but later, because of my trust and confidence in the elderly, I insisted on going to sea with them. .
It's to reflect the sincere mutual affection between old people and children ~
I only read it twice, and I understand it this way. .
I think the passage that the child takes care of the old man after he comes home is especially good. . .
The childlike innocence and sincerity of children really make this lonely old man feel warm ~
Blessing is a novel by Mr. Lu Xun that profoundly reveals the tragic fate of women in China. In teaching, the author made a simple analysis of the tragic image of Sister Xianglin, but the students snickered. The reason is that the students failed to fully mobilize their emotional factors, and they were not moved by Sister Xianglin's tragedy. After learning it, they became more emotionally moved.
1. From the perspective of interpersonal relationship, morbid people discriminate against her and trample on her.
To think about the characters in the complicated social relations and reveal the inevitability of Xianglinsao's tragedy, Marx once said: "Man, in the final analysis, ... is the sum of all social relations in its reality." Why Sister Xianglin died and why she couldn't get sympathy from others after her death are obviously closely related to the people around her. As shown in the following picture:
Fourth Uncle and Fourth Aunt
Cold
Cruel
The husband-in-law robbed Xianglinsao and ridiculed the people in Luzhen
I sympathize with Liu Ma
Apart from the direct persecution of Xianglinsao in the thoughts and actions of Fourth Uncle and Husband-in-law, the attitude of the people around her is also the reason why she was finally abandoned and nobody cares. When Sister Xianglin came to Luzhen again as a remarriage and funeral, people in Luzhen did not call her "Sister He Liusao", but still called her "Sister Xianglin". The tone of her voice shows the world's denial and condemnation of her remarriage, and she is spiritually flogged with the permanent title of "Sister Xianglin". Liu Ma's sympathy and misleading added to her mental burden, making her want to live, but dare not kill herself.
Second, from the artistic conception, Sister Xianglin is a bad karma person who has no spring in her life.
Sister Xianglin has never been as warm as spring. Several key plots of her husband's death, remarriage, loss of children and death all happened in spring.
1. On the day of Li Chun, her husband died. She lost her husband in the spring. In feudal society, women have the lowest status, and a widow's situation is even more difficult, not to mention "she has a strict mother-in-law at home." Because her husband is "ten years younger than her" and has left no offspring, the road of "her husband dies and follows her son" has no chance with her. Besides, my mother-in-law won't leave her as a "nemesis" at home, childless and widowed, and this road is blocked. In front of Sister Xianglin, there is a road to remarriage that is spurned by others. But "living as a husband's family and dying as a husband's ghost" can't make their own decisions. It can only be at the mercy of the husband's family, that is, it is sold like a commodity. It seems that spring does not belong to Xianglinsao, and it will not bring her warmth and tenderness. Under the destruction of feudal ethics, her life will be a life without spring.
2. On the day of Meng Chun, she was forced to remarry. Between life and reputation, Sister Xianglin still chose "reputation", that is, a widow who never married two husbands, and she fled to Lujia. She was very diligent. However, on the day just after the New Year, when Sister Xianglin went to the river to wash rice, she was suddenly robbed by her husband's family by extremely brutal means, just like treating livestock. Although she was wailing and shouting all the way at that time, her throat was hoarse, she had a big hole in her head, and she couldn't worship heaven and earth, but the result was that too many cooks had to lock her and the man in the new house. In the first spring after Xianglin's death, Sister Xianglin was forced to remarry. Spring, for her, is simply a disaster. Spring brings her crazy personality insult. Spring has devastated her mind.
3. In late spring, I lost my beloved son. After Xianglinsao was forced to remarry, she was lucky to be a mother. "There are three unfilial sons, and no heirs are great." When Xianglinsao had a son, she gained the right to be a human being. But "something unexpected happens in the sky", and He Laoliu was "ruined by typhoid fever" soon, and her second husband loss gave her a heavy mental blow. "Fortunately, I have a son", the only flesh and blood, is the only spring in her life. But on the day when it never rains but it pours, and spring is almost over, the child was "taken away by the wolf", and the god of fate unfairly took away the only trace of spring from her arms. The son died. "Uncle came to collect the house and drive her away. She was really desperate and had to ask the old master." This tragic plot happened again in spring, and with the "spring is coming to an end", her life will also end.
4. On the day of Spring Festival, I died miserably. Sister Xianglin came to Lujia again because she wanted to be a slave, but her attitude towards her was completely changed. After becoming a beggar, her experience was even more miserable, and she often didn't even get food. Finally, with the pain of life and the horror of death, she died tragically under a series of fatal blows, persecution and destruction in Luzhen's blessing. Fourth Uncle's "It's not too early or too late, but it's just at this time". At this time, all families are happy and the whole family is reunited. At the last moment of her life, Xianglinsao quietly withdrew from the historical stage of life without even having time to enjoy the spring. The poverty is wide and the contrast is huge. The arrangement of this ending is that Xianglinsao's tragedy is more shocking.
Third, from the props and costumes, "cracked bamboo poles, broken hearts" and "white-headed ropes show filial piety".
Lu Xun's works and props are very unique. As soon as Sister Xianglin appeared, a strong tragic mood hit people's hearts and noses. In addition to the author's meticulous portrait description, it is also attributed to the author's elaborate props: bamboo basket, broken bowl and cracked pole. "He carried a bamboo basket in one hand and a broken bowl in it was empty; Holding a bamboo pole longer than her in one hand, the lower end cracked. " This image is distinctive and unique, and it is highly personalized. People can't help but see the image of a miserable beggar in their minds. The extremely simple props have left a deep impression on readers. It is conceivable that the bowl is "broken and empty" and the bottom of the bamboo pole is "cracked", which shows the long years of being a beggar. After reading it, how can it not make people feel sad and pitied?
When Sister Xianglin appeared in Luzhen, she said, "There is a white-headed rope tied on her head" and the second time, "She still has a white-headed rope tied on her head ..." From this, we can easily see her widow status, indicating that she is the wife of the dead Xianglin, and this position is very important. The white-headed rope on her head reveals her tragic fate, and it is doomed that Xianglinsao will live under this name all her life. It is not Xianglinsao's fault that her husband died, but she wants to tie a white-headed rope to announce to the world that she is a disaster, which is considered unlucky. She used to follow the rules of feudal ethics, "Starving to death is a small matter, but dishonor is a big matter" and "a good woman doesn't marry two men", but it happened that a mother-in-law wouldn't let her be sober, and someone laughed at her and discriminated against her, saying that she was "unclean". She struggled to save money and donate the threshold, but she still couldn't eliminate the disaster brought to her by the white-headed rope and the trauma to her soul. Such a woman, who has no autonomy in life, will be spurned when she dies, suffering and dying horribly-what a tragic fate. This detail is a powerful accusation against the feudal ethics of cannibalism.
Fourth, from the perspective of reappearing typical characters in typical environments, Sister Xianglin is a tragedy of the times.
Sister Xianglin lived in the late Qing Dynasty. Sister Xianglin's tragedy was the tragedy of that era, and it was also the tragedy of thousands of working women in Qian Qian at that time.
At that time, feudal ethics were still devouring people. Sister Xianglin, who was 26 or 7 years old, married Xianglin, who was 16 or 17 years old. This is a backward and cruel abnormal marriage custom. Jiangsu and Zhejiang provinces called it the equal-lang daughter-in-law, just as the folk song said at that time: "A 2-year-old elder sister is a 1-year-old, and she sleeps in bed every night. Said that his husband is too young in the coming year, and that his son will not call his mother. " It can be seen how embarrassed and bitter it is to wait for her daughter-in-law. Sister Xianglin lives in such an environment, which makes "she doesn't like to talk very much, and others only answer when asked, and she doesn't answer much", so she can only take a breath for herself with endless labor. People at that time were indifferent, numb, selfish and ignorant. Xianglinsao was not accepted by Luzhen because of the existence of people who were seriously poisoned by feudal ethics at that time. The husband's power thought of "a husband is a wife, a good woman doesn't marry two men" can tolerate chaste widows, but can't tolerate remarried women. It is enough to see that the morbid society at that time and the morbid people brewed the tragedy of Xianglinsao. This is the environment in which Sister Xianglin lives, and this environment is also a fundamental reason for Sister Xianglin's tragedy.
In short, we should fully tap the emotional factors of novels in teaching, and be good at finding ingenious breakthrough points. Teachers should use their own true feelings to pluck the strings of students' hearts. Once the strings of students' hearts ring, the Chinese classroom lit by emotional flames will burst out with vitality. There is no doubt that students will enter Xianglinsao emotionally.