Zi Rong's major works

His poetry collections include The Jade Bird Collection (1963), South in July (196 1), Suite of Vernalisa (1969), This Can't Stand a Myth, and The Voice of a Thousand Songs. In the rain, pomegranate, life, my makeup mirror is a cat with a hunchback, an artist, sleeping in white, a fairy tale city (children's poetry, 1967), a violet, an umbrella, a bird of paradise (65438+), and his works have been selected into the anthology of foreign languages such as English, French, Japanese, Korean, Yugoslav and Romanian. His works have been praised by famous scholars, critics and poets at home and abroad for nearly 600,000 words, and three books have been published to comment on Zi Rong's works. The main genre of Zi Rong's works is new poetry, as well as prose and children's literature. Themes include philosophical thinking, affection, praising nature, female images, tourism, social reality materials, urban civilization criticism, environmental protection and so on. It can be seen that her writing has a wide range of topics. In addition, she is a very devout Christian, and the emotional world expressed in her poems often makes people feel solemn and pious. Zhong Dingwen once described her poetic style as "full of quiet loneliness and shallow depression". "Why do you ask me for an image" is a poem describing the image of women, which is quite literary in Zi Rong's poems. At the beginning, the poet confidently asked, "Why do you ask me an image?" I represent a female self, different from you (male). Then there is another stronger question and guess: "Why do you want to put a ruby in your crown?" Or "Why write more lines on a new page of life?" Anyway, for a poetess, this is a very selfish idea. Can't "I" just serve as a foil to "you"? In this regard, the poet took a step back and thought, "If you have that truth, I have engraved it in your heart." If you put me in the same position and sincerely ask me for an image, then I won't question what you are. But "if not-I am ashamed to decorate your clothes", "I" made it clear at this time-that is, I will not be your foil. Finally, the poet expressed that "laughter is my appearance, loneliness is my shadow, and white clouds are my traces, not to mention leaving other images!" I am who I am, and I don't need to define myself through you. My image does not depend on your decision. I can choose the image I have. Another song, Change, describes a love passing away with the evolution of nature in spring, summer, autumn and winter and the change of scenery. Spring gives people a comfortable and pleasant feeling, so the poet uses spring to compare the joy at the beginning of a love: "The sun is shining in spring; The breeze is blowing gently ... "Everything is so beautiful, as if" the song of heaven began to play in the jungle. " Then they entered the period of love: "xia yang keeps climbing the stairs", which shows that their love is gradually warming up. But no matter how hot the sun is, it will set in the west, and half the sky will give the night: "I didn't know the stars were mockingly blinking!" " "Poets can take this as an opportunity, and all beautiful things slowly change color with autumn. So "the green leaves turn yellow and the flowers shake down." And our love is doomed to be unable to come back to life, because, next we have to face the cold winter! "When the sun lifted the fog curtain, my love disappeared in my fantasy." The fog finally cleared, and we had to admit that our love no longer existed. Finally, while the relationship between the two has not reached freezing point, I must dry my tears and bravely wave goodbye to this relationship: "I loved you before the severe frost came."