Representative writers of foreign sentences

Famous Japanese Nuo people: in the late Muromachi period (1392 ~ 1573), there were Zongjian and Arakida Shouwu, who were the authors of Nuo songs; During the Edo period, there was Song Yong Zhen De, who advocated entertaining and entertaining. He was called the "True Gate" and tended to the classical school. Harmony at that time was still in the stage of entering harmony. On the other hand, there is Xishan School, which advocates harmony and comity and emphasizes creative freedom, and is called "Lin Tan School". There is also the famous haiku writer Ihara Xihe, who has the characteristics of this genre. Matsuo Bashō, commonly known as Nuo Sheng, combines the classical skills of Song Yong and the free and unrestrained prose style of Xishan Zongyin, and develops it, abandoning the elements of word games such as comedy and entertainment, making Nuo Sheng a poem of ordinary people's life with artistic value.

/kloc-in the 0/7th century, Japan once declined./kloc-in the second half of the 0/8th century, Xiewu Village and Xiewu Village called for "returning to banana", which once again presented a prosperous scene. During the Edo period, the following sentences gradually lost their color, but Kobayashi showed outstanding achievements in sentence (sentence) creation. As a renaissance man in Meiji period (1868 ~ 19 12), Masaoka Shiki clearly put forward the view that couplets (that is, couplets) do not belong to literature, and advocated using couplets as "haiku" literature, and still retains them today. Since then, the harmony song has gradually declined. Although it was advocated by a few people in modern times, there is still no revival. Later, some people advocated the abolition of "seasonal topic" (called "seasonless haiku") and denied stereotypes (called "free haiku"), but it did not become the dominant force.