How to write modern poetry?

First, the use of language and artistic conception \x0d\ As we all know, modern poetry has three obvious and specific elements, which are: language, artistic conception and rhythm. This shows how crucial language and artistic conception are to a modern poem. If we want to appreciate the quality of a modern poem, these two factors are the first, essential and can't be ignored. \x0d\ Language comes from life, which is well known, but the language used in any genre of articles is not the real language in life. Art comes from life and is higher than life. In fact, this means that the language of any literary genre comes from life, but it is also "necessarily higher than life". As a poetic literary genre, x0d plays a more important role and charm in language. And if the language is not used properly, it will destroy the atmosphere and style of the whole work. As for artistic conception, I personally think that what can render works and atmosphere can be an open picture, from far to near, from near to far, or a feeling, or philosophical thinking. Zen means that artistic conception is divided into tangible and intangible categories, and tangible objects and pictures are tangible artistic conception; There is also an artistic conception that is invisible, because there are no so-called pictures and objects. This artistic conception only exists as an idea or a feeling. \x0d\x0d\ Second, the grasp of rhythm and rhythm \x0d\ Anyone who has come into contact with literature knows the meaning of rhythm. In classical poetry, rhythm plays a very important role. If the rhythm is lacking or uneven, then classical poetry cannot be called poetry, and the best poetry will lose its head. After the New Culture Movement, poets paid attention to rhythm in early modern poetry. We can often read good works that are proficient in rhythm and rhythm. These good works usually give us the feeling that they are light, beautiful, cadence, or capable, atmospheric, mellow and long-lasting. It is also the best reading work \ \x0d\\x0d\ 3. A fresh and agile method \x0d\ As we all know, poetry refers to the expression and structure of a sentence. There are many ways. In terms of expression, most individuals like to organize their language with their usual techniques and personalities, including procrastination, conciseness, freshness and elegance, triviality and verbosity, and differences in poetic levels and styles. I think the first thing comes from the difference in a person's organizational language ability. Freshness is actually just a feeling, a combination of freshness and vividness. If a sentence is a combination or a song, \x0d\x0d\ IV. The personification method \ x0d \ Speaking of personification, we all know what is going on, and personification in poetry is not a simple metaphor. If so, then poetry will lose its original poetry, sense of language and charm. \ x0d \ personification in poetry refers to the description or borrowing of the theme or image to be expressed. \x0d\ x0d \ v. Sketch \ x0d \ Speaking of sketching, we all know what is going on, that is, drawing an object or a portrait on a white paper with a pencil, or it can be a rough thinking. Then, poetry is combined with language, how can it be painted with a pen? Hehe, we don't need to borrow pencils to write poems. Sometimes, language is the best pencil. In our hands, using artistic conception and rhythm, we can draw more beautiful pictures than pencils and white paper. Moreover, these pictures are not only beautiful, rough, delicate or hazy, but also soft, emotional, beautiful artistic conception, poetic and open philosophical thoughts that the pictures can't match. They are full of fragrance and have a long aftertaste. \x0d\x0d\ VI。 Parallelism \ x0d \ I think this is a very simple writing technique. We often use this technique in our daily life, so we won't explain the structure and significance of parallelism. Let's talk about the function of parallelism in poetry and the strength and depth of parallelism in poetry language. X0d \ As we all know, a good poem is not only poetic in language, but also soothing and fresh in expression. It takes some thinking and effort. In the dark ages, powerful literary works are also aimed at the present situation and awaken a kind of light and conscience. For example, Mr. Lu Xun once left a powerful famous sentence "It is better to die than to die", which awakened thousands of Qian Qian people in Qian Qian \x0d\ In times of peace, we naturally don't need to call for light, but we can praise and praise those absolutely beautiful, kind, generous and simple people or things in Qian Qian, even a drop of water, a tree, a ray of golden sunshine. Parallelism is an extremely powerful way of expression. \x0d\ x0d \ VII。 Metaphor \ x0d \ Simply put, metaphor is metaphor, and one thing is compared to another. However, metaphor is a magical language phenomenon, which can often touch readers' heartstrings and lead them to produce unexpected effects. There are three kinds of metaphors: intangible metaphor, tangible metaphor and metaphor combining tangible and intangible. \x0d\x0d\ VIII。 Rhetoric moderation \ x0d "revision" refers to modification, while "rhetoric" originally refers to the words used in debate, and later it is extended to all words. "Rhetoric" refers to a kind of language activity in the process of language expression, which uses various language means to achieve better expression effect as far as possible. Therefore, as we know, it is more necessary to use rhetoric to realize poeticization and personalization, and it is very important to master and skillfully use rhetoric. If rhetoric is not used, then poetry must not be poetry, and if rhetoric is rampant, the language of poetry is bound to be cumbersome and procrastinating, as vulgar and boring as a woman with heavy makeup. \x0d\ x0d \ IX。 The way to return to nature \ x0d \ Almost everyone can understand the meaning of this idiom. To "return to nature" means to return to the original simple and authentic state. The original meaning is that the stone containing jade also refers to uncut jade, which means innocence and simplicity. \x0d\ x0d \ x. Clever handling of the ending \ x0d \ I always think that a good poem should not only have a good beginning and a good theme, but also have a happy ending. Beauty here does not refer to gorgeous expression or sentence structure, but to the center and theme expressed by the author. At the end, we use a few numbers, or raise the topic high, or ask questions, or leave some thoughts, or give clever answers. First, if a poem is ordinary in expression, the beginning or theme is dull, but the high-profile ending can sometimes make up for the shortcomings before and in the poem, make the general elegant, make the mediocrity wonderful, and even give readers a sense of twists and turns; Second, no matter how the poem begins or how it is handled in the middle, the ending is still very important. Everyone knows that "anticlimactic" is not a good image, and improper grasp of the ending will even ruin the perfect atmosphere left before the poem and become a regrettable failure; Thirdly, we all know that poetry is a literary genre with potential aesthetic style, and the treatment of ending can better promote this internal style. No matter the theme, expression and depth, I think a work that can make readers have endless aftertaste and a long aftertaste after reading must have certain charm; Fourthly, if it is a powerful poem, the language and theme are properly grasped, and the ending is skillfully handled, then the intensity and depth of the expression of the work can be opened to a greater extent, making the poem more convincing as a whole.