Tang Libai
An old friend stayed in the West Yellow Crane Tower, and fireworks went down to Yangzhou in March.
Sailing alone, the blue sky is exhausted, and only the Yangtze River is in the sky.
My old friend will leave the Yellow Crane Tower for Yangzhou in this spring of catkins and flowers. His boat will gradually disappear into the blue sky, and only the surging Yangtze River water on the horizon can be seen.
Er Ji Yuan Er Shi An Xi
Don
Weicheng is drizzling,
The guest rooms are green and willow.
I advise you to drink more wine,
There is no reason to go out of Yangguan in the west.
I sent Yuaner to Anxi, and the early morning drizzle wet the dust of the Acropolis. The hotel with blue bricks and green tiles and the surrounding willows were particularly fresh and clear. Please ask Yuaner to have another farewell drink, walk out of Yangguan and go west, and you may never see anyone you know again.
3 "Title Xilin Wall"
Su Shi in Northern Song Dynasty
Seen from the side of the ridge, it becomes a mountain peak.
The distance is different.
I don't know the true face of Lushan Mountain,
Just because I'm in this mountain.
Looking at Lushan Mountain from the front, from the side, the mountains of Lushan Mountain are undulating and the peaks stand tall. Looking at Lushan from a distance, looking at it from a close distance, looking up and looking down, presents various faces. The reason why I can't recognize the true face of Lushan Mountain is because I am in Lushan Mountain.
4 "Tour Shanxi Village"
Land tour in southern song dynasty
Don't laugh at the mud wine in the farmhouse, and raise enough chickens and dolphins in good years.
There's a village where there's no road.
The flute and drum are close to the Spring Club, and the clothes are simple and old.
From now on, if you ride leisurely on the moon, you will knock on the door all night with your cane.
Don't laugh at the muddy wine brewed by farmers in the twelfth lunar month. In good years, there are rich foods to entertain guests.
There are mountains and water, and when I suspected that there would be no way out, I suddenly saw a village with dark green and bright colors.
You play the flute, I play the drums and celebrate together. The Spring Festival is approaching, and the clothes made of cloth, the most common hat and the quaint ancient style still exist.
Starting from today, if I can wander by moonlight, I, a white-haired old man, will also knock on Chai Men, a farmer friend, with a crutch at night.
5 Zheng Xie
Adhere to the castle peak and not relax, the root is breaking the rock.
Thousands of blows are still strong, and the wind is east, west, north and south.
[Notes]
1. Bamboo stone is an inscribed poem.
2. Assertion: metaphor is rooted firmly, just like biting.
3. grinding: torture. Perseverance: firmness and fortitude.
4. Earl: Well, this sentence means that it can't be blown down by the southeast and northwest winds.
[explanation]
This is a poem with profound implications. The first two sentences say that bamboo is rooted in broken rocks and has a solid foundation. The second sentence says that no matter how the wind blows from all directions, the bamboo stone is still strong. While praising Zhu Shi's strong and tenacious spirit, the author implies the strength of his own character. "Being tempered, let the east, west, north and south prevail" is often used to describe revolutionaries who stand firm in the struggle and are hit by the enemy.
6. Ji Hai's Miscellaneous Poems
gong zizhen
Kyushu is furious.
It's a pity that maxima are trying to find out.
I suggest that god stand up again,
Don't stick to a pattern and belittle talents.
Gong Zizhen's Ji Hai Za Shi is an autobiographical large-scale poetry group, which is the new development of this poetic style after Wang Yuanliang in the late Song Dynasty. Cheng Jinfeng commented that "the lines are bright and the saliva is magnificent" and "the voice is heavy and intense, like a million jade moans", which is reflected in the content of An Yin by Qing Qiao. It can best reflect the author's spirit and the requirements of the times. The author skillfully links the image of the Jade Emperor, the god of games, with "Heaven" and "Wind and Thunder", which shows the reality that people's thoughts are very depressed and society is silent under the rule of the Qing Dynasty. This reality is "sad", and the author is calling for the arrival of great social changes and is full of expectations.
The emergence of new situations. A new situation can't appear automatically. It depends on talent to destroy the old world and create a new one. Talents need diversity and should not be embedded in a box. The focus of this poem is that the first half raises the issue of "anger" and the second half raises the issue of "eclecticism". This is a new problem, and the author asks people to reconsider and cheer up in order to achieve the goal of transforming the world.
7. Spring thunder
1973 Spring
The sound of spring thunder is crisp,
The city of roses breeds brilliance.
Green wheat likes water,
Ten thousand mu of Xie Leigui.
In spring, everything is revived and full of vitality. At night, spring thunder strikes, the sound is crisp, and lightning illuminates the whole city. As a result, the wheat was watered, and all things announced the return of spring while enjoying abundant rain.
8. Moonlit night
Du Fu
In Fuzhou, far away, she is looking at the moonlight, looking at it alone from the window of her room.
For our boys and girls, poor little baby, too young to know where the capital is.
Her cloudy hair is sweet with mist, and her jade-white shoulders are cold in the moonlight.
When can we lie on the screen again and look at the bright light and stop crying? ?
This poem expresses the poet's sincere parting in a specific historical environment. In May of the 15th year of Tianbao (756), Du Fu moved from Fengxian to Baishui, north of Tongguan. In June, the Anshi Rebellion broke Tongguan and Xuanzong entered Shu, so Du Fu had to go north with his family and stay in Zhangzhou temporarily. In July, Su Heng ascended the throne of Lingwu, and Du Fu went alone. Captured by rebels on the way to Chang 'an. This poem was written by Du Fu in Chang 'an in August. Without that earth-shattering war disaster, there would be no tragic experience of the poet's family being ruined and desperate. Without this special experience, it is impossible to imagine the sad and lingering feeling in the poem. The important value of this poem is indeed because it reflects the typical emotions in a typical environment. What makes this poem stand out among many works describing the feelings of parting in troubled times is undoubtedly the author's unique novel angle and writing style. Here, Lao Du generally doesn't tell the scene and feelings, but writes from the side of missing the object. Describe each other's imaginary situation carefully from beginning to end. Infinite affection and infatuation poured out from this series of imaginary descriptions, reaching the extreme of lyricism. In the first sentence, I never say that I miss my wife when I look at the moon, but that my wife thinks of herself when I look at the moon. Compared with the general memories of my feelings, at first, the meaning was deeper. Predecessors have written such famous sentences as "the moon is shining in the sky thousands of miles away" (Yuefu in Xie Zhuang) and "Tianya * * at this time" (Zhang Jiuling's thinking about the moon is far away), all of which involve "remembering" and "being remembered", but here we only mention the recalled party and express the change of angle. I will definitely miss my children. But the couplets don't directly say that I look forward to the moon and miss my children. It means that the child and his mother look at the moon together and imagine that the child is still young. I still don't know how to look at the moon and miss my loving father trapped in Chang 'an. What a pity! The poet's unforgettable memories of his inner feelings have deepened in this painful imagination. Third, imagination becomes more concrete. The scene of an empty wife looking at the moon for a long time is the most beautiful lyric sentence in the whole poem. Holding it in my arms is wet and cold, and it seems that I have been infatuated with the moon for a long time. The better the moonlight, the more painful it is, and the cold night is imperceptible. Du Yi of Wang Siyan thinks this couplet is "beautiful and sad". That's right to the point. At the end of the poem, the lyric hero's own image is put in, and the feelings are determined by the pen of imagination. This is the hope that acacia will repay. One day, the couple will meet again, and both of them will let go of the bright moon and erase the traces of pain caused by the war. Here, the above care is very thoughtful, which can be seen.
9. Autumn leaves in Los Angeles smell the flute.
Whose flute flutters in the dark and scatters in the spring breeze of Los Angeles.
In this serenade, I heard the breaking sound of willow trees. No one can miss home!
Los Angeles is now Luoyang, Henan. In the Tang Dynasty, it was a very prosperous city and was called the East Capital. On a night in the spring breeze, all the lights are gradually extinguished, and the noise of the day has calmed down. Suddenly, a loud flute and a sad melody danced over Los Angeles with the spring breeze. At this time, a poet who is far away from home is still asleep. He leaned against the window and watched. Willow, willow is just to express their reluctance. On such a spring night, listening to such a song full of parting feelings, who can't afford to be homesick? Therefore, the poet couldn't help singing this four-line poem. The whole poem is a word "smell" to express his feeling of smelling the flute. I don't know whose house the flute came from, but the invisible piper just boasted and listened to himself, not going to let others know about him, but unexpectedly touched many listeners. This is the meaning of the word "dark" in Whose Jade Emperor flies secretly. The wonderful flute spread all over Los Angeles as if the whole city had heard it. The poet's exaggeration is not without life basis. The flute is originally loud. When it is quiet, with the help of the spring breeze, it is not an exaggeration to say that it flies all over Los Angeles. The flute flew, and I didn't know what it was at first sight. After listening carefully for a while, I realized that it was a broken willow. So I didn't say it until the third sentence. Not to mention listening to a folding willow song, but listening to it in music. The word "folding willow" refers to both the title of the song and the title of the song. Folding willow represents a custom, a scene, a mood, and is almost synonymous with parting. It can evoke a series of specific memories and make people homesick again. "Who can't afford to miss home?" It seems to refer to others, saying that loving one's hometown is a noble feeling, which is linked with patriotism. I was born and raised in my hometown. As a member of the motherland, her image is particularly unforgettable. This poem by Li Bai is about smelling the flute, but its significance is not limited to describing music, but also expressing my yearning for my hometown, which is a touching place.
10, chrysanthemum
Yuan Zhen
The autumn silk around the house is like a pottery house, which is more and more inclined.
It's not that chrysanthemum is preferred among flowers, but that this kind of flower is more barren.
Chrysanthemum is not as rich as peony, nor as precious as orchid, but as the flower of Ao Shuang, it has always been favored by people. Some people praise its strong character, others appreciate its noble temperament, and Yuan Zhen's poems about chrysanthemums show his reasons for loving chrysanthemums in a new way. Generally speaking, chrysanthemums are lovely. But the poet did not list adjectives such as "hanging the moon with a golden hook". Nor did it describe the scene of striving for beauty. Instead, a metaphor is used-"autumn silk is like a Potter." There are clusters of chrysanthemums around the house, as if they were in Tao Yuanming's home. Autumn bushes, that is, clusters of chrysanthemums. Tao Yuanming loved chrysanthemums most in the Eastern Jin Dynasty, and chrysanthemums were planted everywhere in his home. "Picking chrysanthemums under the east fence and seeing Nanshan leisurely" ("Drinking") is his famous sentence. So, the poet was completely attracted by the chrysanthemum in front of him and looked around the fence intently, unaware that the sun had set in the west. "Left and Right" and "Sunset" really show the poet's fascination with chrysanthemums, which makes him linger and exaggerates the atmosphere of loving chrysanthemums. Why is the poet so obsessed with chrysanthemums? Three or four sentences explain the reason for loving chrysanthemums: "It is not that chrysanthemums are favored among flowers, but that there are no flowers at all." Chrysanthemum is the last flower to wither. Once chrysanthemums are exhausted, there will be no flowers to enjoy, and people's love for flowers will naturally focus on chrysanthemums. Therefore, as a person who is dying, he is richly cherished. The poet draws a profound truth from the natural phenomenon that chrysanthemums finally wither in the four seasons. Expressed the poet's special love for chrysanthemums. Of course, it also includes the praise of chrysanthemum firmness. This poem excavates unusual poetry from the common theme of chanting chrysanthemums, giving people new inspiration, novel and natural, and unconventional. In writing, the brushwork is also very clever. The first two sentences write the real scene of enjoying chrysanthemums and render the atmosphere of loving chrysanthemums as a foreshadowing; The third sentence is transition, with a stroke of a pen, and every sentence is beautiful, which further opens up the realm of beauty and enhances the artistic appeal of this little poem.