Fisherman by apricot tree altar, family in peach blossom garden.
Poetry uses the technique of changing scenery, and through the description of three kinds of scenery-wind rush, sunset and fisherman-it naturally comes to an idealized realm of "people in the Peach Blossom Garden". Except the second sentence of this poem is a traditional "22" sentence pattern, the other three sentences are all "42" sentence patterns, which can be divided into: crossing the river by picking ling/driving out the wind, walking on crutches/moving the village to the west/setting the sun. Apricot tree altar/fisherman, peach blossom garden/family. His poems are rigorous in meter, clever in antithesis and changeable in sentence patterns, which can be called the representative work of six-character quatrains in Tang Dynasty.