Author Wang Ruan Song,
This river is solid. You can cross it with a reed.
Rivers and rafts came to my hometown, which separated us.
Li Shifu Wenwen is a singer.
Bare, a bamboo pole handed me, supercilious look thank vulgar guest.
Fleas fill the field of vision of state guests, and there should be a hundred shots for a hundred.
I am self-righteous, and I get angry when I get angry.
Regret the mistake of Confucian crown and try your best to withdraw your anger.
Gather thousands of flames, not subject to monogamy.
When you are tired, you feel different.
I even lifted the lid and humiliated Snow White.
Happy life, cool breeze and heat.
Today happens to be autumn, and I am evaluating the moon in my hometown.
Don't you know real people? Today is a beautiful day for you.
In spring, Lei Zhen gave a cry, pointing to the sun to pull out nails.
Mao Zedong's Poems refers to the old-style poems written by Mao Zedong, which were published in the late 1970s after Chairman Mao's interpretation of Eighteen Poems in the early days of liberation. There are 43 poems, including 14 poems and 29 words.
Mao Zedong's poems reveal some other poems of Mao Zedong in the reminiscences of Mao Zedong's contemporaries. Appreciation of Mao Zedong's Poetry, published by Cang Kejia, 1990, contains excellent appreciation articles by authors such as He Jingzhi and Gong Mu. Professor Liu Xianyin published a comprehensive edition in 2008. Poetry is permeated with Mao Zedong Thought's philosophy, which is an example of Mao Zedong's personal practice of literary thought. Reading this book, we can appreciate the beauty of Mao Zedong's poem "Wandering in the lake and sea, without axe and chisel marks" from the detailed materials such as creative background, poetry appreciation and allusions annotation.
China's ancient realistic literary creation has a long history, from The Book of Songs, the first collection of poems in the Western Zhou Dynasty, to the realistic creation of Du Fu and Bai Juyi in the Tang Dynasty, and the patriotic poetry works of Lu You and Xin Qiji in the Song Dynasty, all of which deeply reflected the social life, political outlook or people's sufferings at that time.
However, none of them went deep into the wave of social revolution and struggle to show the highest form of power to promote social development-revolutionary struggle. For example, Cao Cao, who used to be involved in military struggle, only wrote the shadow of war in Good. Xin Qiji's "Breaking the Array, Drunk and Watching the Sword" is about the imaginary battle scene, while Su Shi's "Niannujiao Chibi Nostalgia" is based on the ancient battlefield.
On the other hand, Mao Zedong's poems always jump with the tide of social revolution at the most tangent distance like waves. At the same time, like a mirror of China's revolutionary history, it truly and artistically reflects the struggle of China's * * * production party for nearly half a century from the 1920s.