The overall appearance of Ci is a unique aesthetic with profound connotation and potential significance.
Ouyang xiu sculpture
Ouyang Xiu's ci also has the phenomenon of appealing to both refined and popular tastes in the world of mortals and fireworks, as well as multi-level aesthetic elements such as broad and profound connotation, which provides a broad space for future generations to accept. Ouyang Xiu's literary talent is brilliant. Some people call him a generation of Confucian scholars, and he is the champion of a generation of articles. Some colorful words described are gentle and graceful, gentle and generous, gentle and elegant, elegant and elegant, romantic and elegant, romantic and pretentious and romantic.
Ouyang Xiu's ci basically maintains the style of five pronouns, but it has a unique flavor of the times and personal temperament, showing the characteristics of appealing to both refined and popular tastes. The elegance and vulgarity of Ci has become a controversial topic in later generations, and it is a typical case worth studying in the history of Ci.
Although Ouyang Xiu is a representative of graceful and restrained school, and the heroism in some of his works is rare, he expressed his unrestrained feelings in fresh and clean language. He doesn't deliberately lay out words, nor does he use allusions to write. The artistic conception of his words is as simple as life itself. Ouyang Xiu's ci forms this unique aesthetic style, mostly because there are some bold factors in his ci.
Ouyang Xiu's little words, selected from the article, are written down. Inadvertently, he would pin the interests and feelings of the literati on the overall meaning of the words and reflect his thoughts through small words. The space occupied by small words and the change of emotional state make this word present a different aesthetic appearance.
Ouyang Xiu's Interpretation of Shangshu.
Ouyang Xiu said in the Book of History: "There are nearly 20 volumes of Beijing carved books, named Wen Song. Most of them talk about current events. They explain their language in detail, but it can't be circulated. But the engraver doesn't know what's going on, and theft and fear spread more and more widely. Courts are even less convenient to spread them. If there is no detailed litigation order in the future, we will act rashly.
Ouyang xiangxiu
This is a passage in classical Chinese, which is a topic of senior three. This passage mainly shows that the way of cultural exchange affects the management of the government. Ouyang Xiu, a politician and writer in the Northern Song Dynasty, holds a bachelor's degree in Hanlin Academy. He is one of the "Eight Masters in Tang and Song Dynasties". He led the poetry innovation movement in the Northern Song Dynasty and created a new generation of writing style in the Northern Song Dynasty.
The above passage means that Ouyang Xiu wrote a letter to the emperor, saying that "twenty volumes of anthology were printed in Beijing recently and named Wen Song". Most of the content in it is
Ouyang Xiu in Song Dynasty was also an era of great ideological integration. After the baptism of the Tang Dynasty, the Song Dynasty had its own unique culture on the basis of inheritance. Engraving printing appeared in Tang Dynasty, and Song Dynasty was the golden age of engraving printing. Movable type printing was invented in the Northern Song Dynasty. In that era of active ideology and culture, it is understandable that it became the best carrier of cultural communication. Different political views spread widely around the world, which is not conducive to the stability of the regime. This is also the history of Ouyang Xiu.
Where is Ouyang Xiu's tomb?
China Since the Qing Dynasty, there have been eight scenic spots in Xinzheng, Henan Province, one of which is "the misty rain on the European grave", which refers to the grave of Ouyang Xiu, a great writer in the Song Dynasty.
Ouyang xiu tombstone
Ouyang Xiu's Tomb is located in Ouyang Temple Village, Xindian Town, west of xinzheng city City, Henan Province. It is the graveyard of Ouyang Xiu and the grave of his family, and it is the place where literati mourn the great writers.
Ouyang Xiu died in A.D. 1072. Three years later, he was buried here by the emperor. Subsequently, Ouyang Xiu's grandmother Li and his wife, as well as his four sons and two grandchildren, were buried one after another. Therefore, it gradually became the tomb of Ouyang family. In the Qing Dynasty, in memory of this great writer who made outstanding contributions to China literature, people built an ancestral temple for him. Now, on September 25th, 2000, with the approval of the State Council, it has become a key cultural relic protection unit in Henan Province.
In front of Ouyang Xiu's cemetery, there are the middle hall and the main hall of the ancestral temple. In the hall stands a statue of Ouyang Xiu dressed in official clothes. The inscription on the main hall is "a generation of scribes", which is the best explanation and summary of his life contribution. Ouyang Xiu has many life stories, as well as tombstones written in past dynasties, including many celebrities, and. There is also the famous cursive script Zuiweng Pavilion written by Ouyang Xiu, which is treasured in the East Hall.
Ouyang Xiu's tomb is five meters high and fifteen meters in circumference. On the right of his grave are the graves of his wife Shi Xue and his grandmother and grandparents. The cemetery is surrounded by inscriptions and tombstones written by famous people in past dynasties, which has also become a great spectacle in the history of China literature and calligraphy. Before and after the cemetery, many towering cypresses were planted. Whenever it rains, the fog fills the air here, just like the misty rain in the south of the Yangtze River, which is amazing. Unfortunately, after 1958, these coopers were destroyed in China's Great Leap Forward and Cultural Revolution, and almost all coopers were cut down. Now when we go to Ouyang Xiu's cemetery, we can only see his ancestral temple and his temple.