream ―― Appreciation of Li Qingzhao's Dream? Appreciate the sudden wind and rain last night

Like a dream? Last night, it rained and suddenly the wind blew? Li Qingzhao

The rain stopped suddenly last night. Deep sleep won't leave a hangover. I asked the shutter man, but he said, "Haitang is still there." You know what? You know what? It should be green, fat and thin!

Enjoy 1

This poem, with its characters, scenes and dialogues, fully demonstrates the expressive power of the language of Song Ci and the poet's talent.

"It rained last night and suddenly it blew" means it rained last night and blew badly. Sparse means sparse writing, not the usual sparse meaning. It's spring, and the famous flowers are just right, but the wind and rain are coming, so I'm in a bad mood and can't sleep, so I can only drown my sorrows by drinking. I drank too much and slept like a log. As a result, I woke up and it was already dawn. But last night's mood was already across my chest, so we have to ask what is hanging in the air together. So, she asked the maid who cleaned the house and opened the blinds: What happened to Begonia? The maid took a look and smiled and replied, "Yes, Haitang hasn't changed at all after a night of wind and rain!" The hostess listened and sighed; "Silly girl, do you know that Haitang is less red and more green? ? "

This dialogue shows what poetry and painting can't, and shows the complex expression and tone of the boudoir, which can be described as a vivid pen.

Taking "deep sleep" and "residual wine" as a bridge, the author wrote the time change and psychological evolution from white night to dawn. Then a "roller blind" skillfully and appropriately broke the dawn of the day. However, the person who asked the shutter didn't mention anything, only revealed the answer.

It's really wonderful, without trace. Poets are happy for flowers, sad for flowers, drunk for flowers, and angry for flowers. In fact, they are hurting and cherishing spring, using flowers as a metaphor to lament that their youth is fleeting.

Appreciate II

Although Li Qingzhao is not a prolific writer, there are only 40 or 50 poems that have been circulated so far, but they are all "useless" and "numerous poets". This poem "Like a Dream" is an immortal masterpiece that is "called by the world". After waking up from the dark, Xiaoyu asked about the description of flowers, which euphemistically expressed the poet's feelings of loving flowers and hurting spring. The language is fresh and meaningful, which makes people think deeply.

How to understand the first two sentences is controversial. Gaitui used logical reasoning: since it is "a deep sleep does not consume residual wine", how do you know that "the rain cleared last night and the wind blew suddenly"? Isn't this a contradiction? In fact, these two words cannot be understood by simple things in life, because the poet's original intention is not here, but through these two words to express his infinite love for flowers. Poems that cherish flowers talk more about wind and rain. Bai Juyi's poem "Two Precious Peony Poems" reads: "Those who are bright should spend all their flowers, while those who are at night should cherish the red and watch the fire." Feng Yansi's "Sauvignon Blanc" words: "The red branches are full of branches, the green branches are full of branches, and you get up late when you are tired." Zhou Bangyan's "Youth Tour" words: "One night the east wind, begonia blossoms, look at the shutters upstairs." The meaning of flowers scattered in the wind and rain is easy to understand. However, it is not easy to understand that "a deep sleep does not consume residual wine" is also about cherishing flowers. However, as long as you read more poems about flowers written by predecessors, it is not difficult to understand. Du fu's poem "three quatrains": "I would rather be drunk and the wind blows away, but I can endure the rain when I wake up." Wei Zhuang's You recorded Bao's poem Xi Hua Yin: "Flowers on branches, flowers on people, and poor colors are all youth. Yesterday, I saw flowers burning, but today I saw flowers falling. Drinking this flower is better than waiting for the spring breeze to blow. " These verses can be used as footnotes for "A sound sleep does not consume wine". Yi An said in the poem "Jade House Spring" praising Hongmei: "Red Crisp is willing to let Qiongbao break and explore the southern branches all over the place. ..... If you want a drink, you can't rest. " It is also a self-annotation of the sentence "sleeping". Although the wording of this word only means that I drank too much last night and haven't stopped since the next morning, there is another meaning behind this wording, that is, I was drunk last night because I cherish flowers. The poetess couldn't bear to see the flowering of Haitang in the Ming Dynasty. She drank too much wine under Haitang last night and is still drunk. There are many words about drinking in Shuyu Ci, which shows that Yi 'an lay man likes drinking. Drinking well will still lead to deep sleep. After deep sleep, the alcohol power has not completely disappeared, which is not a general overdose. As long as you think about why the poet wrote the word "deep sleep without residual wine", the answer can only be "cherish flowers" As far as the meaning of this word is concerned, it is the same as the poems quoted by Du Fu and Bao Wenji. However, the height of Yi 'an is to find a new way. Once you understand the meaning of "cherish flowers" hidden behind "deep sleep without consuming residual wine", then the understanding of the following sentence is "logical"

My next three or four sentences are about the necessity of cherishing flowers ... >>

Question 3: Dreams make Li Qingzhao appreciate dreams.

Last night, it rained suddenly and the wind blew, so I slept soundly and didn't consume wine.

I asked the shutter man, but he said, "Haitang is still there."

"You know what? Do you know that?/You know what? It should be green, fat and thin. "

Precautions:

Sparse: refers to sparse.

Confinement: Some scholars think this refers to maids.

Green, fat, red and thin: green leaves are lush and safflower is withered.

After a deep sleep, there is no hangover: although I slept all night, I still have a fish mouth. Sleep: sleep: lingering drunkenness.

Shower and sparse wind: raindrops are sparse and the night wind is fierce.

Translation:

It rained sparsely last night and the night wind was very strong. Although I slept all night, I still have a fish mouth. Excuse me, maid of the shutter: How about Begonia? She said that the begonia flowers are still there. Do you know that?/You know what? Do you know that?/You know what? It should be lush green leaves and withered red flowers.

Appreciate:

This article was written by Li Qingzhao in his early days.

A poem from this period. The ci fully embodies the author's love for nature and spring. This is a simple poem. It is written that nature experienced a storm on a spring night, and the poet foresaw the flowers in the garden.

Mushu has lush green leaves and withered flowers. So, the next morning, she eagerly asked the "confined person" about the outdoor changes, but the careless "confined person" replied "Haitang is still there." In this regard, the poet can not help but use two words.

"Know or not" and a "should" to correct the carelessness of observation and the wrong answer. The phrase "green and fat and red and thin" vividly reflects the author's regret that spring has gone and spring has come.

The writing of the text is very unique, focusing on

Hearing shapes images and forms artistic conception. The author did not directly describe the scene of dying in late spring, but based on waking up in the morning, he began to write from "last night" and began to associate with hearing through "the rain suddenly dispersed".

Then it is transformed into a visual image: "green and fat, red and thin." It is worth pointing out that the words "green, fat, red and thin" are only imaginary words in the author's mind, and there is also a process of transforming them into objective reality. Because this word has meaning.

From hearing to vision, there is a transformation process from heart to objective reality, so it can leave readers with a broad imagination and facilitate artistic re-creation. This is why this word is chewy.

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Secondly, compare and contrast feelings through questions and answers. This way of writing, not only the language is concise and vivid, but also the structure is particularly compact, which gives readers a real feeling of hearing its voice and seeing its people. figure

The subtle differences in identity, personality, upbringing and feelings are also vivid and vivid. The sentence "Rejection" describes the carelessness and emotional indifference of the shutter man in observation, which is just the beginning.

It embodies the exquisiteness of the author's observation and the profundity of his emotions. Without this delicate observation and deep feelings, you can't write a good work.

Third, the successful application of anthropomorphic technology. "Fat" and "thin", two words originally used to describe people, are borrowed to describe the lush green leaves and the scarcity of safflower, implying the gradual disappearance of spring. This sentence is very creative in both the refinement of language and the use of rhetorical devices.

As mentioned earlier, this word is very short, with a total of 33 words, but it can reflect the author's rich inner world through an extremely ordinary detail in life. The language is plain and simple, and the artistic conception is subtle and profound.

Sound, taste, taste. "Huang Liaoweng said in Selected Poems of Starting a prairie fire:" Asked with deep affection, the answer was' return', but the answer was extremely weak, and the words' Do you know' came out. And' green fat red thin' is infinitely sad, but subtle. Short amplitude and medium storage

Numerous twists and turns are naturally more sacred than words. "This comment helps us to understand the word.

Question 4: Appreciation of the central sentence in Li Qingzhao's Dream Talk shows the protagonist's anxiety to find a way out from the lost road. It is precisely because of the "struggle for crossing" that "a beach of gulls and herons was awakened" and all the waterfowl parked on the island were scared away. At this point, the words came to an abrupt end, and the words were not exhausted, which was intriguing.

Question 5: Appreciation of Li Qingzhao's Dream; Li Qingzhao's dream

Last night, it rained suddenly and the wind blew, so I slept soundly and didn't consume wine.

I asked the shutter man, but he said, "Haitang is still there."

"You know what? Do you know that?/You know what? It should be green, fat and thin. "

The rain was sparse last night and the night wind was very strong. Although I slept all night, I still have a fish mouth. I tried to ask the maid of the shutter, and she replied that the begonia flowers were still so beautiful. Do you know that?/You know what? Do you know that?/You know what? It should be lush green leaves and withered safflower.

This poem, with its characters, scenes and dialogues, fully demonstrates the expressive power of the language of Song Ci and the poet's talent.

Taking "deep sleep" and "residual wine" as a bridge, the author wrote the time change and psychological evolution from white night to dawn. Then a "roller blind" skillfully and appropriately broke the dawn of the day. However, the person who asked the shutter didn't mention anything, only revealed the answer. It's really wonderful, without trace. Poets are happy for flowers, sad for flowers, drunk for flowers, and angry for flowers. In fact, they are hurting and cherishing spring, using flowers as a metaphor to lament that their youth is fleeting.

Although Li Qingzhao is not a prolific writer, there are only 40 or 50 poems that have been circulated so far, but they are all "useless" and "numerous poets". This poem "Like a Dream" is an immortal masterpiece that is "called by the world". After waking up from the dark, Xiaoyu asked about the description of flowers, which euphemistically expressed the poet's feelings of loving flowers and hurting spring. The language is fresh and meaningful, which makes people think deeply.