Looking at apricot flowers proudly,
After the meeting, Cherry will return to China temporarily.
Smoke waves are lonely sails,
It is a fairy who checks the moon.
Wangchengjiang, autumn in Wan Li,
Floating like a fishing boat,
Who knows that the water column stops at the radial direction,
The bead curtain upstairs always takes the bait.
Push the awning to watch the song of picking diamonds,
Eighteen kings wore brocade,
You don't have to throw fruit often,
Never from Dangui to Chang 'e.
(Borrowing Luo Haidong's language, not its original intention)
Lotus candles are used to illuminate the new house.
The palace robe is newly dyed with musk orchid,
Depending on the sky returning to the ship,
You have to understand two lines of Zan.
There is an postscript after the poem:
"After writing" Zhixuan Temple ",I gave a fake marriage and used the name of" Autumn Sail Returning to Xing Tu ". There are countless stories in this Jade Hall. However, the scenery in the painting is far from the skill, so it is difficult to blend. Yu Lao's scenery is desolate and sparse, so he can't speak, and he has become a four-stop, which can be used for reference. Hejian Ji Yun has a question and knows it. "
A quatrain of "White-headed Little Three"
White-headed, little three, old ministers,
Still stepping on the fragrant dust on the jade,
Smile, pack your bags, pack your pen first,
Linz's habit has not been completely eliminated.
After the poem department yue:
"Three days before Guihai Nine Festival, I watched Taoist drama, and I was 80 years old."
I have been studying in quiet inside for 18 years.
How to clear the obstacles, and look at the fairy game map.
It is a popular feeling that the two men met mahjong at close range outside thoughtfully.
The stubborn fairy seems to have lost consciousness, and the butterfly sleeps in the depths of the spring breeze.
Ji Xiaolan Tibetan Copper Quewa inkstone
-Wang
"Tongque Wayan Stone" is slightly silver ingot-shaped, with a length of 30cm and a thickness of 4cm. Dark gray, dense and delicate pottery, with an inverted Mo Chi below the middle of the inkstone surface. The inkstone is huge and full of inscriptions. The inscription is a seven-character poem. Poetry official script, 19, line 3 1 sentence, with a total of 2 18 words, is the party with the most lettering on inkstone. It was donated by Mr. Liu Xiuchen of Baoding in 1954 and is now in the Hebei Provincial Museum.
Tongque inkstone is the heritage of Yuewei Caotang inkstone. The full text is as follows:
Tongquetai site was completely destroyed,
He Nai has so many tiles left.
Scholars have a fascination with strangeness,
I know my aunt is deceiving herself.
Zheng Qi Lu Dinggan is a forgery,
Song sneered at peace,
The neighbors in the west are very old,
Treasure as Shang Wei Zhou Zunyi.
Hunger is enough to fight Xiaomi,
You can't quit if you have to.
The word Jian 'an is raised on the back.
Engraved ancient inscriptions.
I have never believed in antiques in my life.
At the beginning, raise your eyebrows first.
He tries once in a while,
Sleep and pen and ink are quite suitable.
Cherish its essence is not evil,
Vulgar work is painful.
Summon slaves with sharp stones,
Fight each other in front of the stage.
Suddenly see the true face,
You're right. It's refreshing.
Friends, friends suddenly saw horrible laughter,
It's like a square bamboo with compasses.
Twenty years ago,
Has anyone seen walnut oil?
Tao Jiari's situation is fake,
It's not from Zhanghe Mae.
Don't spoil the scenery with a smile,
Shigu Imperial College London, I hesitated.
Hey! Shigu Imperial College London, I hesitated.
Although this inscription is long, it is worth pondering. The inscription first said that people who were willing to be deceived had existed in ancient times, and then described the origin of this inkstone and Ji's attitude of "elegance does not believe in the ancient times". It seems that people can understand that there are too many counterfeiters and swindlers in ancient and modern China and abroad, and people should not be careless.
"Long Poems on inkstone forehead" has been included in the tenth volume of Ji Wenda's poems. This inkstone, identified by experts, is not a real bronze sparrow tile, but a relic of Ji Xiaolan. However, its inkstone was written by others.
Tongque Taiwa, because the literati of past dynasties competed for praise, greatly increased her status. Because of this, there were imitations as early as the Song Dynasty. Wang Anshi's Tongquetai poem: "Blow out the dust of Xiling song and dance, and the roof tile will be called treasure;" Tao Zhen often becomes the present hand, and it is still a hollow name. " Wang Anshi lamented that most of the bronze sparrow tiles and inkstones collected by the world at a high price were fakes because of their bad reputation. Ji Xiaolan is not so obsessed. He is very rational in collecting cultural relics, rather than blindly seeking for ancient names. While considering whether it is collectible, he also pays special attention to the practicality of the object. He said, "If you win a Song inkstone, it will be a treasure if it is a ball map, even though it is slippery without ink.": A China seal, though absurd and unwritten, is more precious than pearls, which greatly disappoints connoisseurs. Facing this tile inkstone with "Jian 'an" and "Breaking the Ancient Name", Ji Xiaolan was not intimidated. He never believed in antiquities, and always thought that "tile can be suitable for ink, that is, China inkstone materials. Why are there Han Weiyang Palace and Wei Tongquetai? "that's why friends laughed at it as' square bamboo plus compass', more than this time." Reading Wei Caotang's "Yan Pu" contains an inkstone, which says: "Shi An returned from the south of the Yangtze River as a gift to Tang Zi's western inkstone. Zimingxi is burning on it, and the inkstone is really turquoise. Clean and neat, I don't want to express my loss. " This also shows Ji Xiaolan's superb level of appreciation. Of course, whether he doubts Shi Guwen is another matter.
On the left side of the poem, there is the running script "Shi 'an Appreciation, Jiaqing Wuwu June", and on the right side there is the official script "Dream Zen Collection Miao Wenci". Shi 'an, namely Liu Yong (17 19- 1804), whose real name is Confucianism, is called Shi 'an, and he is from Zhucheng, Shandong. Ji Xiaolan, son of examiner Liu Tongxun. In the sixteenth year of Qianlong, he was a scholar, from an editor to a university student in Tijen Pavilion, and died in Wen Qing. At that time, there were calligraphers with the same fame as Weng Fanggang, Liang and Qi. Ji Xiaolan and Liu Yong have a very close relationship. "Jiaqing Wuwu", that is, Jiaqing three years, AD 1798. Dream Zen, namely Yingbao, the word dream Zen,No. Xian 'an, surnamed Baidu, Manchu Zhengbaiqi, the eldest son of Yong Gui, a university student. Zeng Guan's pen and ink style, returning from illness at the age of 30, amused himself with poetry and exchanged words with Liu Yong.
See also Tsui Hark's Appreciation of Clearing Banknotes, which records that "Wuxi Wang Maonong (Zhang Yun) Lian Xiao Bronze Quewa inkstone is one and a half feet long and eight inches wide. Its endorsement is implied in the word "fifteen years of Jian 'an", which is very clear and full of vitality. Guo Ming Wuji wrote the words "Jade Golden Sound" on it with an inscription. In the early summer of Jiaqing, Zhang Shu didn't get Wang Wenan's inscription on Songjiang boss's bronze sparrow tile inkstone. The quality is extremely bright and moist, covered with filter mud. There are two inscriptions on Wang Duo's lower case, both of which are exquisite and can be decided. " Bronze sparrow tile inkstone seems to be true and false, but there are only a few and many fakes.