Walking in the Rain Gu Cheng
The clouds are gray and can't be washed clean any more. We opened our umbrellas and simply painted the sky black. On the night of its slow drift, there are two pairs of binary stars, which seem to have no orbit, but they are far away and close.
The artistic conception of Gu Cheng's poems;
Gu Cheng established his own kingdom-fairy tale kingdom in his poems. There are many kinds of kingdoms. Why did Gu Cheng only want to build a fairy tale kingdom in his poems?
First, I benefited from the romantic and innocent pastoral life at the seaside with my father Gu Gong in my early years. The blue sky, clear moonlight, quiet sea, refreshing rivers and boundless grasslands enable him to integrate with nature for a long time and get inspiration for poetry creation.
Secondly, influenced by Chinese and foreign literature, his favorite masterpieces of Chinese and foreign poets, such as Qu Yuan, Li Bai, Li Yu, Dante and Tagore, are nothing but great guidance and inspiration for him to establish his own kingdom.
Thirdly, Gu Cheng has been trying to preserve the simplicity of natural children's interest poems, indulging in fantasy and nature. So how did Gu Cheng, as an "artist", build his own fairy tale kingdom in his poems?
As a poet, Gu Cheng built his own fairy tale kingdom with dreams, just as Haizi built his own sacred kingdom with flowers. Without dreams, there would be no fairy tale kingdom and no ancient city!
Writing characteristics:
Every time I read Gu Cheng's poems, I feel different. The night gave me black eyes, but I used them to look for light. Just like this short two-line poem "Generation", it clearly outlines the firm image of a group of explorers.
I lamented the poet's unique imagination. Only a dozen words appear in front of us, but there are seemingly simple but complex images between the lines. In Gu Cheng's poems, people can always find a unique feeling.
The greatest feature of Gu Cheng's poems is the presentation of images, and the most commonly used expression of the image world in Gu Cheng's poems is symbolic metaphor first. This is also the center of the new art of poetry, which breaks the traditional expressive technique of true description and straightforward expression and shifts the poet's lyric angle. On the surface, the symbols in the poem seem to have nothing to do with each other, but deep down, they have infinite meanings.