1, Seven-character Rhyme Chanting Wild Goose: Text: Bai Yunfei. It is cold in October in the south of the Yangtze River in autumn, and it is raining on the white sand beach. The edge of the chrysanthemum fence is thin, and the maple leaf Dan is outside the park. Feather-seeking party is fascinated by bamboo paintings, while idle people carve saddles. It is difficult for Bing Ding to drift outside.
2. Hongyan: Text: Wang Yaohua. When the season comes, fly away to absorb the coolness of summer, and the sky is arrayed to see the river. Wanli, Yusheng, back to the peak, beautiful images swimming by the water. The road is warm and the winter is prosperous, but the dream of cold rain is still there. Imagine an ordinary place in life and flap your wings like a rainbow.
3. Look north: Text: Alex Gao. The snow in Bai Mei is surprisingly fragrant. The Spring Festival is coming, and the winter is not long. Ruyi lanterns welcome auspicious celebrations and paper roads are healthy. Listen to the river to know the sky, look north to know the wind to know the dream. Just wait for the New Year's rain and geese, and Acacia will go all the way to Xiang Jun.
4, Seven Laws, Goose: Author: Wild Crane. Hengyang water heating jade Qing, wearing clouds is not old. Rows of books are vast, and a few turns have crossed the virtual life. There is no need to be surprised to fly to the sky. Don't be a mediocre person, but also leave frost and snow.
The development history of seven-character rhythmic poetry;
Seven-character metrical poetry refers to seven-character and eight-sentence poetry, which conforms to the norms of metrical poetry. Referred to as "Seven Rhymes", it is a kind of metrical poem. Metric poetry belongs to the category of modern poetry, which is named because of its rigorous meter. The rise of seven-character poems is later than that of five-character poems. It originated in the Southern and Northern Dynasties, sprouted in the new style poems of Qi and Liang Dynasties, and was shaped between the early Tang Dynasty and the prosperous Tang Dynasty.
In the early Tang Dynasty, Shen Quanqi, Song, Du, Li Qiao and others began to write articles. In the prosperous Tang Dynasty, Wang Wei, Li Qi, Cen Can and Jia Zhi all made efforts to master the system, while Cui Hao and Li Bai still had mixed, semi-ancient and semi-French works. Although there are some masterpieces of Gao Hua Xiulang in the seven-character poems of this period, most of them belong to the content of giving and receiving, which is narrower than the five-character poems.
At the same time, in the prosperous Tang Dynasty, most of the seven laws of poets such as Li Bai, Wang Wei and Gao Shi were wrong, sticky and emphasized. It was not until Du Fu that the seven-character rhythmic poem showed its poetic potential and opened up the artistic world. Du Fu opened up the realm of metrical poetry in an all-round way, and current affairs, politics, life experiences, customs, cultural relics and historical sites were all integrated into strict metrical style, which raised the value of this poetic style to the level of being juxtaposed with ancient poems and quatrains.