Catalogue of China's Image Theory in Modern Poetry

Introduction Chapter I Image Poetics in the 1920s-the Origin of Modern Image Poetics Chapter II Image Theory in the Vernacular New Poetry Movement Chapter III Image Poetics of Neo-metrical Poetry School Chapter IV Symbolic Image Theory Chapter II Image Poetics in the 1930s and 1940s-Beijing Modernist Image Poetics; Image poetics of July school; Image poetics of September school; Kuya School's Poetics of Images: Chapter III:1Exploration of poetic imagery art in the 1920s; Image movement: the starting point and external power of vernacular poetry: phoenix nirvana: the change of image poetry style and image poetry quality: three visual feasts: the image construction of traditional and neoclassical beauty; Four symbolic forests: the generation of strange images. Chapter four and symbolic image thinking: the expansion of poetic image art in the 1930s: image lyricism: the image characteristics of early modernist poetry; Intellectual image: the image turn of late modernist poetry: three-way synthesis: the exploration of the openness of modern poetry image art: chapter five: the breakthrough of poetry image art in the 1940 s; Breakthrough in the depth of life: the image choice of July poets: the fluttering wind flag: the beauty of poetic images. Three Pearl Seekers: A Deep Exploration of Nine Leaves' Poetic Imagery Art Chapter VI: Imagery Art of China's Modern Poetry and Ancient Poetry; The second is the image psychology of feeling things and rejuvenating the society; Thirdly, the image purport of artistic conception; Chapter seven: China's modern poetry and the image art of western modernism; Second, the image expression strategy of experience; Third, the image generation of urbanization; The fourth is the image form of "evil beauty"; Refer to the appendix; Cultural Postscript of New Poetry and Prose.