The juxtaposition of images means that there is no master-slave relationship, tolerance and inclusion relationship between the images that make up poetry, but there is a parallel and juxtaposition relationship between the images, and the combination of * * * forms the artistic conception of poetry. Take Meng Haoran's poem "Sleeping at Jiande" for example: "My boat is sailing in the fog, the days are getting shorter and the memories of the old days are beginning. How vast the world is, how close the trees are to heaven, and how close the moon is to the water! The poet absorbed nine poetic images, such as ship, smoke house, sunset, guests (people), wilderness, sky, trees, Qingjiang River and the moon, and vividly expressed the loneliness and sadness of the wandering boat moored on the sandbar in the middle of the river on a moonlit night in Qingjiang River. These nine images are in an equal position in the whole poem, and on the basis of describing a fact in parallel combination, they describe a kind of artistic conception of "deep leisure and light" [1]. These images seem to have continuous sequence and spatial movement. Careful analysis shows that they are all objects in a specific time and space, and there is no master-slave and inclusive relationship, but a parallel and parallel relationship. Let's look at the juxtaposition of images in several poems of Nalan Xingde. Remember to screen the window, and the autumn wind blows. Sails have been sent all over the world since then. A new sleep, the beginning of Mugetu. It is better to go back to China. Spring clouds take light clouds, draw boats like the moon, and drizzle is raining. -The word "Linjiang Fairy" is autumn wind, and it is written about spring clouds and flowing water, and the drizzle blooms. Although the time sequence is different, it is not contradictory, because one traces the time of departure and the beginning of departure, and the other intends to meet again. This word was written by the sage of Qing Dynasty during his southern tour in September and October of the 23rd year of Kangxi (1684). The author laments that "it's better to go home than a swallow", and his dissatisfaction and helplessness with the bodyguard profession is beyond words. The whole word seems to have never been deliberately managed, but it is dense and beautiful, and it is one of the best structures in concentration [2]. Between the lines, blue screen window, autumn wind, sail, lamp, dream, moon, swallow, cloud, water, sunset and so on are used.