The relationship between inheritance and transformation is that there is a combination at the beginning and a combination at the end, which is an echo from beginning to end, while inheritance and transformation are both combined, and they are in the same strain. Therefore, the four are interdependent, interactive, logical and dialectical.
It's better to start with the pen, or cut to the chase, or thought-provoking, or eye-catching, with great changes, naturally better; If you undertake or start the reverse connection, or start the reverse connection, it is best to be smooth. The turning point after starting a business, or one turn, two turns, three turns, four turns ... The more twists and turns, the better the hall. Ending is the ending, or clearly revealing the theme, or intriguing, or inspiring people's reverie, in order to win strongly.
China's ancient metrical poems are often used, inherited and combined. The "first couplet" of metrical poems is also called "starting couplet" and "arranging couplet". Writing is to take the beginning, or write scenery, or lyrical, with a gentle tone, naturally connected with the upper part, not loose. The first couplet only summarizes the general idea, and the writer must point out the meaning of the question before opening the next couplet. Emperor Wen of Sui, a poet of Yuan Dynasty in China, said in The Number of Poets' Legalists: "Couplets: either freehand brushwork, or scenery, or things, things and quotations. This couplet must be connected, and it must be like a dragon ball. " The "neck couplet" echoes the pen, inherits the "parallel couplet", rolls up and down, ups and downs, and avoids straightforward narration. Emperor Wen of Sui's "Poet Legalists" also said: "Neck couplets, or freehand brushwork, write scenery, write things, use things and quote. Avoid the former alliance and change it. If the thunder breaks the mountain, the viewer will be amazed. " There are three ways to turn the pen: advance one layer, push one layer and reverse.