Landscape prose should show readers vivid pictures, and it is not difficult to understand its essence from famous works. In "Spring", Zhu Ziqing painted five visually perceptible pictures: spring grass, spring flowers, spring breeze, spring rain and Spring Festival. Just like showing a slide show, let us feel the beauty and charm of spring from different angles. In Lao She's eyes, Jinan is a rare treasure in winter. He painted mountain scenery and watercolors, grasping the characteristics of mountains and rivers in winter, showing four different styles: mountains in bright sunshine, mountains covered by Bo Xue, snow lying in the distant mountains outside the city, and watery days in winter. The author's deep affection for the scenery reproduces the beauty of Jinan's winter landscape and embodies the author's deep love for the motherland's landscape. Prose is like this, and poetry is no exception. He Qifang also created three poetic images in autumn: Harvest figure, a farmer, a picture of returning to fishing in the frost morning, and a picture of a shepherdess's autumn love.
When you draw three or five pictures, you can express the scenery you want to write, and then your creative thinking will be wide open. Of course, you need to choose an angle to write a scene, either horizontally juxtaposed or vertically progressive, which needs to consider its internal relationship. Focusing on a theme, showing it from different aspects, or complementing each other, must not be aimless, like a loose sand. If you write about autumn in your hometown, you can think of autumn in fields, orchards, ponds, the sky and people's faces to express the connotation of autumn. By writing "spring", we can describe "flying snow welcomes the spring", "spring blossoms" and "spring is full" in chronological order, showing the different charm of spring in different seasons.
Second, passion is flying and imagination is bold.
It is important to truly record the real scene in front of you, but it will be boring to describe it truthfully. It also requires the author to make reasonable, bold and unique association and imagination on the basis of careful observation, so as to bring the author's subjective feelings to life. The scenery written by famous writers is imaginative, which gives readers the aesthetic feeling of reading and stimulates their thinking, thus obtaining spiritual pleasure and satisfaction. Zhu Ziqing wrote in "Spring Flowers": "Flowers are fragrant; When I close my eyes, the tree seems to be covered with peaches, Xinger and pears. " Here, the association between "spring flowers" and "autumn fruits" makes people feel the luxuriance and splendor of spring flowers, and the joy is like overflowing water. "The hill has surrounded Jinan, only the north is missing." But in Lao She's eyes, "this circle of hills is particularly lovely, as if Jinan were put in a small cradle. They whispered, "Don't worry, it will be warm here." "A strange imagination, a bold and warm metaphor, the hill is like a cradle, and Jinan City is like a sleeping baby, which not only gives the hill life, but also gives it infinite tenderness. To spread the wings of imagination in landscape writing, we should not only pay attention to the similarity of form, but also pay attention to the similarity of spirit. Writers should be good at using rhetorical devices such as metaphor. Zhu Ziqing wrote about the spring rain: like ox hair, like a flower needle, like a thin thread, densely woven, with a thin layer of smoke on the roof. A set of figurative parallelism makes readers feel the delicacy and lightness of the spring rain. Lao She also imagined the water and sky in Jinan in winter as "an ethereal blue crystal". What a wonderful metaphor and spiritual metaphor, it reproduces the clear and bright world. Unique metaphor, the reader's impression is indelible because it is brilliant personification. "What about water? It did not freeze, but steamed on the green duckweed. Seaweed is really green. Take out all the green stored all the year round ... With this green spirit, the water can't bear to freeze, and the weeping willows with long branches should take a picture in the water! " Here, Lao She personified seaweed, water and weeping willows, and everything was so considerate. As a result, the winter in Jinan is pregnant with infinite vitality and hazy spring.
Lost imagination, can not use personification, metaphor and other appropriate rhetorical devices, description is as dull as a piece of dry wax; Clever use of metaphor and personification, the language of the article is lively and interesting.
Third, skillfully use profile description to contrast the scenery written.
Don't be limited to the scenery you draw, but also pay attention to the related scenery, things and people. This kind of picture is more open, richer in content and more expressive. Zhu Ziqing wrote Spring Grass, but he used the phrase "sit, lie down, roll twice, kick a few balls, run a few laps, and catch a few laps at hide and seek". Use children's play and leisure on the grass to show the softness and loveliness of the grass. He also wrote: "Hundreds of bees are buzzing under the flowers, and butterflies of different sizes are flying around." The author shows the beauty and sweetness of spring flowers from the side through the pageant of flying insects in flowers. When writing "Spring Breeze", the author did not stick to the spring breeze, but borrowed the sense of smell, vision and hearing, and wrote the smell of grass, soil and flowers, the singing of birds and the flute of a shepherd boy, which were all classic pens in contrast. When we are writing landscapes, we might as well use this writing method to broaden the writing content in order to obtain better artistic effects. Write that plum blossoms are in full bloom on Ling Han, and you can borrow people who appreciate flowers, the dying world, flying snowflakes and even pine and bamboo as a foil. Of course, things used as a foil can't catch the "protagonist", otherwise it is a presumptuous guest usurps the host's role.
Fourth, be good at empathizing with the scene and integrating with it.
All scenery writing is lyrical. Without "emotion", there would be no scenery writing prose. A good landscape prose is full of direct or indirect lyric sentences. "Everything wakes up like a dream", and spring is charming; Spring breeze "touches you like a mother's hand", making you feel soft, warm and loving; "Those hills are so exquisite!" Love is implied in the sentence; "The top of the mountain is all white, and the blue sky is edged with silver", which not only describes the shape of the snow-capped mountains, but also is full of love. Only when you appreciate it with your heart, feel it with your heart, and be integrated with it, will you naturally feel your emotions and vent them heartily.