? It is the most outstanding long narrative poem in the folk songs of Han Yuefu. It first appeared in "A New Ode to Yutai" edited by Xu Ling of Chen Dynasty, with the title of "Ancient Poetry as a Wife". After Yuefu Poems were incorporated into the songs of zaju, the title was "Jiao Zhongqing's wife", and later generations wrote "Peacock flies southeast" with the first sentence as the title. This poem mainly tells the tragic love story of Jiao Zhongqing and Liu Lanzhi, the official of Lujiang House in the late Han Dynasty.
? Although the heroine Liu Lanzhi is not a rich and powerful person, it is no exaggeration to say that she is a virtuous and capable woman. She is "thirteen weaving, fourteen tailoring, fifteen playing the piano and sixteen reciting poems". She is already a talented woman. In addition, it is rare for other women to weave a horse in one day, but when Lan Zhi marries Jiao Zhongqing's family, she will "crow into the machine, never rest every night, and break five horses in three days". She stays up late, works every day and tries to be a good wife, which is also the duty of a daughter-in-law. However, the burnt wood is unreasonable. She spoke ill of her daughter-in-law in front of her son and asked him to divorce Lan Zhi. Although Zhong Qing didn't want to, under the background of her mother's reprimand and "ruling the world with filial piety" at that time, she had to obey her mother's wishes and send her wife back to her family.
? But at this moment, Lan Zhi didn't cry, didn't make trouble, didn't hang himself, didn't blame anyone, just packed his clothes and didn't take a penny. Dress neatly, respectfully bid farewell to Jiao Mu and Xiao Guzi, and don't forget to ask Xiao Guzi to take care of her mother-in-law. Even though she was often ridiculed by Jiao Mu, she treated Jiao Mu as always.
? Of course, the ideal of "welcoming" is very happy, and the reality of "returning without welcoming" is really skinny. At that time, it was a shame that a married woman was sent home by her husband's family without being greeted by her parents. Lan Zhi's family, of course, also is such, just got home, not comfort, but questioning, is puzzled. Facing the relatives and friends who followed, he resolutely opposed it, but Liu's position was not clear. His brother forced him to agree to remarry in order to wash away his shame in time.
? Lan Zhi was weak and had to agree first, but she had already made another "great" decision in her heart. The night before her wedding, Lan Zhi went out to cry. Suddenly, she heard the whine of a horse-she knew it was her husband's horse. He rushed to meet him and spoke of his difficulties. Unexpectedly, he got the misunderstanding that "He Qing will be promoted". Lan Zhi said angrily, "We are all persecuted, and so are your concubines. If we meet in the grave, don't go against today. "
? On the wedding day, cows and horses neigh, which seems to be a regret of Liu. At the time of "After the twilight in buddhist nun, lonely people meet for the first time". Lan Zhi jumped into the clear pool without hesitation, and her life passed away like her love. Hearing this, Jiao Zhongqing lingered under the trees in the yard for a while, and also hanged himself on the branches in the southeast. Later, Jiao and Liu asked to be buried together, and they were buried together next to Huashan Mountain. Pines and cypresses are planted on both sides of the tomb, and phoenix trees are planted on both sides. The branches of these trees cover each other and the leaves are connected with each other. A pair of birds (called Yuanyang) flew out of the tree, looked at each other, and called until the night shift. Hearing this, the widow got out of bed and was very upset. This is to advise future generations to learn from this and not to make the same mistake again!
? Of course, I admire not only these rich and tortuous plots, but also the structure of fine needles and dense lines, the language full of personality and the vivid characters.
? Peacock Flying Southeast is well-structured, centering on Jiao and Liu's love tragedy Where are you going, and divided into two clues at the same time. One is the conflict between Liu Lanzhi and Jiao Zhongqing, Jiao Mu and Liu Xiong, which consists of refusing to intercede, Lan Zhi being divorced, his brother being forced to marry, the satrap proposing marriage, and fighting to death. The other is the contradiction between Jiao and Liu, saying goodbye from the dormitory, and each has his own plans. Break up at the intersection, * * * alliance oath; Lan Zhi remarried, Zhong Qing misunderstood; Lan Zhi went to the water, Zhong Qing hung up the tree; Into a mandarin duck, love sublimation and other plots.
? In addition, the dialogues between Zhong Qing and Lan Zhi, Zhong Qing and Jiao Mu, and Lan Zhi and his brother in this poem truly show everyone's different personality characteristics.
? Liu Lanzhi is strong and cautious, and will not be intimidated or shaken by glory. In front of her mother-in-law, she said, "She is too rich to be fired by her mother." She is neither humble nor humble, and she is very educated. When her brother forced her to get married, she said, "If you handle it according to your brother's wishes, you have to find a job for yourself." Soft outside and hard inside, she has her own ideas. Liu Lanzhi is also a kind and docile woman. She is considerate and understanding of Zhong Qing. On the one hand, she is loyal to love. "You are regarded as a rock, and my concubine is regarded as Pu Wei. The Puwei line is like silk, and the rock has not turned. " On the other hand, she puts herself in others' shoes. ".
? Jiao Zhongqing's personality is also very distinct. He is loyal to love, but he dare not fight directly and can only be passive. But from what he said, "I swear I won't part with you" and "I swear I won't bear the burden of heaven". You can also see his outspoken and clear attitude. Zhong Qing's rebellious character can also be seen from the sentence that he resigned from his mother when he went home: "It's cold today ... stop complaining about ghosts and gods!" These words came as a bolt from the blue to bakelite. Obviously, this character who is loyal to love, like Lan Zhi, is full of rebellious spirit.
? The burnt wood is a prominent negative image. She is an extremely overbearing and unreasonable parent representative. She knew nothing about Lan Zhi's virtue and Zhong Qing's love, and she was unsympathetic and arbitrary. For Zhong Qing, she threatened for an instant: "I have been angry for a long time, how can you be free!" After a while, he coaxed with words: "The master has a virtuous daughter who calls herself Qin Luofu. She is extremely pitiful, and her mother begs you. " Carrot and stick, the purpose is to ask Zhong Qing to send Lan Zhi away quickly, in order to maintain the authority of her parents. This fully exposed the ugly nature of feudal paternalism destroying young people.
? Although Liu Xiong didn't write much about another negative image, he said to Lan Zhi, "Why not plan!" And "marry a government official first" ... is enough to honor you. You can see his arrogance, violent sexual behavior, snobbery and ignorance of justice. "Don't marry Yi Langti, want He Yun?" The implication is: "Do you want me to support you all my life?" A bitter, heartless philistine face jumped out of the paper.
? This poem uses many artistic techniques. The first two sentences are: "Peacock flies southeast and wanders five miles." By means of comparison, the beauty of peacock is compared with that of Lan Zhi, and the hesitation when peacock flies is compared with the inner hesitation and sadness when Lan Zhi acts decisively. "Thirteen Tarant weaves it ... and his heart is often sad." Using the method of permutation and combination, in chronological order, it highlights the characteristics of Lan Zhi's versatility and education. The numbers in the list should be regarded as intertextuality and cross expression.
? "The first step is silk shoes ... exquisite." A detailed description of Lan Zhi's clothes when she left home, from feet to head, from waist to ears, to fingers, from mouth to footsteps, is a series of exaggerations, aiming at describing her beauty and showing her calmness. This heavy suit not only reflects Liu Lanzhi's attachment to Jiao Zhongqing, but also contains a strong sense of self-esteem. If you must go, why should you walk like a lost dog? We should walk with honor and dignity. At the same time, the use of these parallelism sentences invisibly enhances the phonetic momentum of the article, improves the expression effect, and expresses the author's praise and sympathy for Liu Lanzhi to the fullest. Writing about the luxurious ostentation and extravagance of the wedding ceremony of the satrap shows Lan Zhi's moral integrity, which makes the happiness of the satrap's family stand in sharp contrast with Liu Jiao's sadness and strengthens the tragic color. The arrangement of this poem is conducive to shaping the characters, but also brings the beauty of rhythm and color to the poem.
? "Its meaning is like cutting onion roots, and its mouth is like Dani", which vividly depicts her fair skin and red lips with figurative rhetoric, giving people a kind of visual enjoyment that everyone loves and is beautiful. Moreover, the article also compares the rock and the Puwei twice. "You are a rock, and my concubine is Puwei. Pu Wei is like silk, and the rock has not moved. " This metaphor vividly reflects the undying love between Jiao and Liu.
? Peacock flies southeast, with cold observation, deep sympathy and incisive description, tells readers a love tragedy where husband and wife are going. It profoundly exposed the evils of feudal ethics and parental system, praised the fighting spirit of Jiao and Liu, and showed the people's warm yearning for freedom of marriage and beautiful love. Very typical.