When I first moved with the forest mist,
It's a little cold at night.
The window invades the lamp cold.
The stadium is empty, near the water.
Appreciation of light rain
Slight rain is not easy to detect, how can it really show up? The poem describes the imaginary place in an all-round way, and with the help of related things around and people's subjective feelings, it sets off and renders in many ways, capturing the image of drizzle. The first two sentences write about the scene of light rain just before and after evening. Haze, fog. Slightly, gradually. At the beginning of the light rain, I only felt that it was floating with the fog in the forest, and I couldn't tell whether it was fog or rain. Gradually, the light rain is accompanied by night arrival, and it shares the coolness of the evening. The last two sentences describe the scene of a long drizzle after midnight.
Long and far. Empty, empty. After a long light rain, the temperature dropped, and people sat indoors, even though they were far away from the window, they still felt the cold penetrating into the room, eroding the flashing lights; At the same time, after a long time of falling, the air is humid and the raindrops gradually become heavier. In the empty yard, you can hear the subtle patter from the nearby water. Four poems describe the process of rain in Mao Mao from the beginning to the end of the night, which was completely imperceptible at first, and gradually imperceptible later. They are very delicate and firm, but none of them directly describe the drizzle itself, but only reflect the feelings brought by the drizzle from the images of forest fog, cold night, light and underwater sound, which shows the author's artistic skill in writing landscapes. Words are also measured, such as "at first", "slightly * * *", "invasion", "cold", "virtual" and "near", and the characteristics of light rain are interpreted everywhere, and they are meticulous.
Brief introduction of the author of Xiao Yu
Li Shangyin, a famous poet. He is good at poetry writing, and his parallel prose also has high literary value. He is one of the most outstanding poets in the late Tang Dynasty. Together with Du Mu, it is called "Xiao", and together with Wen, it is called "Wen Li". Because his poems and essays are similar to the paragraphs and essays of the same period, all three of them rank sixteenth in the family, so they are called "Thirty-six Style". His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching, beautiful and moving, and are widely read. However, some poems are too obscure to be solved, and there is even a saying that "poets always love Quincy and hate that no one writes about Jian Zheng". Caught in the struggle between Niu and Li, I was frustrated all my life. After his death, he was buried in his hometown of Qinyang (now the junction of Qinyang and Aibo County). His works are included in Li Yishan's poems.