Ode to Orange is one of the nine chapters of Chu Ci. Chu Ci is a form of poetry formed by Qu Yuan, a great poet of Chu State and his students during the Warring States Period, after processing folk songs.
Yanzi Chunqiu records: "Those born in Huainan are oranges, and those born in Huaibei are oranges." This peculiar characteristic of citrus is a great pity, but in the view of Qu Yuan, who deeply loves his native land, this nature of "being ordered to stay still and being born in the south" can be linked with his unswerving patriotic feelings. Therefore, during his exile and idleness in the capital, he took the example of citrus, which was difficult to move, and strived for festivals, and wrote this famous poem-"Ode to Orange" with deep affection.
The whole poem can be divided into two sections. The first section focuses on the elegance and touching external beauty of citrus. He wrote four remarkable words, such as "the trees are beautiful after the emperor, and the oranges are attractive": a strong green orange suddenly rises between the vast world, and it is deeply rooted in the "southern land", and no force can make it migrate. The indomitable spirit and the perseverance of "being ordered not to move" make people give birth to infinite respect! Chenpi is respectable and handsome. Next, the poet outlined its vibrant "green leaves" with delicate brushstrokes, smearing its snowflake-like "plain capacity"; Although its branches and leaves are also covered with "thorns", it is only to prevent foreign enemies from invading; However, what it contributes to the world is "fine in color and white inside" and dazzling "round fruit"! So the feelings of generate, loudly praised "disputes should be repaired", worthy of great responsibility! Although this passage is mainly about description, between the lines, it reveals the poet's pride and praise for "Jiashu".
The beauty of dried tangerine peel lies not only in the external form, but also in the internal spirit. The second paragraph of this poem, that is, from the description of the external beauty of Chenpi to the enthusiastic eulogy of its internal spirit: although he is young, he has made a firm ambition of "being alone but not moving"; When I grow up, I am even more indifferent and quiet, alienated from troubled times, detached from self-reliance, "horizontal but not flowing" and "comfortable and inseparable from prostitution", showing a strong and upright character. Even in the face of the age of flowers, it is still lush and never gives in to the cold. Writing here, the poet once again couldn't restrain his surging emotions, and communicated "things and me" with a sentence of "I wish to thank you at the age of 20 and be friends with you for a long time": he suddenly embraced the poet himself in Ode to Oranges, and he was willing to make friends with the appearance of Chenpi to resist the harsh years. This makes the orange image of Ao Shuang Xue superimposed with the author whose reputation has been ruined and whose ethics has not changed. So the author thought for thousands of years and ended up doing better than Boyi and thinking like Xi. The artistic conception of the whole poem was suddenly sublimated-in the distant reflections of two lofty ideals, ancient and modern, the lofty spirit of Chenpi all flowed and converged, becoming a symbol of the lofty ideal and great spirit in adversity, shining high in the brilliant starry sky of history.
Analysis of the phenomenon of classical Chinese;
Exploration of writing methods
(1) Express your ambition by supporting things.
Ode to an Orange is the first object-chanting poem in China's poetry history. The poet skillfully grasped the ecology and habits of citrus, connected it with human spirit and character through analogy and association, and gave warm praise. It is not only connected with my things, but also integrated with the ancient and modern, as Lin Yunming of A Qing Dynasty said: "It seems that every sentence in the two paragraphs is an ode to oranges, and every sentence is not an ode to oranges, but Qu Yuan and oranges are not the same, and they set each other off in an interesting mirror."
(2) "ode to orange" used four words, with the word "Xi" as the lining. Surging and rhythmic, the poet's love and reverence for dried tangerine peel are vividly expressed.
5. Difficult analysis
This poem expresses ambition, and expresses Qu Yuan's feelings of loving the countryside and his noble quality of adhering to moral integrity. What do oranges have in common with these qualities?
1. Oranges are "ordered not to move" and "ingrained and difficult to move". Qu Yuan was born and raised in Chu State, and worked day and night for Chu State. He only wanted Chu to develop and his hometown to prosper, and he never had second thoughts.
2. Oranges are "white" and "repaired in case of trouble". Qu Yuan is also beautiful in appearance and noble in heart.
3. Dried tangerine peel is "independent but not moving", "Soviet independence" and "horizontal but not flowing". Qu Yuan said, "I am alone in the turbid water in the world, and everyone is drunk and I wake up alone." He would rather be buried in the belly of a fish than covered with worldly dust.
Therefore, dried tangerine peel is essentially a portrayal of Qu Yuan's personality.
Young China said.
"Shuo" is an ancient style, which is equivalent to a modern argumentative essay. The full text of "On young chinese" is * * * ten paragraphs, with more than 3,000 words. This paper compares China, an ancient feudal country, with the young people in China in his mind, praises the young people's spirit of being brave in reform, criticizes the old people's passive and conservative thoughts, encourages people to work hard and shoulder the heavy responsibility of building young people in China, and expresses the author's eager desire for the prosperity and strength of the motherland and his positive and enterprising spirit.
Paragraph 1 first set up the target of criticism: the imperialists ridiculed China as the boss empire, and immediately pointed out that the boss's statement was "Japanese" and "copying the words of westerners", thus summarizing the views of eastern and western imperialists on China at that time. Then use the rhetorical question "Am I the boss of China?" Draw out the following rebuttal text. The author asks himself and answers himself and indicates his name to show his attitude and responsible spirit. Overlapping "what" and strong tone are more enough to express anger and grievances. At the end of the paragraph, the sentence "I have a young China man in my mind" puts forward the central argument of the whole article from the front.
The second paragraph demonstrates the different personalities of the elderly and young people, and compares them with the elderly and young people. The first two sentences are aimed at the theory of "the eldest empire", describing the decline and prosperity of the country with people of all ages, and then listing the different personalities of the elderly and teenagers for comparison. At the end of the paragraph, the author's name is marked again, solemnly pointing out that "people are inherent and the country should be natural", which not only summarizes the above contents, but also naturally returns to the main idea of this paragraph, echoing the first sentence of the paragraph and taking care of the topic of "China youth".
The third question shows the historical responsibility of teenagers in China. Call on and inspire China youth to strive for the creation of China youth and celebrate the bright future of China youth. This paragraph is divided into two layers.
The first layer (the paragraph beginning with "the country is superior to the land") makes it clear that China teenagers shoulder the heavy responsibility of construction.
The first paragraph turns the meaning to the founding of the country, highlighting the young people's commitment to building young China people. First of all, from the length of time that the old and young people live in the world, it demonstrates the important role of young people in building China in the future. Then, from the aspects of intelligence, wealth, strength, independence, freedom, progress, superiority to Europe and superiority to the earth, it is strongly emphasized that the fate of the country is directly tied to young people. The arrangement of sentence content, from small to large, from part to whole, step by step, repetition and the rational use of parallel rhetoric make the article magnificent.
On the second floor (from "The Red Sun Rises" to the end of the term), we enthusiastically eulogized China youth.
This floor enthusiastically praised the young China people and his brave and brilliant future in four words. Among them, eight symbols and metaphors are used: "The red sun rises", which symbolizes the bright future of China youth; With "the river flows out", it symbolizes the infinite development of young people in China; With the vivid image of "Dragon, Dragon, Dragon, Dragon, Dragon, Dragon, Dragon, Dragon, Dragon, Dragon's Claw Flying" and the great power of "The milk tiger roars in the valley, and all the animals are surprised", and with the soaring momentum of "The falcon tries its wings and the dust attracts the wind", it symbolizes the heroism of young chinese founded by China teenagers. "Wonderful Flowers" and "Ganjiang", the former is to praise the magnificent prospect of China youth in its development, while the latter is a metaphor for a sword that has just been sharpened extremely sharply, shaping a China teenager who has made contributions to China youth; The sentences of "Dressing in Heaven" and "Down-to-earth" describe that China teenagers stand tall and look down on the whole world like giants. The words "vertical" and "horizontal" refer to the length of time and the breadth of space. In the next sentence, it shows a very broad prospect for the "future" of young people in China.
At the end of the article, I praise the magnificent prospect of China youth's continuous development and eternal existence, and eulogize the spirit of China youth's eternal progress. "China Youth" and "China Youth" are "borderless", which shows that their future and destiny are closely linked. Here, full of the author's strong feelings, he praised the young people in China who founded young chinese and the young people in China who have infinite magnificent prospects. The high intonation gives readers a great shock.
Due to the limitation of the times and the influence of the author's feelings, the article also reflects the author's one-sided and absolute understanding of some issues. For example, the author distinguishes citizens according to their age and youth, denies and affirms them, and attributes them to conservatism and enterprising, cowardice and heroism, inaction and promising. It is believed that all young people are advanced and all old people are conservative, and the weakness of old China is only attributed to the aging of bureaucrats. These understandings are not completely in line with reality, and even somewhat extreme. We should understand these quotations historically.
Analysis of the phenomenon of classical Chinese;
1. duality is often used in this paper.
Duality is a rhetorical device, which arranges a pair of sentences with the same or similar structure and the same number of words symmetrically together to express similar, related or opposite and relative meanings.
2.
1) Woo! Am I the boss of China? Liang Qichao said: evil does something, but not something! I have a young China man in my mind.
Analysis: "Alas" and "its fruit" reflect the author's strong dissatisfaction with the previous statement that "China is the oldest empire", which shows that the author is furious. "What is it, what is it!" Reuse has the meaning of emphasis and prominence. Seeing this, we can imagine Liang Qichao's extremely angry expression at this time. Express your views directly later. This passage not only shows his own point of view, but also reflects the author's clear feelings of love and hate.
The author's argument (that is, his own point of view) is not made out of thin air, but "China is the oldest empire", which shows the pertinence and necessity of the argument.
The sky puts on its pallor and the earth is yellow. Even with age and eight shortcomings, the future is like the sea. There is still a long time. Beautiful, I am a young China person, and I am not old; I am a teenager in China, and I have no national boundaries with my country.
Analysis: "The sky wears its pale and the earth wears its yellow" gives China a majestic image; "Although there are eight famines through the ages", eulogize the history and praise China's vast territory and abundant resources; The future is like the sea is full of confidence in the future of China; "Beauty" and "strength" are both eulogies and ardent wishes for indulgence.
From this passionate praise, we can realize that the author is full of infinite love for the motherland, and the tide of love has overflowed Wang Yang.
3. Free and smooth, not seeking to carve.
The language of this article, "I can't find the beam when I reach the vertical pen." In order to express his thoughts freely, the author uses words without scruple, without seeking modification or hurting his meaning with words.
4. Repeated comparison and thorough reasoning.
For example, in the second paragraph, the comparison of different personalities between the elderly and young people, as well as the metaphors and symbolic sentences of the comparison between the elderly and young people, fully show this feature.
5. Overlapping arrangement, full of feelings.
In order to express unrestrained feelings, the author uses a lot of figures of speech, such as parallelism, duality, repetition and overlapping. The article is hearty and full of unrestrained feelings. For example, the second paragraph uses overlapping parallelism to advance layer by layer, and repeatedly expounds the positive and negative sides; For example, the ending is also written with overlapping, repetition, parallelism and duality, which is full of symmetrical changes and momentum in neatness.
All right, give me 200 ~ ~ ~ ~ ~ ~, original.